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Exodus
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Exodus
2 months ago
Our EXODUS Soccer Jersey from Umbro is available for presale for a limited time, go to https://exodusattack.myshopify.com/products/pre-order-exodus-soccer-jersey

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Official Merch

Exodus - Persona Non Grata Guitar Book Bundle (Limited)
$35.00 USD

Exodus - Pleasures of the Frets Vol 2 Guitar Book Bundle (Limited)
$40.00 USD

Exodus - Pleasures of the Frets Vol 1 Guitar Book Bundle (Limited)
$35.00 USD

Exodus - Tempo of the Damned Guitar Book Bundle (Limited)
$35.00 USD

Exodus - Fabulous Disaster Guitar Book Bundle (Limited)
$40.00 USD

Exodus - Bonded By Blood Guitar Book Bundle (Limited)
$40.00 USD
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About Exodus

Exodus
When we think of the phrase Bonded By Blood, we think of two things: a brotherhood that is meant to outlast the trials of war, pain, and time... and the almighty EXODUS. With a bond forged in youth and decades-old friendship, the undisputed masters of thrash metal return with their eleventh studio album: PERSONA NON GRATA due to be released early fall 2021 via Nuclear Blast Records. Literally translating to “an unwelcome” or “unacceptable” person, PERSONA NON GRATA touches on themes of modern societal disgust and degradation. “The people that disgust you - cut ‘em out like cancer,” explains guitarist Gary Holt. “Who is that person? It could be anybody. That’s up to the listener. Who is ‘Persona Non Grata’ to them?”
The underlying irony for many of these songs is the need for unity. “As we were working on these songs, things started happening around the world that ended up tying into it all, and we didn’t even know it! With the general divisiveness in the country today, and everyone being entitled to their opinions; I don’t agree with a lot of them, but I’m not here to be a preacher, either. We want people to listen to the lyrics and come up with their own meanings.”
For decades, EXODUS has impressed us with the ability to attract opposing factions to their music because of its intensity and versatility. A track like “The Beatings Will Continue Until Morale Improves” was inspired by the riots both in theme, and sound. “Without seeming insensitive to the riots, the song is tongue in cheek about what the people beating on the rioters were expecting to happen. Did you think you would beat a smile onto their face? At 3 minutes in length, it’s probably the shortest EXODUS song we’ve ever done. It gets in, gets out, and is just crushing,” describes Holt. While most of the songs do run on the shorter side, this album also comes equipped with crushing, epic tracks.
Whether it’s the music industry gossip sites, or the big players like CNN and FOX, we’re all aware of how news outlets love to set little rat traps; “Clickbait” discusses their methods of picking things out of context to grab your attention, add to their page views, and increase their revenue all while riling up your emotions. “It’s all journalistic dishonesty,” explains Holt, “it’s a modern-day version of Al Capone’s vault, everyone tunes in, and then there’s NOTHING.“ Evenly balanced with extraordinary speed and tremendous, catchy choruses, “Clickbait” is a song that explodes with vigorous energy. “As heavy as this album is, and it’s heavy as fuck, if times were different and there was still metal radio, this song, and probably over half the album, has single capabilities.”
Sitting as the second to last song on the album, “The Fires of Division” keeps PERSONA NON GRATA strong all the way through. “This album doesn’t operate on the normal parameters,” describes Holt, “we didn’t frontload this one, it’s strong right through to the end. It’s supposed to be a musical journey as the songs segway together.”
For the third time in the band’s history, EXODUS returned to Swedish artist Par Olofsson to create the album artwork PERSONA NON GRATA. “After this album, I feel like we probably won’t work with anyone else again, Par just gets it,” states Holt. A three-faced, winged creature sits atop a bloody pile of diseased and rotting humans as they scream in pain and reach their hands up desperately towards the beast. Undead riot cops beat mercilessly, and senselessly upon this pile of the dying and the world is red with fresh, sopping blood. “Is it an angel, a demon? Is the world being created or destroyed,” asks Holt, “you don’t really know.”
EXODUS don’t fall into the usual recording slump that most bands get stuck in. Gathering at Tom Hunting’s house up in the mountains, they avoided the need to book studio time or adhere to a certain schedule. “At first it was just Tom, myself, a half stack, and a drum kit; we call it jam camp. We lived there. We built the studio, we immersed ourselves in it. Number one, because we still enjoy each other’s company enough to do it. When we’re not actively rehearsing or recording, we’re still sitting there talking about the songs, working on them, plucking on acoustics until things really work,” explains Holt, “we’re not settling.” Working from three home-built studios, the band recorded PERSONA NON GRATA themselves with the help of Andy Sneap on mixing and mastering and with Steve Lagudi at the helm of engineering.
