Neko Case
259,970 Followers
• 8 Upcoming Shows
8 Upcoming Shows
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Show More Dates (8)
Latest Posts
Neko Case
19 days ago
Neko's fall tour is underway! Find remaining tickets for all shows at http://nekocase.com
View More Posts
Neko Case merch
The Harder I Fight the More I Love Yo...
$27.00
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Neko Case's tour
Live Photos of Neko Case
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Fan Reviews
Frank
September 30th 2024
My first time seeing Neko Case and she didn’t disappoint. The show was spectacular. The band was super tight and Miss Cases’ voice far exceeded my expectations. I was stunned at how good she sounded. Every song was a crisp live version of the studio recording played to perfection. I don’t understand how a tremendous talent like Neko Case isn’t more popular. Can’t wait for the new record. Babeville venue was fantastic and sound acoustics were unbelievable.
Buffalo, NY@Babeville
Ray
April 3rd 2024
Venue was nice and I actually enjoyed the band's no-cell phones policy. The signs asking everyone to wear a mask at the band's request were odd. If that's what they wanted, they should have told us before we got to the venue (or maybe before we bought tickets). Neko's voice was incredible - range, emotion and she had good stage presence. The lead guitarist was also excellent and the others in the band were pros too. The show started at a good pace, but drug on a bit before the encore (which was also excellent). I left the show liking her music even more than I did before going, so that says to me it was a really good show.
Austin, TX@Paramount Theatre
Tracy
April 2nd 2024
Neko Case is phenomenal. Her show at the Lensic Theater in Santa Fe was gorgeous. The new songs she and her band played were so beautiful (spider webs!!!). And her band! So excellent. I love seeing her live so very much, I am such a fan girl. I love her weird songs (to quote her), and how they touch on so many things in this world that matter to me, and that I can feel and relate to. She is singular - no one else comes close to her. The Lensic Center for the Performing Arts is a beautiful space, with great sound.
Santa Fe, NM@Lensic Performing Arts Center
View More Fan Reviews
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About Neko Case
Neko Case steps out, cutting the sky and singing the stars, spinning fury and mercy as she goes. She loves the world and wears her heart on her sleeve, but she might eat it before you get to thinking it belongs to you.
Wild Creatures pulls together some high points of feral joy from twenty-one years of solo work by Neko Case. The Virginian marked Neko’s debut as a solo artist in 1997. She delved into darkness in 2000 with Furnace Room Lullaby, scrawled Blacklisted in 2004 and recorded The Tigers Have Spoken live the same year. In 2006, she dreamed Fox Confessor Brings the Flood, and in 2009 unleashed Middle Cyclone. She plumbed her own life in 2013 for The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, and raised hell in 2018 with Hell-On. Now in her third decade of recording under her own name, she’s just getting started.
Is there another songwriter so fearless and inventive? Bending decades of pop music into new shapes, she wields her voice like a kiss and her metaphors like a baseball bat. She has cast the fishing net of her career wide—from Seattle and Vancouver to Chicago and Stockholm, setting up her home base on a farm in New England.
Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it’s almost visible, like sparks at night. “I never knew where I wanted to go or what I wanted to do with my voice,” she says, “but I just wanted to do it so bad.”
The world tends to love women singer-songwriters most when they’re wounded and helpless. Neko’s music spans a broader spectrum, from longing to malice. Her lyrics evoke worlds, imagining a woman pilot ready to die, a serial killer, a murdered child, and a tornado, just for starters. Is there any perspective she can’t write a song from or about? “I am a man,” she sings. “I am the man in the fucking moon.”
The Earth, too, and nature itself are wonders for her, from the dangerous attention of dandy wolves to a slaughtered tiger and birds frying on a wire. The world is dear to her, but there’s a lot happening in it that shouldn’t. It’s not her job to comfort you.
You might try to come away from a Neko Case tune without a head full of images—but it’s impossible. Still, her songs won’t tell the whole story, rarely offering a panoramic view or a chronology. Instead, she offers up a series of snapshots, as if from a crime scene, and leaves the audience space to inhabit the closets and cathedrals she’s built.
