

Pink Martini
165,499 Followers
• 48 Upcoming Shows
48 Upcoming Shows
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Fan Reviews

Suzanne
November 11th 2023
J'ai adoré revoir Pink Martini, ils sont des musiciens exceptionnels et madame Forbes est toujours aussi époustouflante. J'ai beaucoup aimé profité du talent du jeune chanteur, malheureusement son nom m'échappe, que j'avais vu à AGT. J'ai beaucoup aimé la voie de la nouvelle venue.
Un seul Bmol, j'aurais pris 2 ou 3 autres chansons. Le concert fut un peu trop court. Vous savez, lorsqu'on anticipe un concert plusieurs mois à l'avance et que c'est un groupe qu'on adore, on en a besoin d'un brin plus.
Suzanne
Gatineau, QC@Casino du Lac-Leamy
Rejean
November 10th 2023
Merveilleux spectacle de Pink Martini et de China Forbes hier soir au Casino de Gatineau. Je les avais vu à deux reprises su Festival de Jazz d'Ottawa, mais ce n'est pas la même chose à l'intérieur dans une salle avec un bon acoustique. Et Thomas Lauderdale et China Forbes ont montré beaucoup de respect pour les francophones en présentant toutes leurs chansons en français. Et quel rythme dans cet orchestre. Magnifique.
Gatineau, QC@Casino du Lac-Leamy
Patrick
August 28th 2023
The whole evening was spectacular. This was my first time at this venue (from Portland) and I definitely will return. The staff was extremely helpful. The music was fantastic. It would help if there were signs identifying the parking lot as we entered and exited through different entrances/exits and got a little turned around.
Eugene, OR@The Cuthbert AmphitheaterView More Fan Reviews
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About Pink Martini
“Pink Martini is a rollicking around-the-world musical adventure … if the United Nations had a house band in 1962, hopefully we’d be that band.” – Thomas Lauderdale, bandleader/pianist
Nearly 30 years ago in his hometown of Portland, Oregon, Thomas Lauderdale was working in politics, thinking that one day he would run for mayor. Like other eager beaver politicians-in-training, he went to every political fundraiser under the sun … but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world – crossing genres of classical, jazz and old-fashioned pop – and hoping to appeal to conservatives and liberals alike, he founded the “little orchestra” Pink Martini in 1994 to provide more beautiful and inclusive musical soundtracks for political fundraisers for progressive causes such as civil rights, affordable housing, the environment, libraries, public broadcasting, education and parks.
“Pink Martini draws inspiration from the romantic Hollywood musicals of the 1940s or ‘50s … with a more global perspective. We write a lot of songs … but we also champion songs like Ernesto Lecuona’s “Andalucia” or “Amado mio” from the Rita Hayworth film “Gilda” or “Kikuchiyo to mohshimasu (My name is Kikuchiyo)” made famous in the 1960s by the great Japanese group Hiroshi Wada & His Mahina Stars. In that sense we’re a bit like musical archeologists, digging through recordings and scores of years past and rediscovering beautiful songs.”
Lauderdale met China Forbes, Pink Martini’s “Diva Next Door” lead vocalist, at Harvard. He was studying history and literature while she was studying English literature and painting. Actually neither of them really studied, they socialized … and late at night, they would break into the lower common room in their college dormitory and sing arias by Puccini and Verdi – and the occasional campy Barbara Streisand cover –thus sealing their creative collaboration. Three years after graduating, Lauderdale called Forbes who was living in New York City, where she’d been writing songs and playing guitar in hew own folk-rock project, and asked her to join Pink Martini. They began to write songs together for the band. Their first song “Sympathique” – with the chorus “Je ne veux pas travailler” (“I don’t want to work”) – became an overnight sensation in France, and was even nominated for “Song of the Year” at France’s Victoires de la Musique Awards.