“As a band, I’m super grateful. I’ve seen a lot of things around the world and we’re still a band that loves each other, have each other’s back, and we genuinely like to hang out with each other,” explains Holt. “Take it how you will, but I’m this band’s biggest fan. We write songs that are designed to make us feel fired up - that’s why it’s still heavy.”
Line-up:
Gary Holt | Guitar
Tom Hunting | Drums
Rob Dukes | Vocals
Jack Gibson | Bass
Lee Altus | Guitar
The underlying irony for many of these songs is the need for unity. “As we were working on these songs, things started happening around the world that ended up tying into it all, and we didn’t even know it! With the general divisiveness in the country today, and everyone being entitled to their opinions; I don’t agree with a lot of them, but I’m not here to be a preacher, either. We want people to listen to the lyrics and come up with their own meanings.”
For decades, EXODUS has impressed us with the ability to attract opposing factions to their music because of its intensity and versatility. A track like “The Beatings Will Continue Until Morale Improves” was inspired by the riots both in theme, and sound. “Without seeming insensitive to the riots, the song is tongue in cheek about what the people beating on the rioters were expecting to happen. Did you think you would beat a smile onto their face? At 3 minutes in length, it’s probably the shortest EXODUS song we’ve ever done. It gets in, gets out, and is just crushing,” describes Holt. While most of the songs do run on the shorter side, this album also comes equipped with crushing, epic tracks.
Whether it’s the music industry gossip sites, or the big players like CNN and FOX, we’re all aware of how news outlets love to set little rat traps; “Clickbait” discusses their methods of picking things out of context to grab your attention, add to their page views, and increase their revenue all while riling up your emotions. “It’s all journalistic dishonesty,” explains Holt, “it’s a modern-day version of Al Capone’s vault, everyone tunes in, and then there’s NOTHING.“ Evenly balanced with extraordinary speed and tremendous, catchy choruses, “Clickbait” is a song that explodes with vigorous energy. “As heavy as this album is, and it’s heavy as fuck, if times were different and there was still metal radio, this song, and probably over half the album, has single capabilities.”
Sitting as the second to last song on the album, “The Fires of Division” keeps PERSONA NON GRATA strong all the way through. “This album doesn’t operate on the normal parameters,” describes Holt, “we didn’t frontload this one, it’s strong right through to the end. It’s supposed to be a musical journey as the songs segway together.”
For the third time in the band’s history, EXODUS returned to Swedish artist Par Olofsson to create the album artwork PERSONA NON GRATA. “After this album, I feel like we probably won’t work with anyone else again, Par just gets it,” states Holt. A three-faced, winged creature sits atop a bloody pile of diseased and rotting humans as they scream in pain and reach their hands up desperately towards the beast. Undead riot cops beat mercilessly, and senselessly upon this pile of the dying and the world is red with fresh, sopping blood. “Is it an angel, a demon? Is the world being created or destroyed,” asks Holt, “you don’t really know.”
EXODUS don’t fall into the usual recording slump that most bands get stuck in. Gathering at Tom Hunting’s house up in the mountains, they avoided the need to book studio time or adhere to a certain schedule. “At first it was just Tom, myself, a half stack, and a drum kit; we call it jam camp. We lived there. We built the studio, we immersed ourselves in it. Number one, because we still enjoy each other’s company enough to do it. When we’re not actively rehearsing or recording, we’re still sitting there talking about the songs, working on them, plucking on acoustics until things really work,” explains Holt, “we’re not settling.” Working from three home-built studios, the band recorded PERSONA NON GRATA themselves with the help of Andy Sneap on mixing and mastering and with Steve Lagudi at the helm of engineering.
“As a band, I’m super grateful. I’ve seen a lot of things around the world and we’re still a band that loves each other, have each other’s back, and we genuinely like to hang out with each other,” explains Holt. “Take it how you will, but I’m this band’s biggest fan. We write songs that are designed to make us feel fired up - that’s why it’s still heavy.”
Line-up:
Gary Holt | Guitar
Tom Hunting | Drums
Rob Dukes | Vocals
Jack Gibson | Bass
Lee Altus | Guitar
Show More
Genres:
Metal, Thrash Metal
Band Members:
Jack Gibson - Bass, Lee Altus - Guitars, Gary Holt - Guitars, Tom Hunting - Drums
Hometown:
Smithflat, California
No upcoming shows
Send a request to Exodus to play in your city
Request a show
Similar Artists On Tour
Latest Posts
Exodus
2 months ago
Our EXODUS Soccer Jersey from Umbro is available for presale for a limited time, go to https://exodusattack.myshopify.com/products/pre-order-exodus-soccer-jersey