Neko seems to live to bend the shape of the melodies she writes. Listeners might feel the music going in unexpected directions, as she looks for the note that will negotiate a truce to fuse it to her lyrics. It’s not that you can’t find a verse-chorus-verse structure in a Neko song. But you’re just as likely to find any chorus you hitch a ride with going off a cliff, or to hear a hook you think might be the chorus, only to watch it disappear.
Neko Case songs often exist with distinct sections that recall symphonies. Changing from ballads or waltz time to a rock beat and back, the elements sometimes seem wired together to make an improvised explosive device.
Talking about inspirations, she’s as likely to mention Queen as Patsy Cline. Her work covers a big canvas, including collaborations with dozens of musicians over the years (Paul Rigby, Calexico, and an assorted set of sidemen known as “her boyfriends,” just to name a few).
In studio, Neko obsesses over sound. Always involved with how her albums were recorded, she’s seized and embraced the role of producer. Standing halfway up a half-built stairway, she hammers nails into place as she goes along. Despite blowing every deadline she’s ever been given, Neko feels in her bones when a song or a project is done.
Wild Creatures pulls together some high points of feral joy from twenty-one years of solo work by Neko Case. The Virginian marked Neko’s debut as a solo artist in 1997. She delved into darkness in 2000 with Furnace Room Lullaby, scrawled Blacklisted in 2004 and recorded The Tigers Have Spoken live the same year. In 2006, she dreamed Fox Confessor Brings the Flood, and in 2009 unleashed Middle Cyclone. She plumbed her own life in 2013 for The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, and raised hell in 2018 with Hell-On. Now in her third decade of recording under her own name, she’s just getting started.
Is there another songwriter so fearless and inventive? Bending decades of pop music into new shapes, she wields her voice like a kiss and her metaphors like a baseball bat. She has cast the fishing net of her career wide—from Seattle and Vancouver to Chicago and Stockholm, setting up her home base on a farm in New England.
Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it’s almost visible, like sparks at night. “I never knew where I wanted to go or what I wanted to do with my voice,” she says, “but I just wanted to do it so bad.”
The world tends to love women singer-songwriters most when they’re wounded and helpless. Neko’s music spans a broader spectrum, from longing to malice. Her lyrics evoke worlds, imagining a woman pilot ready to die, a serial killer, a murdered child, and a tornado, just for starters. Is there any perspective she can’t write a song from or about? “I am a man,” she sings. “I am the man in the fucking moon.”
The Earth, too, and nature itself are wonders for her, from the dangerous attention of dandy wolves to a slaughtered tiger and birds frying on a wire. The world is dear to her, but there’s a lot happening in it that shouldn’t. It’s not her job to comfort you.
You might try to come away from a Neko Case tune without a head full of images—but it’s impossible. Still, her songs won’t tell the whole story, rarely offering a panoramic view or a chronology. Instead, she offers up a series of snapshots, as if from a crime scene, and leaves the audience space to inhabit the closets and cathedrals she’s built.
Neko seems to live to bend the shape of the melodies she writes. Listeners might feel the music going in unexpected directions, as she looks for the note that will negotiate a truce to fuse it to her lyrics. It’s not that you can’t find a verse-chorus-verse structure in a Neko song. But you’re just as likely to find any chorus you hitch a ride with going off a cliff, or to hear a hook you think might be the chorus, only to watch it disappear.
Neko Case songs often exist with distinct sections that recall symphonies. Changing from ballads or waltz time to a rock beat and back, the elements sometimes seem wired together to make an improvised explosive device.
Talking about inspirations, she’s as likely to mention Queen as Patsy Cline. Her work covers a big canvas, including collaborations with dozens of musicians over the years (Paul Rigby, Calexico, and an assorted set of sidemen known as “her boyfriends,” just to name a few).
In studio, Neko obsesses over sound. Always involved with how her albums were recorded, she’s seized and embraced the role of producer. Standing halfway up a half-built stairway, she hammers nails into place as she goes along. Despite blowing every deadline she’s ever been given, Neko feels in her bones when a song or a project is done.