“Both China Forbes and I come from multicultural families,” says Lauderdale. “All of us in Pink Martini have studied different languages as well as different styles of music from different parts of the world. So inevitably, because everyone has participated at some point in the writing or arranging of songs, our repertoire is wildly diverse. At one moment, you feel like you’re in the middle of a samba parade in Rio de Janeiro, and in the next moment, you’re in a French music hall of the 1930s or a palazzo in Napoli. It’s a bit like an urban musical travelogue. We’re very much an American band, but we spend a lot of time abroad … and therefore have the incredible diplomatic opportunity to represent – through our repertoire and our concerts – a broader, more inclusive America … the America which remains the most heterogeneously populated country in the world … comprised of people of every country, every language, every religion.”
Pink Martini has twelve musicians performs its multilingual repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia and New Zealand and North America. Pink Martini made its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998 under the direction of Norman Leyden. Since then, the band has gone on to play with over 25 orchestras around the world, including multiple engagements with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Pops, the National Symphony at the Kennedy Center and the BBC Concert Orchestra in London. Other appearances include the grand opening of the Los Angeles Philharmonic’s new Frank Gehry-designed Walt Disney Concert Hall, with return sold-out engagements for New Year’s Eve over the past 15 years; two sold-out concerts at Carnegie Hall; the opening party of the remodeled Museum of Modern Art in NYC; the Governor’s Ball at the 80th Annual Academy Awards in 2008; and the opening of the 2008 Sydney Festival in Australia.
“The overarching goal is to create a cohesive body of beautiful songs with beautiful melodies. And then it all just extends outward from there. Because the interests of the band are so diverse – two percussionists who spend a lot of time in Brasil; another percussionist who grew up in Cuba; a German speaking trombone player who studied with all the brass section of the Chicago Symphony and likes Miles Davis; an African American singer who studied French and Italian and sings in 14 different; languages; a cellist who speaks Mandarin – because of this diversity inside the band, there are endless ideas. On a bad day it can just seem all too dizzying. But hopefully in the larger picture, it is a more accurate representation of America in 2009.”
“Pink Martini represents all that Toronto aspires to – sophistication, cosmopolitanism, and a type of delight that sometimes involves dressing up and carousing … with its heterogeneous tastes and facility in languages, the pop orchestra might have sprung from our own diverse metropolis, but hails instead from Portland, Oregon.” -- Toronto Star, March 2008
The band has collaborated and performed with Jimmy Scott, Carol Channing, Henri Salvador, Jane Powell, Chavela Vargas, Georges Moustaki, Michael Feinstein, DJ Dimitri from Paris, clarinetist and conductor Norman Leyden, Hiroshi Wada, DJ Johnny Dynell and several drag queens from New York City, among others.
Nearly 30 years ago in his hometown of Portland, Oregon, Thomas Lauderdale was working in politics, thinking that one day he would run for mayor. Like other eager beaver politicians-in-training, he went to every political fundraiser under the sun … but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world – crossing genres of classical, jazz and old-fashioned pop – and hoping to appeal to conservatives and liberals alike, he founded the “little orchestra” Pink Martini in 1994 to provide more beautiful and inclusive musical soundtracks for political fundraisers for progressive causes such as civil rights, affordable housing, the environment, libraries, public broadcasting, education and parks.
“Pink Martini draws inspiration from the romantic Hollywood musicals of the 1940s or ‘50s … with a more global perspective. We write a lot of songs … but we also champion songs like Ernesto Lecuona’s “Andalucia” or “Amado mio” from the Rita Hayworth film “Gilda” or “Kikuchiyo to mohshimasu (My name is Kikuchiyo)” made famous in the 1960s by the great Japanese group Hiroshi Wada & His Mahina Stars. In that sense we’re a bit like musical archeologists, digging through recordings and scores of years past and rediscovering beautiful songs.”
Lauderdale met China Forbes, Pink Martini’s “Diva Next Door” lead vocalist, at Harvard. He was studying history and literature while she was studying English literature and painting. Actually neither of them really studied, they socialized … and late at night, they would break into the lower common room in their college dormitory and sing arias by Puccini and Verdi – and the occasional campy Barbara Streisand cover –thus sealing their creative collaboration. Three years after graduating, Lauderdale called Forbes who was living in New York City, where she’d been writing songs and playing guitar in hew own folk-rock project, and asked her to join Pink Martini. They began to write songs together for the band. Their first song “Sympathique” – with the chorus “Je ne veux pas travailler” (“I don’t want to work”) – became an overnight sensation in France, and was even nominated for “Song of the Year” at France’s Victoires de la Musique Awards.
