You’ve got great taste.
Sign in to follow your favorite artists, save events, & more.
Sign In
![Stonefield Tickets, Tour Dates and %{concertOrShowText}](https://photos.bandsintown.com/thumb/9011129.jpeg)
![Stonefield Tickets, Tour Dates and %{concertOrShowText}](https://photos.bandsintown.com/thumb/9011129.jpeg)
Stonefield
29,123 Followers
Never miss another Stonefield concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
Follow
No upcoming shows
Send a request to Stonefield to play in your city
Request a Show
Similar Artists On Tour
Merch (ad)
![](https://m.media-amazon.com/images/I/51xibn3lD5L._SL500_.jpg)
BENT [LP][Red]
$56.03
![](https://m.media-amazon.com/images/I/41sptany-wL._SL500_.jpg)
Far From Earth
$20.57
![](https://m.media-amazon.com/images/I/51GEHkp9YyL._SL500_.jpg)
STONEFIELD - STONEFIELD
$29.97
![](https://m.media-amazon.com/images/I/517YcfE1bdL._SL500_.jpg)
As Above So Below
$180.00
![](https://m.media-amazon.com/images/I/61rTUWQXQzL._SL500_.jpg)
Dreaming Again
$23.28
![](https://m.media-amazon.com/images/I/61u92wWC4vL._SL500_.jpg)
Eyes of the Dawn/Light of Lies
$54.99
![](https://m.media-amazon.com/images/I/41IqRHdim-L._SL500_.jpg)
Stonefield of a Lifetime
$22.90
![](https://m.media-amazon.com/images/I/51vIlPSJTaL._SL500_.jpg)
Music for Your Enjoyment from Hollywo...
$15.99
![](https://m.media-amazon.com/images/I/413h1xr7ThL._SL500_.jpg)
The Passing Scene - Exclusive Limited...
$149.99
Live Photos of Stonefield
View All Photos
concerts and tour dates
Past
MAR
05
2022
Burnley, Australia
Reunion Park
I Was There
MAR
28
2020
Fortitude Valley, Australia
The Elephant Hotel
I Was There
MAR
21
2020
Manchester, United Kingdom
Soup Kitchen
I Was There
MAR
20
2020
Glasgow, United Kingdom
Broadcast
I Was There
MAR
19
2020
Leeds, United Kingdom
Magbate Bleach
I Was There
MAR
18
2020
London, United Kingdom
Moth Club
I Was There
Show More Dates
Fan Reviews
![](https://assets.prod.bandsintown.com/images/homeIcon/festivalPlaceHolderImage/thumbnail/04.png)
Andrew
December 24th 2019
Great show from the girls. Finally got to see and hear them live after missing any other opportunities I have previously had, and definitely didn't go away disappointed.
Longley, Australia@Longley International Hotel
View More Fan Reviews
About Stonefield
BENT (2019)StonefieldFrom practicing in their family shed as teenagers in rural Australia, to touring the world with Fleetwood Mac, Black Rebel Motorcycle Club, King Tuff, and King Gizzard, it’s been a strange trip for the four Findlay sisters. As Stonefield, they’ve got three albums and thousands of miles under their belts, plus plenty of perspective on what it’s like to fight to make a place for themselves, and tell their own story.
Written largely on the road in America earlier this year, the songs on BENT are filled with reference and reflection--the kind that comes from months spent far from home, living on four wheels. The surreal isolation of trudging through white-out snow and snaking down deserted highways served as the perfect backdrop for the band to look inward, taking stock of the journey they’ve taken thus far as musicians, and as people. “It’s a culmination of experiences, emotions,and stories collected over time,” explains lead singer and drummer Amy Findlay, “A growth of honest, raw, energy that has been burning within us and waiting for its moment.
