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Anita Baker Tickets, Tour Dates and Concerts
Anita Baker Tickets, Tour Dates and Concerts

Anita BakerVerified

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Concerts and tour dates

Upcoming
Past
All Concerts & Live Streams

Anita Baker merchamazonview store

Giving You the Best I Got
$9.60
The Best of Anita Baker
$11.40
Rhythm of Love
$9.98
The Songstress
$11.50
Compositions
$12.07
View All
Anita Baker's tour

Live Photos of Anita Baker

Anita Baker at Atlantic City, NJ in Hard Rock Live at Etess Arena 2023
View All Photos

Fan Reviews

Carolyn Burgis
November 26th 2023
All I expected. Her voice was phenomenal, sound and visuals beautiful the only issue was where was her teleprompter? She handled it well. *****
Atlantic City, NJ@
Hard Rock Live at Etess Arena
Issachar
July 3rd 2023
She was good and I enjoyed that part. But not having an opening act and waiting til 9:30 to see her was not the best..
Clarkston, MI@
Pine Knob Music Theatre
DAve
February 16th 2023
Anita Baker: 2/14/23 “The DAve Show took off to the road heading to Hotlanta for some Valentine’s Day shenanigans including Anita Baker LIVE in concert at State Farm Arena. It was the first of a 2023 Pop/R&B break from my typical classic rock and country concert escapades (the others shows being Janet Jackson and Madonna). I was super-excited as I had settled in on the possibility of never seeing the Quiet Storm 80’s, soul—jazz—R&B, 3 octave voice artist in concert after missing her farewell tour in 2018. The 65 year old Detroit native and former waitress and receptionist skyrocketed in the mid-80’s with her eight million selling ‘Rapture’ album. Her 21 year studio career (’83-’04) with a mere 6 studio albums charted 25 singles on the US R&B position. Tuesday evening was the 2nd date of her 15 city US ‘The Songstress Tour’ (her first true nationwide tour in nearly thirty years) which commenced on the 11th in Florida. It was a no surprise sell out from the very beginning. My seats were upper bowl mid-arena —what I could get via a StubHub gift credit. Her band consisted of five persons in the background (L to R: keys-guitar-drums-bass-more keys) separated by a person height divider limiting a full view of the action. In the forefront L to R: grand piano-saxophone-Anita’s microphone-back up singers (two female, one male). A stage length video screen backdrop showcased all the front stage going’s on for us in the thinner air regions of the arena. The on-stage band divider often mimicked the video screen’s border images. Prior to Baker’s appearance on stage there were curtains surrounding and concealing the stage set up that were inward and outwardly illuminated in blue and red. At 9:15 the front curtains drew up and the side curtains drew horizontally backward and Anita took the stage for a 1 hr 40 min / 12 song set (with 4 from the Rapture album). There were no medleys or run on songs, Baker simply communicated verbally with the audience between each selection extending the time length of the dozen song set. I guess that’s what a Songstress does?! With the band playing, the soulful singer made her way onto the stage traveling from side to side waving, spinning, conducting, and playing air instruments all the while muscling through a noticeable limp. The scaled down and skillfully arranged stage gave the solo artist about 80% of it’s available space to utilize. Early on she jumped into ’Sweet Love’ (the second song) after a brief introduction, ‘I love you… Thank y’all, we appreciate you so much, and I want you to understand this is your night and I apologize for being so late, I truly do.’ Before she could utter another word the audience was singing every word of the first verse a cappella. Anita interrupted with a kind of restart revealing a slightly different arrangement, her vocals purposefully sung a step slightly off beat. There was another similar false start sing-along to ‘Sweet Love’ and ‘Been So Long’. She clearly loved being in Atlanta, a night scene of the city appeared on the big screen complete with the ferris wheel outside (so it had to have been recent footage). ‘Atlanta, Atlanta, every musician in the world that I know loves Atlanta!’ As she began singing ‘Same Ole Love’ R&B singer Usher came on dressed in a bright red blazer in what appeared to be cameo surprise bending down on one knee and handing her a huge bouquet of roses! After a kiss she immediately put him on the spot telling him, ‘Usher, I love you’ and handed him the microphone. He willingly complied by singing, ‘Same Ole Love especially on Valentine’s Day’! Next up Jermaine Dupri came out and gave Anita a hug, it was truly a star studded event! Turns out that in addition, Tamia, Killer Mike, 2 ChainZ, Grant Hill, Chris Webber and John Gray were all seen back stage. A beautiful rendition of ’No One In The World’ came next, Baker modulating up perfectly mid-song. Other songs of note included ‘Operator’ and ‘Angel’, Anita pointing around ‘You’re my angel, you’re my angel….’ ‘Everyone up here all night long from start to finish, everyone that has a microphone was actually singing into that microphone tonight. Everyone here this evening that has an instrument in their hands, they’re actually playing that instrument’ Truly it was a kind of assurance concert attenders can appreciate now-a-days. Rounding down the evening was the classic ‘Rapture’. ‘I want to acknowledge three generations of fans’, ‘As long as you keep coming, we’ll keep coming to see you!’ The encore was ‘Giving You The Best That I Got’, with a change of wardrobe Anita came out dressed all in red. Sparklers and a shower of confetti ended the regular set and the encore respectively. Not without note to mention this evening was Anita’s support artist for the special event, the legendary Babyface. Kenneth Brian Edmonds, 63, singer/songwriter/producer who was tagged ‘Babyface’ by Bootsy Collins has 9 solo albums with 32 charted singles and a 36 yr solo career, surprisingly more than Anita herself. Babyface proved to be the perfect opener coming on 30 minutes late likely due to a sparsely full arena. Taking the stage precisely at 7:31 he performed a 55 minute / 6 song set, one of which was actually a jam packed 26 song medley of songs. ’I thought this would be a fun time to go through a medley of songs that I wrote or I produced.’ At the opening line of each song a Billboard styled rendering showing weeks on the chart, year, title, and artist was broadcast on the video screen. There were multiple by Bobby Brown and even a couple that I knew: ‘Rock Steady’ by The Whispers, and ‘Slow Jam’ by Midnight Star. His five person band also featured two additional back-up vocalists while thousands throughout the audience sang along to nearly every word! In addition to Usher and Jermaine, Babyface also joined Baker briefly on stage during her set. A word about the sound. In all my years of concert attending going back to the 70’s, the evening’s sound quality where I was sitting was the worst I EVER experienced! I feel that much of it had to do with where I was sitting but I can’t pinpoint if it was actually due to the arena itself or the mix, or a combination of the two. After viewing a few video posts on social media from different angles that sounded great I can only assume it was majorily just my section. I’ve been to State Farm on a number of occasions, all in the upper bowl with no sound issues. Not to be a downer but it did put a damper on the entire evening, luckily the show itself made up for it somewhat. Despite that being said, I’m so glad I made the trek Southwest to see the 80’s superstar!” Review and photo by DAve (Concert #745)
Atlanta, GA@
State Farm Arena
View More Fan Reviews