“Both China Forbes and I come from multicultural families,” says Lauderdale. “All of us in Pink Martini have studied different languages as well as different styles of music from different parts of the world. So inevitably, because everyone has participated at some point in the writing or arranging of songs, our repertoire is wildly diverse. At one moment, you feel like you’re in the middle of a samba parade in Rio de Janeiro, and in the next moment, you’re in a French music hall of the 1930s or a palazzo in Napoli. It’s a bit like an urban musical travelogue. We’re very much an American band, but we spend a lot of time abroad … and therefore have the incredible diplomatic opportunity to represent – through our repertoire and our concerts – a broader, more inclusive America … the America which remains the most heterogeneously populated country in the world … comprised of people of every country, every language, every religion.”
Pink Martini has twelve musicians performs its multilingual repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia and New Zealand and North America. Pink Martini made its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998 under the direction of Norman Leyden. Since then, the band has gone on to play with over 25 orchestras around the world, including multiple engagements with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Pops, the National Symphony at the Kennedy Center and the BBC Concert Orchestra in London. Other appearances include the grand opening of the Los Angeles Philharmonic’s new Frank Gehry-designed Walt Disney Concert Hall, with return sold-out engagements for New Year’s Eve over the past 15 years; two sold-out concerts at Carnegie Hall; the opening party of the remodeled Museum of Modern Art in NYC; the Governor’s Ball at the 80th Annual Academy Awards in 2008; and the opening of the 2008 Sydney Festival in Australia.
“The overarching goal is to create a cohesive body of beautiful songs with beautiful melodies. And then it all just extends outward from there. Because the interests of the band are so diverse – two percussionists who spend a lot of time in Brasil; another percussionist who grew up in Cuba; a German speaking trombone player who studied with all the brass section of the Chicago Symphony and likes Miles Davis; an African American singer who studied French and Italian and sings in 14 different; languages; a cellist who speaks Mandarin – because of this diversity inside the band, there are endless ideas. On a bad day it can just seem all too dizzying. But hopefully in the larger picture, it is a more accurate representation of America in 2009.”
“Pink Martini represents all that Toronto aspires to – sophistication, cosmopolitanism, and a type of delight that sometimes involves dressing up and carousing … with its heterogeneous tastes and facility in languages, the pop orchestra might have sprung from our own diverse metropolis, but hails instead from Portland, Oregon.” -- Toronto Star, March 2008
The band has collaborated and performed with Jimmy Scott, Carol Channing, Henri Salvador, Jane Powell, Chavela Vargas, Georges Moustaki, Michael Feinstein, DJ Dimitri from Paris, clarinetist and conductor Norman Leyden, Hiroshi Wada, DJ Johnny Dynell and several drag queens from New York City, among others.
Show More
Genres:
Dance Music, Jazz, Pop
Band Members:
China Forbes (vocals), Robert Taylor (trombone), Derek Rieth 1971-2014 (percussion), Maureen Love (harp), Antonis Andreou (trombone), Pansy Chang (cello), Phil Baker (bass), Dan Faehnle (guitar), Timothy Nishimoto (vocals and percussion), Nicholas Crosa (violin), Ari Shapiro (guest vocals), miguel bernal (congas and drums), Brian Lavern Davis (congas drums and percussion), Thomas Lauderdale (piano), Andrew Borger (drums and percussion), Edna Vazquez (guest vocals), Thomas Barber (trumpet), Jimmie Herrod (guest vocals), Reinhardt Melz (drums)
Hometown:
Portland, Oregon
No upcoming shows in your city
Send a request to Pink Martini to play in your city
Request a Show
Concerts and tour dates
Upcoming
Past
All Concerts & Live Streams
Show More Dates (48)
Live Photos of Pink Martini

View All Photos
Pink Martini's tour
Bandsintown Merch

Rainbow T-Shirt
$30.00

Circle Beanie
$20.00

Live Collage Sweatshirt
$45.00
Fan Reviews

Suzanne
November 11th 2023
J'ai adoré revoir Pink Martini, ils sont des musiciens exceptionnels et madame Forbes est toujours aussi époustouflante. J'ai beaucoup aimé profité du talent du jeune chanteur, malheureusement son nom m'échappe, que j'avais vu à AGT. J'ai beaucoup aimé la voie de la nouvelle venue.
