Jonathan Fuller
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Similar Artists On Tour
concerts and tour dates
Past
MAY
07
2019
Arcadia, California
Adams' Pack Station
I Was There
JAN
27
2019
SF, CA
Simple Pleasures Cafe
I Was There
JAN
20
2019
Los Angeles, CA
Republic Of Pie
I Was There
JAN
07
2019
Los Angeles, CA
Republic Of Pie
I Was There
DEC
11
2018
New Paltz, NY
Cafeteria Coffee House
I Was There
DEC
09
2018
Brooklyn, NY
ShapeShifter Lab
I Was There
DEC
08
2018
New York, NY
Postcrypt Coffeehouse
I Was There
NOV
19
2018
Spring Valley, CA
De Oro Mine Co.
I Was There
NOV
04
2018
Bisbee, AZ
The Quarry Bisbee
I Was There
NOV
02
2018
Glendale, CA
Brewyard Beer Company
I Was There
NOV
01
2018
Los Angeles, CA
Republic Of Pie
I Was There
OCT
08
2018
West Hollywood, CA
Bar Lubitsch
I Was There
AUG
10
2018
Los Angeles, CA
Kulak's Woodshed
I Was There
JUL
29
2018
San Francisco, CA
Simple Pleasures Cafe
I Was There
JUL
27
2018
Sacramento, CA
The Silver Orange
I Was There
JUL
20
2018
Boise, ID
High Note Cafe
I Was There
JUL
12
2018
Omaha, NE
St. Pius X
I Was There
JUL
08
2018
Chicago, IL
Uncommon Ground Lakeview
I Was There
JUL
06
2018
Eaton, OH
Taffy's
I Was There
JUN
30
2018
Fairfax, VA
Epicure Cafe
I Was There
JUN
22
2018
New Providence, NJ
Faith Lutheran Church
I Was There
JUN
21
2018
Brooklyn, NY
Brooklyn Music School
I Was There
JUN
17
2018
Burlington, VT
Radio Bean
I Was There
Show More Dates
About Jonathan Fuller
Jon Fuller didn’t go into 2021 expecting to record a full-length album. Long-hauling from a covid-19 infection that started in March 2020 (he jokes, “I was on the vanguard for the first and last time in my life”) and trying to stay busy, he reached out to his friend Dan Kleederman (Bartees Strange) to see if he’d be interested in working together on a few songs. Those “few songs” quickly became When Did You Get So Damn Scared, Jon’s most ambitious and honest work to date.
The 12 songs that comprise the album run the gamut from the personal (“Stepping Stone,” which chronicles an early adolescent same-sex crush and the dizzying heights and overwhelming lows it entailed) to the political (“Burn It Down,” a searing indictment of the rise of authoritarian strongmen around the world over the past decade), and each song is buoyed by the musical contributions of Dan Kleederman (guitar, additional production), Derek Swink (drums) and Dillon Garrett (bass). Though the album was recorded fully virtually, with each musician sending in their parts from their various homes, the result is still a warm, live sound.
Jon’s previous two albums, The Art of Denial and Skipping Away from Dissonance, received airplay on independent and college radio stations and were both featured on WVIA-FM’s end-of-year Best Of lists. Jon also was a 2020 Just Plain Folks first prize winner in the “Best Modern Rock Song” category for the song “Gathering Tide,” and his music was licensed for promotional materials for the Broadway show Peter and the Starcatcher.
The 12 songs that comprise the album run the gamut from the personal (“Stepping Stone,” which chronicles an early adolescent same-sex crush and the dizzying heights and overwhelming lows it entailed) to the political (“Burn It Down,” a searing indictment of the rise of authoritarian strongmen around the world over the past decade), and each song is buoyed by the musical contributions of Dan Kleederman (guitar, additional production), Derek Swink (drums) and Dillon Garrett (bass). Though the album was recorded fully virtually, with each musician sending in their parts from their various homes, the result is still a warm, live sound.
Jon’s previous two albums, The Art of Denial and Skipping Away from Dissonance, received airplay on independent and college radio stations and were both featured on WVIA-FM’s end-of-year Best Of lists. Jon also was a 2020 Just Plain Folks first prize winner in the “Best Modern Rock Song” category for the song “Gathering Tide,” and his music was licensed for promotional materials for the Broadway show Peter and the Starcatcher.