View More Posts
Official Merch

Exodus - Persona Non Grata Guitar Book Bundle (Limited)
$35.00 USD

Exodus - Pleasures of the Frets Vol 2 Guitar Book Bundle (Limited)
$40.00 USD

Exodus - Pleasures of the Frets Vol 1 Guitar Book Bundle (Limited)
$35.00 USD

Exodus - Tempo of the Damned Guitar Book Bundle (Limited)
$35.00 USD

Exodus - Fabulous Disaster Guitar Book Bundle (Limited)
$40.00 USD

Exodus - Bonded By Blood Guitar Book Bundle (Limited)
$40.00 USD
About Exodus

Exodus
When we think of the phrase Bonded By Blood, we think of two things: a brotherhood that is meant to outlast the trials of war, pain, and time... and the almighty EXODUS. With a bond forged in youth and decades-old friendship, the undisputed masters of thrash metal return with their eleventh studio album: PERSONA NON GRATA due to be released early fall 2021 via Nuclear Blast Records. Literally translating to “an unwelcome” or “unacceptable” person, PERSONA NON GRATA touches on themes of modern societal disgust and degradation. “The people that disgust you - cut ‘em out like cancer,” explains guitarist Gary Holt. “Who is that person? It could be anybody. That’s up to the listener. Who is ‘Persona Non Grata’ to them?”
The underlying irony for many of these songs is the need for unity. “As we were working on these songs, things started happening around the world that ended up tying into it all, and we didn’t even know it! With the general divisiveness in the country today, and everyone being entitled to their opinions; I don’t agree with a lot of them, but I’m not here to be a preacher, either. We want people to listen to the lyrics and come up with their own meanings.”
For decades, EXODUS has impressed us with the ability to attract opposing factions to their music because of its intensity and versatility. A track like “The Beatings Will Continue Until Morale Improves” was inspired by the riots both in theme, and sound. “Without seeming insensitive to the riots, the song is tongue in cheek about what the people beating on the rioters were expecting to happen. Did you think you would beat a smile onto their face? At 3 minutes in length, it’s probably the shortest EXODUS song we’ve ever done. It gets in, gets out, and is just crushing,” describes Holt. While most of the songs do run on the shorter side, this album also comes equipped with crushing, epic tracks.
Whether it’s the music industry gossip sites, or the big players like CNN and FOX, we’re all aware of how news outlets love to set little rat traps; “Clickbait” discusses their methods of picking things out of context to grab your attention, add to their page views, and increase their revenue all while riling up your emotions. “It’s all journalistic dishonesty,” explains Holt, “it’s a modern-day version of Al Capone’s vault, everyone tunes in, and then there’s NOTHING.“ Evenly balanced with extraordinary speed and tremendous, catchy choruses, “Clickbait” is a song that explodes with vigorous energy. “As heavy as this album is, and it’s heavy as fuck, if times were different and there was still metal radio, this song, and probably over half the album, has single capabilities.”
Sitting as the second to last song on the album, “The Fires of Division” keeps PERSONA NON GRATA strong all the way through. “This album doesn’t operate on the normal parameters,” describes Holt, “we didn’t frontload this one, it’s strong right through to the end. It’s supposed to be a musical journey as the songs segway together.”
For the third time in the band’s history, EXODUS returned to Swedish artist Par Olofsson to create the album artwork PERSONA NON GRATA. “After this album, I feel like we probably won’t work with anyone else again, Par just gets it,” states Holt. A three-faced, winged creature sits atop a bloody pile of diseased and rotting humans as they scream in pain and reach their hands up desperately towards the beast. Undead riot cops beat mercilessly, and senselessly upon this pile of the dying and the world is red with fresh, sopping blood. “Is it an angel, a demon? Is the world being created or destroyed,” asks Holt, “you don’t really know.”
EXODUS don’t fall into the usual recording slump that most bands get stuck in. Gathering at Tom Hunting’s house up in the mountains, they avoided the need to book studio time or adhere to a certain schedule. “At first it was just Tom, myself, a half stack, and a drum kit; we call it jam camp. We lived there. We built the studio, we immersed ourselves in it. Number one, because we still enjoy each other’s company enough to do it. When we’re not actively rehearsing or recording, we’re still sitting there talking about the songs, working on them, plucking on acoustics until things really work,” explains Holt, “we’re not settling.” Working from three home-built studios, the band recorded PERSONA NON GRATA themselves with the help of Andy Sneap on mixing and mastering and with Steve Lagudi at the helm of engineering.