Un seul Bmol, j'aurais pris 2 ou 3 autres chansons. Le concert fut un peu trop court. Vous savez, lorsqu'on anticipe un concert plusieurs mois à l'avance et que c'est un groupe qu'on adore, on en a besoin d'un brin plus.
Suzanne
Gatineau, QC@Casino du Lac-Leamy
Rejean
November 10th 2023
Merveilleux spectacle de Pink Martini et de China Forbes hier soir au Casino de Gatineau. Je les avais vu à deux reprises su Festival de Jazz d'Ottawa, mais ce n'est pas la même chose à l'intérieur dans une salle avec un bon acoustique. Et Thomas Lauderdale et China Forbes ont montré beaucoup de respect pour les francophones en présentant toutes leurs chansons en français. Et quel rythme dans cet orchestre. Magnifique.
Gatineau, QC@Casino du Lac-Leamy
Patrick
August 28th 2023
The whole evening was spectacular. This was my first time at this venue (from Portland) and I definitely will return. The staff was extremely helpful. The music was fantastic. It would help if there were signs identifying the parking lot as we entered and exited through different entrances/exits and got a little turned around.
Eugene, OR@The Cuthbert AmphitheaterView More Fan Reviews
About Pink Martini
“Pink Martini is a rollicking around-the-world musical adventure … if the United Nations had a house band in 1962, hopefully we’d be that band.” – Thomas Lauderdale, bandleader/pianist
Nearly 30 years ago in his hometown of Portland, Oregon, Thomas Lauderdale was working in politics, thinking that one day he would run for mayor. Like other eager beaver politicians-in-training, he went to every political fundraiser under the sun … but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world – crossing genres of classical, jazz and old-fashioned pop – and hoping to appeal to conservatives and liberals alike, he founded the “little orchestra” Pink Martini in 1994 to provide more beautiful and inclusive musical soundtracks for political fundraisers for progressive causes such as civil rights, affordable housing, the environment, libraries, public broadcasting, education and parks.
“Pink Martini draws inspiration from the romantic Hollywood musicals of the 1940s or ‘50s … with a more global perspective. We write a lot of songs … but we also champion songs like Ernesto Lecuona’s “Andalucia” or “Amado mio” from the Rita Hayworth film “Gilda” or “Kikuchiyo to mohshimasu (My name is Kikuchiyo)” made famous in the 1960s by the great Japanese group Hiroshi Wada & His Mahina Stars. In that sense we’re a bit like musical archeologists, digging through recordings and scores of years past and rediscovering beautiful songs.”
Lauderdale met China Forbes, Pink Martini’s “Diva Next Door” lead vocalist, at Harvard. He was studying history and literature while she was studying English literature and painting. Actually neither of them really studied, they socialized … and late at night, they would break into the lower common room in their college dormitory and sing arias by Puccini and Verdi – and the occasional campy Barbara Streisand cover –thus sealing their creative collaboration. Three years after graduating, Lauderdale called Forbes who was living in New York City, where she’d been writing songs and playing guitar in hew own folk-rock project, and asked her to join Pink Martini. They began to write songs together for the band. Their first song “Sympathique” – with the chorus “Je ne veux pas travailler” (“I don’t want to work”) – became an overnight sensation in France, and was even nominated for “Song of the Year” at France’s Victoires de la Musique Awards.