Show More
Genres:
Folk Rock, Indie Rock, Alternative
Hometown:
Alexandria, Virginia
concerts and tour dates
Upcoming
Past
concerts near you
all concerts & live streams
Show More Dates (8)
Latest Posts
Neko Case
19 days ago
Neko's fall tour is underway! Find remaining tickets for all shows at http://nekocase.com
View More Posts
Live Photos of Neko Case
View All Photos
Neko Case merch
The Harder I Fight the More I Love Yo...
$27.00
View All
Neko Case's tour
Fan Reviews
Frank
September 30th 2024
My first time seeing Neko Case and she didn’t disappoint. The show was spectacular. The band was super tight and Miss Cases’ voice far exceeded my expectations. I was stunned at how good she sounded. Every song was a crisp live version of the studio recording played to perfection. I don’t understand how a tremendous talent like Neko Case isn’t more popular. Can’t wait for the new record. Babeville venue was fantastic and sound acoustics were unbelievable.
Buffalo, NY@Babeville
Ray
April 3rd 2024
Venue was nice and I actually enjoyed the band's no-cell phones policy. The signs asking everyone to wear a mask at the band's request were odd. If that's what they wanted, they should have told us before we got to the venue (or maybe before we bought tickets). Neko's voice was incredible - range, emotion and she had good stage presence. The lead guitarist was also excellent and the others in the band were pros too. The show started at a good pace, but drug on a bit before the encore (which was also excellent). I left the show liking her music even more than I did before going, so that says to me it was a really good show.
Austin, TX@Paramount Theatre
Tracy
April 2nd 2024
Neko Case is phenomenal. Her show at the Lensic Theater in Santa Fe was gorgeous. The new songs she and her band played were so beautiful (spider webs!!!). And her band! So excellent. I love seeing her live so very much, I am such a fan girl. I love her weird songs (to quote her), and how they touch on so many things in this world that matter to me, and that I can feel and relate to. She is singular - no one else comes close to her. The Lensic Center for the Performing Arts is a beautiful space, with great sound.
Santa Fe, NM@Lensic Performing Arts Center
View More Fan Reviews
About Neko Case
Neko Case steps out, cutting the sky and singing the stars, spinning fury and mercy as she goes. She loves the world and wears her heart on her sleeve, but she might eat it before you get to thinking it belongs to you.
Wild Creatures pulls together some high points of feral joy from twenty-one years of solo work by Neko Case. The Virginian marked Neko’s debut as a solo artist in 1997. She delved into darkness in 2000 with Furnace Room Lullaby, scrawled Blacklisted in 2004 and recorded The Tigers Have Spoken live the same year. In 2006, she dreamed Fox Confessor Brings the Flood, and in 2009 unleashed Middle Cyclone. She plumbed her own life in 2013 for The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, and raised hell in 2018 with Hell-On. Now in her third decade of recording under her own name, she’s just getting started.
Is there another songwriter so fearless and inventive? Bending decades of pop music into new shapes, she wields her voice like a kiss and her metaphors like a baseball bat. She has cast the fishing net of her career wide—from Seattle and Vancouver to Chicago and Stockholm, setting up her home base on a farm in New England.
Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it’s almost visible, like sparks at night. “I never knew where I wanted to go or what I wanted to do with my voice,” she says, “but I just wanted to do it so bad.”
The world tends to love women singer-songwriters most when they’re wounded and helpless. Neko’s music spans a broader spectrum, from longing to malice. Her lyrics evoke worlds, imagining a woman pilot ready to die, a serial killer, a murdered child, and a tornado, just for starters. Is there any perspective she can’t write a song from or about? “I am a man,” she sings. “I am the man in the fucking moon.”
The Earth, too, and nature itself are wonders for her, from the dangerous attention of dandy wolves to a slaughtered tiger and birds frying on a wire. The world is dear to her, but there’s a lot happening in it that shouldn’t. It’s not her job to comfort you.
You might try to come away from a Neko Case tune without a head full of images—but it’s impossible. Still, her songs won’t tell the whole story, rarely offering a panoramic view or a chronology. Instead, she offers up a series of snapshots, as if from a crime scene, and leaves the audience space to inhabit the closets and cathedrals she’s built.