About Anita Baker

Anita Baker (born January 26, 1958, in Toledo, Ohio) is a soul and adult contemporary Rhythm and blues singer.

With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. Gifted with a strong, supple alto, Baker was influenced not only by R&B, but jazz, gospel, and traditional pop, which gave her music a distinctly adult sophistication. Smooth and mellow, but hardly lifeless, it made her one of the most popular romantic singers of her time.

Baker was born January 26, 1958, in Toledo, OH, and raised in nearby Detroit, where she grew up listening to female jazz singers like Sarah Vaughan, Nancy Wilson, and Ella Fitzgerald. At age 12, she began singing a gospel choir, and by age 16 she was performing with several local bands. In 1975, she successfully auditioned for Chapter 8, one of Detroit's most popular acts at the time; the group eventually signed with Ariola and released an album in 1979, but were immediately dropped when the label was acquired by Arista (which didn't care for Baker's vocals). Chastened, Baker worked low-paying jobs in Detroit and eventually found steady work as a receptionist at a law firm. In 1982, Otis Smith -- an executive who'd worked with Chapter 8 -- contacted Baker about recording for his new label Beverly Glen. Happy with her employment benefits and skittish over the experience with Arista, Baker was reluctant at first, but eventually flew out to the West Coast to record her debut album, The Songstress, in 1983. Though it didn't gain quite enough exposure to become a hit, it did help Baker build a strong fan base through word-of-mouth and she was signed by Elektra in 1985.