“As a band, I’m super grateful. I’ve seen a lot of things around the world and we’re still a band that loves each other, have each other’s back, and we genuinely like to hang out with each other,” explains Holt. “Take it how you will, but I’m this band’s biggest fan. We write songs that are designed to make us feel fired up - that’s why it’s still heavy.”
Line-up:
Gary Holt | Guitar
Tom Hunting | Drums
Rob Dukes | Vocals
Jack Gibson | Bass
Lee Altus | Guitar
The underlying irony for many of these songs is the need for unity. “As we were working on these songs, things started happening around the world that ended up tying into it all, and we didn’t even know it! With the general divisiveness in the country today, and everyone being entitled to their opinions; I don’t agree with a lot of them, but I’m not here to be a preacher, either. We want people to listen to the lyrics and come up with their own meanings.”
For decades, EXODUS has impressed us with the ability to attract opposing factions to their music because of its intensity and versatility. A track like “The Beatings Will Continue Until Morale Improves” was inspired by the riots both in theme, and sound. “Without seeming insensitive to the riots, the song is tongue in cheek about what the people beating on the rioters were expecting to happen. Did you think you would beat a smile onto their face? At 3 minutes in length, it’s probably the shortest EXODUS song we’ve ever done. It gets in, gets out, and is just crushing,” describes Holt. While most of the songs do run on the shorter side, this album also comes equipped with crushing, epic tracks.
Whether it’s the music industry gossip sites, or the big players like CNN and FOX, we’re all aware of how news outlets love to set little rat traps; “Clickbait” discusses their methods of picking things out of context to grab your attention, add to their page views, and increase their revenue all while riling up your emotions. “It’s all journalistic dishonesty,” explains Holt, “it’s a modern-day version of Al Capone’s vault, everyone tunes in, and then there’s NOTHING.“ Evenly balanced with extraordinary speed and tremendous, catchy choruses, “Clickbait” is a song that explodes with vigorous energy. “As heavy as this album is, and it’s heavy as fuck, if times were different and there was still metal radio, this song, and probably over half the album, has single capabilities.”
Sitting as the second to last song on the album, “The Fires of Division” keeps PERSONA NON GRATA strong all the way through. “This album doesn’t operate on the normal parameters,” describes Holt, “we didn’t frontload this one, it’s strong right through to the end. It’s supposed to be a musical journey as the songs segway together.”
For the third time in the band’s history, EXODUS returned to Swedish artist Par Olofsson to create the album artwork PERSONA NON GRATA. “After this album, I feel like we probably won’t work with anyone else again, Par just gets it,” states Holt. A three-faced, winged creature sits atop a bloody pile of diseased and rotting humans as they scream in pain and reach their hands up desperately towards the beast. Undead riot cops beat mercilessly, and senselessly upon this pile of the dying and the world is red with fresh, sopping blood. “Is it an angel, a demon? Is the world being created or destroyed,” asks Holt, “you don’t really know.”
EXODUS don’t fall into the usual recording slump that most bands get stuck in. Gathering at Tom Hunting’s house up in the mountains, they avoided the need to book studio time or adhere to a certain schedule. “At first it was just Tom, myself, a half stack, and a drum kit; we call it jam camp. We lived there. We built the studio, we immersed ourselves in it. Number one, because we still enjoy each other’s company enough to do it. When we’re not actively rehearsing or recording, we’re still sitting there talking about the songs, working on them, plucking on acoustics until things really work,” explains Holt, “we’re not settling.” Working from three home-built studios, the band recorded PERSONA NON GRATA themselves with the help of Andy Sneap on mixing and mastering and with Steve Lagudi at the helm of engineering.
“As a band, I’m super grateful. I’ve seen a lot of things around the world and we’re still a band that loves each other, have each other’s back, and we genuinely like to hang out with each other,” explains Holt. “Take it how you will, but I’m this band’s biggest fan. We write songs that are designed to make us feel fired up - that’s why it’s still heavy.”
Line-up:
Gary Holt | Guitar
Tom Hunting | Drums
Rob Dukes | Vocals
Jack Gibson | Bass
Lee Altus | Guitar
Show More
Genres:
Metal, Thrash Metal
Band Members:
Jack Gibson - Bass, Lee Altus - Guitars, Gary Holt - Guitars, Tom Hunting - Drums
Hometown:
Smithflat, California
Never miss another Exodus concert.
Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
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Live Photos