Neko seems to live to bend the shape of the melodies she writes. Listeners might feel the music going in unexpected directions, as she looks for the note that will negotiate a truce to fuse it to her lyrics. It’s not that you can’t find a verse-chorus-verse structure in a Neko song. But you’re just as likely to find any chorus you hitch a ride with going off a cliff, or to hear a hook you think might be the chorus, only to watch it disappear.
Neko Case songs often exist with distinct sections that recall symphonies. Changing from ballads or waltz time to a rock beat and back, the elements sometimes seem wired together to make an improvised explosive device.
Talking about inspirations, she’s as likely to mention Queen as Patsy Cline. Her work covers a big canvas, including collaborations with dozens of musicians over the years (Paul Rigby, Calexico, and an assorted set of sidemen known as “her boyfriends,” just to name a few).
In studio, Neko obsesses over sound. Always involved with how her albums were recorded, she’s seized and embraced the role of producer. Standing halfway up a half-built stairway, she hammers nails into place as she goes along. Despite blowing every deadline she’s ever been given, Neko feels in her bones when a song or a project is done.
Wild Creatures pulls together some high points of feral joy from twenty-one years of solo work by Neko Case. The Virginian marked Neko’s debut as a solo artist in 1997. She delved into darkness in 2000 with Furnace Room Lullaby, scrawled Blacklisted in 2004 and recorded The Tigers Have Spoken live the same year. In 2006, she dreamed Fox Confessor Brings the Flood, and in 2009 unleashed Middle Cyclone. She plumbed her own life in 2013 for The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, and raised hell in 2018 with Hell-On. Now in her third decade of recording under her own name, she’s just getting started.
Is there another songwriter so fearless and inventive? Bending decades of pop music into new shapes, she wields her voice like a kiss and her metaphors like a baseball bat. She has cast the fishing net of her career wide—from Seattle and Vancouver to Chicago and Stockholm, setting up her home base on a farm in New England.
Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it’s almost visible, like sparks at night. “I never knew where I wanted to go or what I wanted to do with my voice,” she says, “but I just wanted to do it so bad.”
The world tends to love women singer-songwriters most when they’re wounded and helpless. Neko’s music spans a broader spectrum, from longing to malice. Her lyrics evoke worlds, imagining a woman pilot ready to die, a serial killer, a murdered child, and a tornado, just for starters. Is there any perspective she can’t write a song from or about? “I am a man,” she sings. “I am the man in the fucking moon.”
The Earth, too, and nature itself are wonders for her, from the dangerous attention of dandy wolves to a slaughtered tiger and birds frying on a wire. The world is dear to her, but there’s a lot happening in it that shouldn’t. It’s not her job to comfort you.
You might try to come away from a Neko Case tune without a head full of images—but it’s impossible. Still, her songs won’t tell the whole story, rarely offering a panoramic view or a chronology. Instead, she offers up a series of snapshots, as if from a crime scene, and leaves the audience space to inhabit the closets and cathedrals she’s built.
Neko seems to live to bend the shape of the melodies she writes. Listeners might feel the music going in unexpected directions, as she looks for the note that will negotiate a truce to fuse it to her lyrics. It’s not that you can’t find a verse-chorus-verse structure in a Neko song. But you’re just as likely to find any chorus you hitch a ride with going off a cliff, or to hear a hook you think might be the chorus, only to watch it disappear.
Neko Case songs often exist with distinct sections that recall symphonies. Changing from ballads or waltz time to a rock beat and back, the elements sometimes seem wired together to make an improvised explosive device.
Talking about inspirations, she’s as likely to mention Queen as Patsy Cline. Her work covers a big canvas, including collaborations with dozens of musicians over the years (Paul Rigby, Calexico, and an assorted set of sidemen known as “her boyfriends,” just to name a few).
In studio, Neko obsesses over sound. Always involved with how her albums were recorded, she’s seized and embraced the role of producer. Standing halfway up a half-built stairway, she hammers nails into place as she goes along. Despite blowing every deadline she’s ever been given, Neko feels in her bones when a song or a project is done.
Show More
Genres:
Folk Rock, Indie Rock, Alternative
Hometown:
Alexandria, Virginia
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