Working with producer Michael J. Powell (an old Chapter 8 cohort), Baker released her major-label debut Rapture in 1986. It was a platinum, Grammy winning smash, appealing to both urban and adult contemporary listeners and producing two all-time quiet storm classics in "Caught Up in the Rapture" and "Sweet Love." Baker toured the world in 1987 and her guest appearance on the Winans track "Ain't No Need to Worry" won a Grammy. Her equally stylish follow-up album, Giving You the Best That I Got, appeared in 1988, spawning more staples in the title track and "Just Because." "Giving You the Best That I Got" also won Baker two more Grammys, for Best Female R&B Vocal and Best R&B Song. For her third Elektra album, Baker decided to handle a greater share of the songwriting, hence the title Compositions, which was released in 1990 and featured even stronger jazz inflections than Baker's previous work (not to mention all live instruments).

Following Compositions, Baker took a break from recording and touring; after having her first son in 1993, she returned to the studio to craft Rhythm of Love, which was released in 1994. In the years that followed, Baker was mostly silent, despite her fans' clamoring for a jazz album; instead, she raised her family and became embroiled in contract disputes with Elektra, which eventually led her to move to Atlantic. She began working on a new album in 2000, but had to start over from scratch due to defective recording equipment that made the original tracks unsalvageable. In 2004 it was announced that she had signed with Blue Note and still working on her new album. In the meantime, the Atlantic imprint Rhino released Night of Rapture: Live, a 1987 concert originally available on video. Baker finally returned to the studio in 2003 and issued My Everything, her first album in 10 years. Two years later she released her first holiday album, Christmas Fantasy.
Show More
Genres:
R&b, Soul, Electronic, Rnb-soul, House, R&b/soul
Hometown:
Melbourne, Australia

No upcoming shows in your city
Send a request to Anita Baker to play in your city
Request a Show

Concerts and tour dates

Upcoming
Past
All Concerts & Live Streams

Live Photos of Anita Baker

Anita Baker at Atlantic City, NJ in Hard Rock Live at Etess Arena 2023
View All Photos

Anita Baker merchamazonview store

Giving You the Best I Got
$9.60
The Best of Anita Baker
$11.40
Rhythm of Love
$9.98
The Songstress
$11.50
Compositions
$12.07
View All
Anita Baker's tour