”Recorded in just five days with Joe Walker and Stu Mackenzie from King Gizzard at their studio in Melbourne, the album is almost 100% live. Besides being an impressive feat and the flexing of a confident band operating at the height of their powers, that immediacy lends the album a distinct, crackling energy--thunder, lightning, and muscle-bound horsepower. “Sleep” opens the album with guitars covered in five inches of sludge and distortion and something that sounds like a far-off siren, or the high-pitched howling of the wind. It serves as a warning, a call to arms,kicking things off with a next-level version of the massive, unholy racket the band has become known for over the course of their last three albums.
The sonic inspiration taken from listening to Black Sabbath, Beak, Deep Purple, The Alan Parsons Project, and Mike Oldfield inject BENT with its sternum-shaking heaviness and ever-present swagger, but also its exploratory fearlessness--letting the songs loose to twist and turn, sticking to no one’s rules but their own. Take the proggy, keyboard-soaked intro at the top of “People,” or the cheeky combination of tinnitus-inducing hard rock and hip-shaking boogie at thecore of “Dead Alive.” “Don’t make me think I’ve lost control / I know exactly what you said / Don’tmake me think it’s in my head,” Amy sings during the latter, keeping the lyrics as defiant as the music.
“The album is about our own experiences and stories,” explains Amy, “Songs about the fear of walking home alone at night, stories of what it’s like being an all-female band and the power of supporting one another." With that being the lyrical subject, the music that came out is definitely our heaviest.” It’s clear that darker thoughts were on the Findlay sisters’ mind-- “Route 29,” with its suspenseful synth intro was inspired by the creepy The Route 29 Stalker podcast the band was listening to as they drove the namesake road on their way to a gig with King Tuff, and the cascading synth line and slinky restraint of the hi-hat on “If I Die” can only distract so much from the song’s terror-stricken lyrics.
It’s on the album’s last two songs that the band makes their strongest statement, using “Shutdown” to explore the doubt and search for validation that comes from moving and working within an industry that often makes the band feel like outsiders, lacing lines like “Is it easy for you living / When you don’t have to prove your meaning” in between a battle-cry chorus and detonations of guitar and keyboard. And “Woman” takes it to the edge with a chorus of “I am enough / I am woman,” spelling it out for anyone that hasn’t been paying attention.
BENT has all the chills and spills you would expect from an album that mines inspiration from some of the darker experiences of being misrepresented, belittled, and underestimated. By taking control of the narrative, and pumping it up with stack-blowing, guitar hero riffs and razor-edged vocals, it becomes an album of power, control, and confidence--projected in the face of a world that too often forces the opposite.
Stonefield are:
Amy Findlay: Drums/Vocals
Hannah Findlay: Guitar
Sarah Findlay: Keys
Holly Findlay: Bass
Written largely on the road in America earlier this year, the songs on BENT are filled with reference and reflection--the kind that comes from months spent far from home, living on four wheels. The surreal isolation of trudging through white-out snow and snaking down deserted highways served as the perfect backdrop for the band to look inward, taking stock of the journey they’ve taken thus far as musicians, and as people. “It’s a culmination of experiences, emotions,and stories collected over time,” explains lead singer and drummer Amy Findlay, “A growth of honest, raw, energy that has been burning within us and waiting for its moment.
”Recorded in just five days with Joe Walker and Stu Mackenzie from King Gizzard at their studio in Melbourne, the album is almost 100% live. Besides being an impressive feat and the flexing of a confident band operating at the height of their powers, that immediacy lends the album a distinct, crackling energy--thunder, lightning, and muscle-bound horsepower. “Sleep” opens the album with guitars covered in five inches of sludge and distortion and something that sounds like a far-off siren, or the high-pitched howling of the wind. It serves as a warning, a call to arms,kicking things off with a next-level version of the massive, unholy racket the band has become known for over the course of their last three albums.