What fans are saying
The band delivered a very tight set. Tom Hunting was giving his drum kit a full workout. They were very responsive to the crowd and acknowledged the high energy level. I would highly recommend this Bay Area Thrash Metal Royalty.
The venue thoughtfully laid some type of cover over the dirt field. Without that the mosh pit alone would have created a dust cloud totally obstructing the view of and from the stage.
Jul 21, 2026·Paso Robles, CA

direwolf58
Was a great show, very well attended if not sold out. Exodus put on a fabulous performance as usual. There was good merch, a fun variety of items. It was cool to be so close to the band, they were close enough for fist bumps. Very fun. The opening band (Flatline) did a great job with an array of flawless metal covers that really got things started. The venue is spacious and parking was easy. Plus the food and beer was not expensive. A very good night all around!
May 18, 2026·Harrison, OH

Billy
If you weren’t in the building for this one, you missed a straight-up thrash masterclass from Megadeth, Anthrax, and Exodus.
Getting into the venue was fast — way faster than expected — which is always a solid way to start the night. Merch line was chaos but the crew behind the table were absolute machines. Prices? Yeah… brutal. About $70 plus tax for a shirt. Did I still buy an Exodus shirt? Of course I did. No regrets.
Seats were killer — basically floor energy, just one step up. Perfect view of the carnage.
Only downside on the venue side: security felt a little loose. Saw more bottles and cans on the floor than you’d normally expect at a show like this.
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Exodus — Set the Night on Fire
I’ve seen them before with Zetro, so seeing them fronted by Rob Dukes was something I was really looking forward to — and he absolutely delivered. Dude commands a crowd like few people can.
Behind him, Tom Hunting was an absolute war machine. The pit started early and never really stopped.
Only complaint? They deserved more stage time. Period.
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Anthrax — Pure Thrash Energy
Anthrax hit the stage and just kept the momentum rolling.
Scott Ian, Joey Belladonna, Jon Donais, and Frank Bello were locked in like a band that’s been doing this at the highest level for decades — because they have.
Singalongs, crowd interaction, riffs for days. Exactly what you want from Anthrax.
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Megadeth — Next Level Performance
I’ve seen Megadeth multiple times before. Always good. Sometimes great.
This night? Different beast entirely.
Dave Mustaine played like a man possessed. Vocals drifted a little here and t
Feb 17, 2026·Victoria, BC

DJ
Live Photos






What fans are saying
The band delivered a very tight set. Tom Hunting was giving his drum kit a full workout. They were very responsive to the crowd and acknowledged the high energy level. I would highly recommend this Bay Area Thrash Metal Royalty.
The venue thoughtfully laid some type of cover over the dirt field. Without that the mosh pit alone would have created a dust cloud totally obstructing the view of and from the stage.
Jul 21, 2026·Paso Robles, CA

direwolf58
Was a great show, very well attended if not sold out. Exodus put on a fabulous performance as usual. There was good merch, a fun variety of items. It was cool to be so close to the band, they were close enough for fist bumps. Very fun. The opening band (Flatline) did a great job with an array of flawless metal covers that really got things started. The venue is spacious and parking was easy. Plus the food and beer was not expensive. A very good night all around!
May 18, 2026·Harrison, OH

Billy
If you weren’t in the building for this one, you missed a straight-up thrash masterclass from Megadeth, Anthrax, and Exodus.
Getting into the venue was fast — way faster than expected — which is always a solid way to start the night. Merch line was chaos but the crew behind the table were absolute machines. Prices? Yeah… brutal. About $70 plus tax for a shirt. Did I still buy an Exodus shirt? Of course I did. No regrets.
Seats were killer — basically floor energy, just one step up. Perfect view of the carnage.
Only downside on the venue side: security felt a little loose. Saw more bottles and cans on the floor than you’d normally expect at a show like this.
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Exodus — Set the Night on Fire
I’ve seen them before with Zetro, so seeing them fronted by Rob Dukes was something I was really looking forward to — and he absolutely delivered. Dude commands a crowd like few people can.
Behind him, Tom Hunting was an absolute war machine. The pit started early and never really stopped.
Only complaint? They deserved more stage time. Period.
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Anthrax — Pure Thrash Energy
Anthrax hit the stage and just kept the momentum rolling.
Scott Ian, Joey Belladonna, Jon Donais, and Frank Bello were locked in like a band that’s been doing this at the highest level for decades — because they have.
Singalongs, crowd interaction, riffs for days. Exactly what you want from Anthrax.
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Broken Neck Radio Show Review - Megadeth Anthrax Exodus Feb 15
Megadeth — Next Level Performance
I’ve seen Megadeth multiple times before. Always good. Sometimes great.
This night? Different beast entirely.
Dave Mustaine played like a man possessed. Vocals drifted a little here and t
Feb 17, 2026·Victoria, BC

DJ