“Both China Forbes and I come from multicultural families,” says Lauderdale. “All of us in Pink Martini have studied different languages as well as different styles of music from different parts of the world. So inevitably, because everyone has participated at some point in the writing or arranging of songs, our repertoire is wildly diverse. At one moment, you feel like you’re in the middle of a samba parade in Rio de Janeiro, and in the next moment, you’re in a French music hall of the 1930s or a palazzo in Napoli. It’s a bit like an urban musical travelogue. We’re very much an American band, but we spend a lot of time abroad … and therefore have the incredible diplomatic opportunity to represent – through our repertoire and our concerts – a broader, more inclusive America … the America which remains the most heterogeneously populated country in the world … comprised of people of every country, every language, every religion.”
Pink Martini has twelve musicians performs its multilingual repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia and New Zealand and North America. Pink Martini made its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998 under the direction of Norman Leyden. Since then, the band has gone on to play with over 25 orchestras around the world, including multiple engagements with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Pops, the National Symphony at the Kennedy Center and the BBC Concert Orchestra in London. Other appearances include the grand opening of the Los Angeles Philharmonic’s new Frank Gehry-designed Walt Disney Concert Hall, with return sold-out engagements for New Year’s Eve over the past 15 years; two sold-out concerts at Carnegie Hall; the opening party of the remodeled Museum of Modern Art in NYC; the Governor’s Ball at the 80th Annual Academy Awards in 2008; and the opening of the 2008 Sydney Festival in Australia.
“The overarching goal is to create a cohesive body of beautiful songs with beautiful melodies. And then it all just extends outward from there. Because the interests of the band are so diverse – two percussionists who spend a lot of time in Brasil; another percussionist who grew up in Cuba; a German speaking trombone player who studied with all the brass section of the Chicago Symphony and likes Miles Davis; an African American singer who studied French and Italian and sings in 14 different; languages; a cellist who speaks Mandarin – because of this diversity inside the band, there are endless ideas. On a bad day it can just seem all too dizzying. But hopefully in the larger picture, it is a more accurate representation of America in 2009.”
“Pink Martini represents all that Toronto aspires to – sophistication, cosmopolitanism, and a type of delight that sometimes involves dressing up and carousing … with its heterogeneous tastes and facility in languages, the pop orchestra might have sprung from our own diverse metropolis, but hails instead from Portland, Oregon.” -- Toronto Star, March 2008
The band has collaborated and performed with Jimmy Scott, Carol Channing, Henri Salvador, Jane Powell, Chavela Vargas, Georges Moustaki, Michael Feinstein, DJ Dimitri from Paris, clarinetist and conductor Norman Leyden, Hiroshi Wada, DJ Johnny Dynell and several drag queens from New York City, among others.
Nearly 30 years ago in his hometown of Portland, Oregon, Thomas Lauderdale was working in politics, thinking that one day he would run for mayor. Like other eager beaver politicians-in-training, he went to every political fundraiser under the sun … but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world – crossing genres of classical, jazz and old-fashioned pop – and hoping to appeal to conservatives and liberals alike, he founded the “little orchestra” Pink Martini in 1994 to provide more beautiful and inclusive musical soundtracks for political fundraisers for progressive causes such as civil rights, affordable housing, the environment, libraries, public broadcasting, education and parks.
“Pink Martini draws inspiration from the romantic Hollywood musicals of the 1940s or ‘50s … with a more global perspective. We write a lot of songs … but we also champion songs like Ernesto Lecuona’s “Andalucia” or “Amado mio” from the Rita Hayworth film “Gilda” or “Kikuchiyo to mohshimasu (My name is Kikuchiyo)” made famous in the 1960s by the great Japanese group Hiroshi Wada & His Mahina Stars. In that sense we’re a bit like musical archeologists, digging through recordings and scores of years past and rediscovering beautiful songs.”