The sonic inspiration taken from listening to Black Sabbath, Beak, Deep Purple, The Alan Parsons Project, and Mike Oldfield inject BENT with its sternum-shaking heaviness and ever-present swagger, but also its exploratory fearlessness--letting the songs loose to twist and turn, sticking to no one’s rules but their own. Take the proggy, keyboard-soaked intro at the top of “People,” or the cheeky combination of tinnitus-inducing hard rock and hip-shaking boogie at thecore of “Dead Alive.” “Don’t make me think I’ve lost control / I know exactly what you said / Don’tmake me think it’s in my head,” Amy sings during the latter, keeping the lyrics as defiant as the music.
“The album is about our own experiences and stories,” explains Amy, “Songs about the fear of walking home alone at night, stories of what it’s like being an all-female band and the power of supporting one another." With that being the lyrical subject, the music that came out is definitely our heaviest.” It’s clear that darker thoughts were on the Findlay sisters’ mind-- “Route 29,” with its suspenseful synth intro was inspired by the creepy The Route 29 Stalker podcast the band was listening to as they drove the namesake road on their way to a gig with King Tuff, and the cascading synth line and slinky restraint of the hi-hat on “If I Die” can only distract so much from the song’s terror-stricken lyrics.
It’s on the album’s last two songs that the band makes their strongest statement, using “Shutdown” to explore the doubt and search for validation that comes from moving and working within an industry that often makes the band feel like outsiders, lacing lines like “Is it easy for you living / When you don’t have to prove your meaning” in between a battle-cry chorus and detonations of guitar and keyboard. And “Woman” takes it to the edge with a chorus of “I am enough / I am woman,” spelling it out for anyone that hasn’t been paying attention.
BENT has all the chills and spills you would expect from an album that mines inspiration from some of the darker experiences of being misrepresented, belittled, and underestimated. By taking control of the narrative, and pumping it up with stack-blowing, guitar hero riffs and razor-edged vocals, it becomes an album of power, control, and confidence--projected in the face of a world that too often forces the opposite.
Stonefield are:
Amy Findlay: Drums/Vocals
Hannah Findlay: Guitar
Sarah Findlay: Keys
Holly Findlay: Bass
Show More
Genres:
Rock
Band Members:
Sarah Findlay - Keys & Backing Vocals, Amy Findlay - Lead Vocals & Drums, Holly Findlay - Bass & Backing Vocals, Hannah Findlay - Guitar & Backing Vocals
No upcoming shows
Send a request to Stonefield to play in your city
Request a Show
Similar Artists On Tour
Live Photos of Stonefield
View All Photos
Merch (ad)
![](https://m.media-amazon.com/images/I/51xibn3lD5L._SL500_.jpg)
BENT [LP][Red]
$56.03
![](https://m.media-amazon.com/images/I/41sptany-wL._SL500_.jpg)
Far From Earth
$20.57
![](https://m.media-amazon.com/images/I/51GEHkp9YyL._SL500_.jpg)
STONEFIELD - STONEFIELD
$29.97
![](https://m.media-amazon.com/images/I/517YcfE1bdL._SL500_.jpg)
As Above So Below
$180.00
![](https://m.media-amazon.com/images/I/61rTUWQXQzL._SL500_.jpg)
Dreaming Again
$23.28
![](https://m.media-amazon.com/images/I/61u92wWC4vL._SL500_.jpg)
Eyes of the Dawn/Light of Lies
$54.99
![](https://m.media-amazon.com/images/I/41IqRHdim-L._SL500_.jpg)
Stonefield of a Lifetime
$22.90
![](https://m.media-amazon.com/images/I/51vIlPSJTaL._SL500_.jpg)
Music for Your Enjoyment from Hollywo...
$15.99
![](https://m.media-amazon.com/images/I/413h1xr7ThL._SL500_.jpg)
The Passing Scene - Exclusive Limited...