Show More
Genres:
Folk Rock
No upcoming shows
Send a request to Jonathan Fuller to play in your city
Request a Show
Similar Artists On Tour
concerts and tour dates
Past
MAY
07
2019
Arcadia, California
Adams' Pack Station
I Was There
JAN
27
2019
SF, CA
Simple Pleasures Cafe
I Was There
JAN
20
2019
Los Angeles, CA
Republic Of Pie
I Was There
JAN
07
2019
Los Angeles, CA
Republic Of Pie
I Was There
DEC
11
2018
New Paltz, NY
Cafeteria Coffee House
I Was There
DEC
09
2018
Brooklyn, NY
ShapeShifter Lab
I Was There
DEC
08
2018
New York, NY
Postcrypt Coffeehouse
I Was There
NOV
19
2018
Spring Valley, CA
De Oro Mine Co.
I Was There
NOV
04
2018
Bisbee, AZ
The Quarry Bisbee
I Was There
NOV
02
2018
Glendale, CA
Brewyard Beer Company
I Was There
NOV
01
2018
Los Angeles, CA
Republic Of Pie
I Was There
OCT
08
2018
West Hollywood, CA
Bar Lubitsch
I Was There
AUG
10
2018
Los Angeles, CA
Kulak's Woodshed
I Was There
JUL
29
2018
San Francisco, CA
Simple Pleasures Cafe
I Was There
JUL
27
2018
Sacramento, CA
The Silver Orange
I Was There
JUL
20
2018
Boise, ID
High Note Cafe
I Was There
JUL
12
2018
Omaha, NE
St. Pius X
I Was There
JUL
08
2018
Chicago, IL
Uncommon Ground Lakeview
I Was There
JUL
06
2018
Eaton, OH
Taffy's
I Was There
JUN
30
2018
Fairfax, VA
Epicure Cafe
I Was There
JUN
22
2018
New Providence, NJ
Faith Lutheran Church
I Was There
JUN
21
2018
Brooklyn, NY
Brooklyn Music School
I Was There
JUN
17
2018
Burlington, VT
Radio Bean
I Was There
Show More Dates
About Jonathan Fuller
Jon Fuller didn’t go into 2021 expecting to record a full-length album. Long-hauling from a covid-19 infection that started in March 2020 (he jokes, “I was on the vanguard for the first and last time in my life”) and trying to stay busy, he reached out to his friend Dan Kleederman (Bartees Strange) to see if he’d be interested in working together on a few songs. Those “few songs” quickly became When Did You Get So Damn Scared, Jon’s most ambitious and honest work to date.
The 12 songs that comprise the album run the gamut from the personal (“Stepping Stone,” which chronicles an early adolescent same-sex crush and the dizzying heights and overwhelming lows it entailed) to the political (“Burn It Down,” a searing indictment of the rise of authoritarian strongmen around the world over the past decade), and each song is buoyed by the musical contributions of Dan Kleederman (guitar, additional production), Derek Swink (drums) and Dillon Garrett (bass). Though the album was recorded fully virtually, with each musician sending in their parts from their various homes, the result is still a warm, live sound.
Jon’s previous two albums, The Art of Denial and Skipping Away from Dissonance, received airplay on independent and college radio stations and were both featured on WVIA-FM’s end-of-year Best Of lists. Jon also was a 2020 Just Plain Folks first prize winner in the “Best Modern Rock Song” category for the song “Gathering Tide,” and his music was licensed for promotional materials for the Broadway show Peter and the Starcatcher.
The 12 songs that comprise the album run the gamut from the personal (“Stepping Stone,” which chronicles an early adolescent same-sex crush and the dizzying heights and overwhelming lows it entailed) to the political (“Burn It Down,” a searing indictment of the rise of authoritarian strongmen around the world over the past decade), and each song is buoyed by the musical contributions of Dan Kleederman (guitar, additional production), Derek Swink (drums) and Dillon Garrett (bass). Though the album was recorded fully virtually, with each musician sending in their parts from their various homes, the result is still a warm, live sound.
Jon’s previous two albums, The Art of Denial and Skipping Away from Dissonance, received airplay on independent and college radio stations and were both featured on WVIA-FM’s end-of-year Best Of lists. Jon also was a 2020 Just Plain Folks first prize winner in the “Best Modern Rock Song” category for the song “Gathering Tide,” and his music was licensed for promotional materials for the Broadway show Peter and the Starcatcher.
Show More
Genres:
Folk Rock
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