Iszoloscope
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Similar Artists On Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
Concerts and tour dates
Past
SEP
16
2023
Montreal, Canada
Foufounes Électriques
I Was There
AUG
31
2019
Montréal, Canada
Katacombes Coop
I Was There
OCT
06
2018
Sheffield, United Kingdom
Corporation
I Was There
OCT
05
2018
Sheffield, United Kingdom
Corporation
I Was There
AUG
03
2018
Mont-Saint-Pierre, Canada
Katacombes
I Was There
FEB
24
2017
Glasgow, United Kingdom
Audio
I Was There
Show More Dates
About Iszoloscope
Yann Faussurier underwent a lot of introspection before arriving at the sinister, squalling noise he now produces as Iszoloscope. Dismissive of any mainstream music ("it always has been a real joke to me"), Faussurier found his place on the vast musical continuum through videogames, of all things. A fervent gamer, he says he derived a lot of his aesthetic direction from games like Doom¸ Nocturne and Unreal Tournament and a sci-fi shooter called R-Type, all of which combine moody action and eerie soundtracks. After becoming acquainted with the menacing atmospherics of artists like The Future Sound of London, Coil and Scorn, Faussurier began DJing at CHUO 89.1 FM (the University of Ottawa's radio station) with friend François Bénard. The two started composing original music together in 1999. Caustic and experimental, the work they created under the esoteric Iszoloscope moniker consisted of heavily processed ambience and bristling noisy beats. The duo's first full-length, Coagulating Wreckage, was released on Belgium's Spectre label in September 2001; by then, however, Bénard had already quit the project. That suited Faussurier just fine. After gathering field-recorded samples, he manipulates them with all sorts of effects. Faussurier has no preconceived ideas of the result; the processed samples end up sounding nothing like the source material, which is what makes albums like Aquifère (2002) and Au Seuil du Néant (Ant-Zen, 2003) sound so alien. A lot of electronic music tends to be bold and shimmering; Iszoloscope's sound is more jagged and elusive.
Show More
No upcoming shows
Send a request to Iszoloscope to play in your city
Request a Show
Similar Artists On Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
Concerts and tour dates
Past
SEP
16
2023
Montreal, Canada
Foufounes Électriques
I Was There
AUG
31
2019
Montréal, Canada
Katacombes Coop
I Was There
OCT
06
2018
Sheffield, United Kingdom
Corporation
I Was There
OCT
05
2018
Sheffield, United Kingdom
Corporation
I Was There
AUG
03
2018
Mont-Saint-Pierre, Canada
Katacombes
I Was There
FEB
24
2017
Glasgow, United Kingdom
Audio
I Was There
Show More Dates
About Iszoloscope
Yann Faussurier underwent a lot of introspection before arriving at the sinister, squalling noise he now produces as Iszoloscope. Dismissive of any mainstream music ("it always has been a real joke to me"), Faussurier found his place on the vast musical continuum through videogames, of all things. A fervent gamer, he says he derived a lot of his aesthetic direction from games like Doom¸ Nocturne and Unreal Tournament and a sci-fi shooter called R-Type, all of which combine moody action and eerie soundtracks. After becoming acquainted with the menacing atmospherics of artists like The Future Sound of London, Coil and Scorn, Faussurier began DJing at CHUO 89.1 FM (the University of Ottawa's radio station) with friend François Bénard. The two started composing original music together in 1999. Caustic and experimental, the work they created under the esoteric Iszoloscope moniker consisted of heavily processed ambience and bristling noisy beats. The duo's first full-length, Coagulating Wreckage, was released on Belgium's Spectre label in September 2001; by then, however, Bénard had already quit the project. That suited Faussurier just fine. After gathering field-recorded samples, he manipulates them with all sorts of effects. Faussurier has no preconceived ideas of the result; the processed samples end up sounding nothing like the source material, which is what makes albums like Aquifère (2002) and Au Seuil du Néant (Ant-Zen, 2003) sound so alien. A lot of electronic music tends to be bold and shimmering; Iszoloscope's sound is more jagged and elusive.
Show More
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