Lauderdale met China Forbes, Pink Martini’s “Diva Next Door” lead vocalist, at Harvard. He was studying history and literature while she was studying English literature and painting. Actually neither of them really studied, they socialized … and late at night, they would break into the lower common room in their college dormitory and sing arias by Puccini and Verdi – and the occasional campy Barbara Streisand cover –thus sealing their creative collaboration. Three years after graduating, Lauderdale called Forbes who was living in New York City, where she’d been writing songs and playing guitar in hew own folk-rock project, and asked her to join Pink Martini. They began to write songs together for the band. Their first song “Sympathique” – with the chorus “Je ne veux pas travailler” (“I don’t want to work”) – became an overnight sensation in France, and was even nominated for “Song of the Year” at France’s Victoires de la Musique Awards.
“Both China Forbes and I come from multicultural families,” says Lauderdale. “All of us in Pink Martini have studied different languages as well as different styles of music from different parts of the world. So inevitably, because everyone has participated at some point in the writing or arranging of songs, our repertoire is wildly diverse. At one moment, you feel like you’re in the middle of a samba parade in Rio de Janeiro, and in the next moment, you’re in a French music hall of the 1930s or a palazzo in Napoli. It’s a bit like an urban musical travelogue. We’re very much an American band, but we spend a lot of time abroad … and therefore have the incredible diplomatic opportunity to represent – through our repertoire and our concerts – a broader, more inclusive America … the America which remains the most heterogeneously populated country in the world … comprised of people of every country, every language, every religion.”
Pink Martini has twelve musicians performs its multilingual repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia and New Zealand and North America. Pink Martini made its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998 under the direction of Norman Leyden. Since then, the band has gone on to play with over 25 orchestras around the world, including multiple engagements with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Pops, the National Symphony at the Kennedy Center and the BBC Concert Orchestra in London. Other appearances include the grand opening of the Los Angeles Philharmonic’s new Frank Gehry-designed Walt Disney Concert Hall, with return sold-out engagements for New Year’s Eve over the past 15 years; two sold-out concerts at Carnegie Hall; the opening party of the remodeled Museum of Modern Art in NYC; the Governor’s Ball at the 80th Annual Academy Awards in 2008; and the opening of the 2008 Sydney Festival in Australia.
“The overarching goal is to create a cohesive body of beautiful songs with beautiful melodies. And then it all just extends outward from there. Because the interests of the band are so diverse – two percussionists who spend a lot of time in Brasil; another percussionist who grew up in Cuba; a German speaking trombone player who studied with all the brass section of the Chicago Symphony and likes Miles Davis; an African American singer who studied French and Italian and sings in 14 different; languages; a cellist who speaks Mandarin – because of this diversity inside the band, there are endless ideas. On a bad day it can just seem all too dizzying. But hopefully in the larger picture, it is a more accurate representation of America in 2009.”
“Pink Martini represents all that Toronto aspires to – sophistication, cosmopolitanism, and a type of delight that sometimes involves dressing up and carousing … with its heterogeneous tastes and facility in languages, the pop orchestra might have sprung from our own diverse metropolis, but hails instead from Portland, Oregon.” -- Toronto Star, March 2008
The band has collaborated and performed with Jimmy Scott, Carol Channing, Henri Salvador, Jane Powell, Chavela Vargas, Georges Moustaki, Michael Feinstein, DJ Dimitri from Paris, clarinetist and conductor Norman Leyden, Hiroshi Wada, DJ Johnny Dynell and several drag queens from New York City, among others.
Show More
Genres:
Dance Music, Jazz, Pop
Band Members:
China Forbes (vocals), Robert Taylor (trombone), Derek Rieth 1971-2014 (percussion), Maureen Love (harp), Antonis Andreou (trombone), Pansy Chang (cello), Phil Baker (bass), Dan Faehnle (guitar), Timothy Nishimoto (vocals and percussion), Nicholas Crosa (violin), Ari Shapiro (guest vocals), miguel bernal (congas and drums), Brian Lavern Davis (congas drums and percussion), Thomas Lauderdale (piano), Andrew Borger (drums and percussion), Edna Vazquez (guest vocals), Thomas Barber (trumpet), Jimmie Herrod (guest vocals), Reinhardt Melz (drums)
Hometown:
Portland, Oregon
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