Fan Reviews

Carolyn Burgis
November 26th 2023
All I expected. Her voice was phenomenal, sound and visuals beautiful the only issue was where was her teleprompter? She handled it well. *****
Atlantic City, NJ@
Hard Rock Live at Etess Arena
Issachar
July 3rd 2023
She was good and I enjoyed that part. But not having an opening act and waiting til 9:30 to see her was not the best..
Clarkston, MI@
Pine Knob Music Theatre
DAve
February 16th 2023
Anita Baker: 2/14/23 “The DAve Show took off to the road heading to Hotlanta for some Valentine’s Day shenanigans including Anita Baker LIVE in concert at State Farm Arena. It was the first of a 2023 Pop/R&B break from my typical classic rock and country concert escapades (the others shows being Janet Jackson and Madonna). I was super-excited as I had settled in on the possibility of never seeing the Quiet Storm 80’s, soul—jazz—R&B, 3 octave voice artist in concert after missing her farewell tour in 2018. The 65 year old Detroit native and former waitress and receptionist skyrocketed in the mid-80’s with her eight million selling ‘Rapture’ album. Her 21 year studio career (’83-’04) with a mere 6 studio albums charted 25 singles on the US R&B position. Tuesday evening was the 2nd date of her 15 city US ‘The Songstress Tour’ (her first true nationwide tour in nearly thirty years) which commenced on the 11th in Florida. It was a no surprise sell out from the very beginning. My seats were upper bowl mid-arena —what I could get via a StubHub gift credit. Her band consisted of five persons in the background (L to R: keys-guitar-drums-bass-more keys) separated by a person height divider limiting a full view of the action. In the forefront L to R: grand piano-saxophone-Anita’s microphone-back up singers (two female, one male). A stage length video screen backdrop showcased all the front stage going’s on for us in the thinner air regions of the arena. The on-stage band divider often mimicked the video screen’s border images. Prior to Baker’s appearance on stage there were curtains surrounding and concealing the stage set up that were inward and outwardly illuminated in blue and red. At 9:15 the front curtains drew up and the side curtains drew horizontally backward and Anita took the stage for a 1 hr 40 min / 12 song set (with 4 from the Rapture album). There were no medleys or run on songs, Baker simply communicated verbally with the audience between each selection extending the time length of the dozen song set. I guess that’s what a Songstress does?! With the band playing, the soulful singer made her way onto the stage traveling from side to side waving, spinning, conducting, and playing air instruments all the while muscling through a noticeable limp. The scaled down and skillfully arranged stage gave the solo artist about 80% of it’s available space to utilize. Early on she jumped into ’Sweet Love’ (the second song) after a brief introduction, ‘I love you… Thank y’all, we appreciate you so much, and I want you to understand this is your night and I apologize for being so late, I truly do.’ Before she could utter another word the audience was singing every word of the first verse a cappella. Anita interrupted with a kind of restart revealing a slightly different arrangement, her vocals purposefully sung a step slightly off beat. There was another similar false start sing-along to ‘Sweet Love’ and ‘Been So Long’. She clearly loved being in Atlanta, a night scene of the city appeared on the big screen complete with the ferris wheel outside (so it had to have been recent footage). ‘Atlanta, Atlanta, every musician in the world that I know loves Atlanta!’ As she began singing ‘Same Ole Love’ R&B singer Usher came on dressed in a bright red blazer in what appeared to be cameo surprise bending down on one knee and handing her a huge bouquet of roses! After a kiss she immediately put him on the spot telling him, ‘Usher, I love you’ and handed him the microphone. He willingly complied by singing, ‘Same Ole Love especially on Valentine’s Day’! Next up Jermaine Dupri came out and gave Anita a hug, it was truly a star studded event! Turns out that in addition, Tamia, Killer Mike, 2 ChainZ, Grant Hill, Chris Webber and John Gray were all seen back stage. A beautiful rendition of ’No One In The World’ came next, Baker modulating up perfectly mid-song. Other songs of note included ‘Operator’ and ‘Angel’, Anita pointing around ‘You’re my angel, you’re my angel….’ ‘Everyone up here all night long from start to finish, everyone that has a microphone was actually singing into that microphone tonight. Everyone here this evening that has an instrument in their hands, they’re actually playing that instrument’ Truly it was a kind of assurance concert attenders can appreciate now-a-days. Rounding down the evening was the classic ‘Rapture’. ‘I want to acknowledge three generations of fans’, ‘As long as you keep coming, we’ll keep coming to see you!’ The encore was ‘Giving You The Best That I Got’, with a change of wardrobe Anita came out dressed all in red. Sparklers and a shower of confetti ended the regular set and the encore respectively. Not without note to mention this evening was Anita’s support artist for the special event, the legendary Babyface. Kenneth Brian Edmonds, 63, singer/songwriter/producer who was tagged ‘Babyface’ by Bootsy Collins has 9 solo albums with 32 charted singles and a 36 yr solo career, surprisingly more than Anita herself. Babyface proved to be the perfect opener coming on 30 minutes late likely due to a sparsely full arena. Taking the stage precisely at 7:31 he performed a 55 minute / 6 song set, one of which was actually a jam packed 26 song medley of songs. ’I thought this would be a fun time to go through a medley of songs that I wrote or I produced.’ At the opening line of each song a Billboard styled rendering showing weeks on the chart, year, title, and artist was broadcast on the video screen. There were multiple by Bobby Brown and even a couple that I knew: ‘Rock Steady’ by The Whispers, and ‘Slow Jam’ by Midnight Star. His five person band also featured two additional back-up vocalists while thousands throughout the audience sang along to nearly every word! In addition to Usher and Jermaine, Babyface also joined Baker briefly on stage during her set. A word about the sound. In all my years of concert attending going back to the 70’s, the evening’s sound quality where I was sitting was the worst I EVER experienced! I feel that much of it had to do with where I was sitting but I can’t pinpoint if it was actually due to the arena itself or the mix, or a combination of the two. After viewing a few video posts on social media from different angles that sounded great I can only assume it was majorily just my section. I’ve been to State Farm on a number of occasions, all in the upper bowl with no sound issues. Not to be a downer but it did put a damper on the entire evening, luckily the show itself made up for it somewhat. Despite that being said, I’m so glad I made the trek Southwest to see the 80’s superstar!” Review and photo by DAve (Concert #745)
Atlanta, GA@
State Farm Arena
View More Fan Reviews