$149.99
concerts and tour dates
Past
MAR
05
2022
Burnley, Australia
Reunion Park
I Was There
MAR
28
2020
Fortitude Valley, Australia
The Elephant Hotel
I Was There
MAR
21
2020
Manchester, United Kingdom
Soup Kitchen
I Was There
MAR
20
2020
Glasgow, United Kingdom
Broadcast
I Was There
MAR
19
2020
Leeds, United Kingdom
Magbate Bleach
I Was There
MAR
18
2020
London, United Kingdom
Moth Club
I Was There
Show More Dates
Fan Reviews
![](https://assets.prod.bandsintown.com/images/homeIcon/festivalPlaceHolderImage/thumbnail/04.png)
Andrew
December 24th 2019
Great show from the girls. Finally got to see and hear them live after missing any other opportunities I have previously had, and definitely didn't go away disappointed.
Longley, Australia@Longley International Hotel
View More Fan Reviews
About Stonefield
BENT (2019)StonefieldFrom practicing in their family shed as teenagers in rural Australia, to touring the world with Fleetwood Mac, Black Rebel Motorcycle Club, King Tuff, and King Gizzard, it’s been a strange trip for the four Findlay sisters. As Stonefield, they’ve got three albums and thousands of miles under their belts, plus plenty of perspective on what it’s like to fight to make a place for themselves, and tell their own story.
Written largely on the road in America earlier this year, the songs on BENT are filled with reference and reflection--the kind that comes from months spent far from home, living on four wheels. The surreal isolation of trudging through white-out snow and snaking down deserted highways served as the perfect backdrop for the band to look inward, taking stock of the journey they’ve taken thus far as musicians, and as people. “It’s a culmination of experiences, emotions,and stories collected over time,” explains lead singer and drummer Amy Findlay, “A growth of honest, raw, energy that has been burning within us and waiting for its moment.
”Recorded in just five days with Joe Walker and Stu Mackenzie from King Gizzard at their studio in Melbourne, the album is almost 100% live. Besides being an impressive feat and the flexing of a confident band operating at the height of their powers, that immediacy lends the album a distinct, crackling energy--thunder, lightning, and muscle-bound horsepower. “Sleep” opens the album with guitars covered in five inches of sludge and distortion and something that sounds like a far-off siren, or the high-pitched howling of the wind. It serves as a warning, a call to arms,kicking things off with a next-level version of the massive, unholy racket the band has become known for over the course of their last three albums.
The sonic inspiration taken from listening to Black Sabbath, Beak, Deep Purple, The Alan Parsons Project, and Mike Oldfield inject BENT with its sternum-shaking heaviness and ever-present swagger, but also its exploratory fearlessness--letting the songs loose to twist and turn, sticking to no one’s rules but their own. Take the proggy, keyboard-soaked intro at the top of “People,” or the cheeky combination of tinnitus-inducing hard rock and hip-shaking boogie at thecore of “Dead Alive.” “Don’t make me think I’ve lost control / I know exactly what you said / Don’tmake me think it’s in my head,” Amy sings during the latter, keeping the lyrics as defiant as the music.
“The album is about our own experiences and stories,” explains Amy, “Songs about the fear of walking home alone at night, stories of what it’s like being an all-female band and the power of supporting one another." With that being the lyrical subject, the music that came out is definitely our heaviest.” It’s clear that darker thoughts were on the Findlay sisters’ mind-- “Route 29,” with its suspenseful synth intro was inspired by the creepy The Route 29 Stalker podcast the band was listening to as they drove the namesake road on their way to a gig with King Tuff, and the cascading synth line and slinky restraint of the hi-hat on “If I Die” can only distract so much from the song’s terror-stricken lyrics.
It’s on the album’s last two songs that the band makes their strongest statement, using “Shutdown” to explore the doubt and search for validation that comes from moving and working within an industry that often makes the band feel like outsiders, lacing lines like “Is it easy for you living / When you don’t have to prove your meaning” in between a battle-cry chorus and detonations of guitar and keyboard. And “Woman” takes it to the edge with a chorus of “I am enough / I am woman,” spelling it out for anyone that hasn’t been paying attention.