About Anita Baker

Anita Baker (born January 26, 1958, in Toledo, Ohio) is a soul and adult contemporary Rhythm and blues singer.

With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. Gifted with a strong, supple alto, Baker was influenced not only by R&B, but jazz, gospel, and traditional pop, which gave her music a distinctly adult sophistication. Smooth and mellow, but hardly lifeless, it made her one of the most popular romantic singers of her time.

Baker was born January 26, 1958, in Toledo, OH, and raised in nearby Detroit, where she grew up listening to female jazz singers like Sarah Vaughan, Nancy Wilson, and Ella Fitzgerald. At age 12, she began singing a gospel choir, and by age 16 she was performing with several local bands. In 1975, she successfully auditioned for Chapter 8, one of Detroit's most popular acts at the time; the group eventually signed with Ariola and released an album in 1979, but were immediately dropped when the label was acquired by Arista (which didn't care for Baker's vocals). Chastened, Baker worked low-paying jobs in Detroit and eventually found steady work as a receptionist at a law firm. In 1982, Otis Smith -- an executive who'd worked with Chapter 8 -- contacted Baker about recording for his new label Beverly Glen. Happy with her employment benefits and skittish over the experience with Arista, Baker was reluctant at first, but eventually flew out to the West Coast to record her debut album, The Songstress, in 1983. Though it didn't gain quite enough exposure to become a hit, it did help Baker build a strong fan base through word-of-mouth and she was signed by Elektra in 1985.

Working with producer Michael J. Powell (an old Chapter 8 cohort), Baker released her major-label debut Rapture in 1986. It was a platinum, Grammy winning smash, appealing to both urban and adult contemporary listeners and producing two all-time quiet storm classics in "Caught Up in the Rapture" and "Sweet Love." Baker toured the world in 1987 and her guest appearance on the Winans track "Ain't No Need to Worry" won a Grammy. Her equally stylish follow-up album, Giving You the Best That I Got, appeared in 1988, spawning more staples in the title track and "Just Because." "Giving You the Best That I Got" also won Baker two more Grammys, for Best Female R&B Vocal and Best R&B Song. For her third Elektra album, Baker decided to handle a greater share of the songwriting, hence the title Compositions, which was released in 1990 and featured even stronger jazz inflections than Baker's previous work (not to mention all live instruments).

Following Compositions, Baker took a break from recording and touring; after having her first son in 1993, she returned to the studio to craft Rhythm of Love, which was released in 1994. In the years that followed, Baker was mostly silent, despite her fans' clamoring for a jazz album; instead, she raised her family and became embroiled in contract disputes with Elektra, which eventually led her to move to Atlantic. She began working on a new album in 2000, but had to start over from scratch due to defective recording equipment that made the original tracks unsalvageable. In 2004 it was announced that she had signed with Blue Note and still working on her new album. In the meantime, the Atlantic imprint Rhino released Night of Rapture: Live, a 1987 concert originally available on video. Baker finally returned to the studio in 2003 and issued My Everything, her first album in 10 years. Two years later she released her first holiday album, Christmas Fantasy.
Show More
Genres:
R&b, Soul, Electronic, Rnb-soul, House, R&b/soul
Hometown:
Melbourne, Australia

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