BENT has all the chills and spills you would expect from an album that mines inspiration from some of the darker experiences of being misrepresented, belittled, and underestimated. By taking control of the narrative, and pumping it up with stack-blowing, guitar hero riffs and razor-edged vocals, it becomes an album of power, control, and confidence--projected in the face of a world that too often forces the opposite.
Stonefield are:
Amy Findlay: Drums/Vocals
Hannah Findlay: Guitar
Sarah Findlay: Keys
Holly Findlay: Bass
Written largely on the road in America earlier this year, the songs on BENT are filled with reference and reflection--the kind that comes from months spent far from home, living on four wheels. The surreal isolation of trudging through white-out snow and snaking down deserted highways served as the perfect backdrop for the band to look inward, taking stock of the journey they’ve taken thus far as musicians, and as people. “It’s a culmination of experiences, emotions,and stories collected over time,” explains lead singer and drummer Amy Findlay, “A growth of honest, raw, energy that has been burning within us and waiting for its moment.
”Recorded in just five days with Joe Walker and Stu Mackenzie from King Gizzard at their studio in Melbourne, the album is almost 100% live. Besides being an impressive feat and the flexing of a confident band operating at the height of their powers, that immediacy lends the album a distinct, crackling energy--thunder, lightning, and muscle-bound horsepower. “Sleep” opens the album with guitars covered in five inches of sludge and distortion and something that sounds like a far-off siren, or the high-pitched howling of the wind. It serves as a warning, a call to arms,kicking things off with a next-level version of the massive, unholy racket the band has become known for over the course of their last three albums.
The sonic inspiration taken from listening to Black Sabbath, Beak, Deep Purple, The Alan Parsons Project, and Mike Oldfield inject BENT with its sternum-shaking heaviness and ever-present swagger, but also its exploratory fearlessness--letting the songs loose to twist and turn, sticking to no one’s rules but their own. Take the proggy, keyboard-soaked intro at the top of “People,” or the cheeky combination of tinnitus-inducing hard rock and hip-shaking boogie at thecore of “Dead Alive.” “Don’t make me think I’ve lost control / I know exactly what you said / Don’tmake me think it’s in my head,” Amy sings during the latter, keeping the lyrics as defiant as the music.
“The album is about our own experiences and stories,” explains Amy, “Songs about the fear of walking home alone at night, stories of what it’s like being an all-female band and the power of supporting one another." With that being the lyrical subject, the music that came out is definitely our heaviest.” It’s clear that darker thoughts were on the Findlay sisters’ mind-- “Route 29,” with its suspenseful synth intro was inspired by the creepy The Route 29 Stalker podcast the band was listening to as they drove the namesake road on their way to a gig with King Tuff, and the cascading synth line and slinky restraint of the hi-hat on “If I Die” can only distract so much from the song’s terror-stricken lyrics.
It’s on the album’s last two songs that the band makes their strongest statement, using “Shutdown” to explore the doubt and search for validation that comes from moving and working within an industry that often makes the band feel like outsiders, lacing lines like “Is it easy for you living / When you don’t have to prove your meaning” in between a battle-cry chorus and detonations of guitar and keyboard. And “Woman” takes it to the edge with a chorus of “I am enough / I am woman,” spelling it out for anyone that hasn’t been paying attention.
BENT has all the chills and spills you would expect from an album that mines inspiration from some of the darker experiences of being misrepresented, belittled, and underestimated. By taking control of the narrative, and pumping it up with stack-blowing, guitar hero riffs and razor-edged vocals, it becomes an album of power, control, and confidence--projected in the face of a world that too often forces the opposite.
Stonefield are:
Amy Findlay: Drums/Vocals
Hannah Findlay: Guitar
Sarah Findlay: Keys
Holly Findlay: Bass
Show More
Genres:
Rock
Band Members:
Sarah Findlay - Keys & Backing Vocals, Amy Findlay - Lead Vocals & Drums, Holly Findlay - Bass & Backing Vocals, Hannah Findlay - Guitar & Backing Vocals
Get the full experience with the Bandsintown app.