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So Hideous Tickets, Tour Dates and Concerts
So Hideous Tickets, Tour Dates and Concerts

So HideousVerified

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Circle Hat
$25.0 USD
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$45.0 USD
Rainbow T-Shirt
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$20.0 USD

Concerts and tour dates

Past

MAR
10
2017
Brooklyn, NY
Saint Vitus
I Was There
FEB
09
2017
Brooklyn, NY
Saint Vitus
I Was There
OCT
09
2016
Philadelphia, PA
Kung Fu Necktie
I Was There
OCT
07
2016
Allston, MA
O'Brien's
I Was There
OCT
06
2016
Brooklyn, NY
Saint Vitus
I Was There
MAY
13
2016
Vancouver, Canada
Funky WinKerbeans
I Was There
MAY
12
2016
Seattle, WA
Funhouse
I Was There
MAY
11
2016
Portland, OR
Panic Room
I Was There
MAY
09
2016
Santa Cruz, CA
The Catalyst
I Was There
MAY
07
2016
San Diego, CA
The Merrow
I Was There
MAY
06
2016
Tucson, AZ
Club Congress
I Was There
MAY
05
2016
Tempe, AZ
Yucca Tap Room
I Was There
APR
08
2016
Philadelphia, PA
The Fire
I Was There
APR
07
2016
New York, NY
The Studio at Webster Hall
I Was There
JAN
05
2016
New York, NY
Saint Vitus
I Was There
AUG
30
2015
Allston, MA
O'Brien's
I Was There
AUG
28
2015
New York, NY
Saint Vitus
I Was There
JUL
11
2015
Brooklyn, NY
Saint Vitus
I Was There
MAR
21
2015
Brooklyn, NY
The Acheron
I Was There
FEB
26
2015
Brooklyn, NY
Saint Vitus
I Was There
DEC
04
2014
Brooklyn, NY
Saint Vitus
I Was There
OCT
21
2014
Brooklyn, NY
Acheron
I Was There
OCT
17
2014
Brooklyn, NY
Saint Vitus
I Was There
AUG
29
2014
Brooklyn, NY
The Acheron
I Was There
JUL
31
2014
Toronto, Canada
Coda
I Was There
JUL
29
2014
Chicago, IL
Cobra Lougne
I Was There
JUL
26
2014
St Louis, MO
Fubar
I Was There
JUL
24
2014
Knoxville, TN
The Concourse at the International
I Was There
JUL
19
2014
Cambridge, MA
Middle East
I Was There
MAY
16
2014
Brooklyn, NY
Saint Vitus
I Was There
MAY
09
2014
New York, NY
St Vitus
I Was There
APR
01
2014
Hartford, CT
The Webster Underground
I Was There
MAR
31
2014
New York, NY
St Vitus
I Was There
MAR
23
2014
Bayonne, NJ
Lot 13
I Was There
MAR
21
2014
York, PA
The Depot
I Was There
FEB
21
2014
Brooklyn, NY
Saint Vitus
I Was There
JAN
22
2014
Brooklyn, NY
Saint Vitus
I Was There
OCT
26
2013
New York, NY
ABC No Rio
I Was There
OCT
25
2013
Brooklyn, NY
Saint Vitus
I Was There
AUG
16
2013
Brooklyn, NY
Spike Hill
I Was There
JUN
14
2013
Brooklyn, NY
Spike Hill
I Was There
Show More Dates

About So Hideous

Having formed in 2008 and with two EPs and a full-length under their belts, Brooklyn’s orchestral post-metal outfit, So Hideous, are set to release their most ambitious offering to date with their seven song conceptual opus, Laurestine. Founded by Brandon Cruz (guitar), his intent was to score soundtracks to films that have yet to be made and sites Arvo Part, Ennio Morricone and Beethoven as his main influences. After many lineup changes, Brandon eventually enlisted his brother Chris (vocals), Etienne Vazquez (guitar) and Mike Kadnar (drums) and DJ Skully (Bass) to round out the group. It’s safe to say that So Hideous write music a little differently than most bands of their genre. Each song starts off being written on piano with the orchestration built in next. The guitars, bass and drums fall into place only after the orchestral foundation is complete. The band recorded Laurestine at The Wild Arctic Recording Studio in Portsmouth, NH with producer Dean Baltulonis (Brand New, The Explosion, Sick of it All). Orchestral elements were recorded a few weeks later at Little Field Performance & Art Space in Brooklyn, NY by Chris Montgomery (Mumford And Sons, Lily Allen, Florence And The Machine). For Laurestine, a thirty-piece orchestra was enlisted for the album. Assembled by the band members, the orchestra is known as The First Light Orchestra, which consists of brass and string sections and also includes a small choir. The result is a more dynamic interplay between the band and orchestra with both aspects treated not as support or accouterments, but fully formed expressions able to exist without the other. To compliment the musical achievement that is Laurestine, So Hideous brought on Italian illustrator/comic artist Daniel Serra (Shining SW) to handle the elaborate album artwork. Serra, who painted the artwork using his watercolor technique, had the following to say, “It was very interesting to work on this piece, first because it was a particular format, very long and narrow and then because the band provided a preliminary sketch with very specific guidelines, so I had to combine my style with an old classic style that it could remember painters like El Greco.” It has been said that following death, the brain is active for seven minutes, one’s life flashes before one’s eyes and the ascent towards the afterlife begins. This is narrative behind Laurestine. The number 7 factors heavily into the fabric of the overall album as the number serves as a constant reminder of the seven last minutes of life as they pass. With seven total tracks, Laurestine is written in 7/4 and 7/8 time signatures with recurring motifs of that meter found throughout. “The album starts off with our character, who is simply known as "man,” dying at the opening piano notes of Yesteryear,” states Brandon Cruz. “He then begins his journey through an altered sensory landscape where he first notices a laurestine flower and hears a woman's voice. Intrigued, he follows the voice.” Laurestine or Viburnum Tinus flowers in the winter months and endures in the harshest conditions. It is considered a deathless flower and is also the name of the woman guiding “man” throughout the album. Brandon further explains, “Laurestine leads “man” through a series of distant memories, fragmented life events juxtaposed with experiences well beyond the scope of his understanding.” So Hideous’ unique approach to songwriting and attention to the album’s overall theme is what truly separates them from the countless other band’s of the post-whatever genre. Many critics have taken note of this, giving high praise to the band’s debut full-length, Last Poem/First Light. Originally self-released, such admiration towards the album lead to Los Angeles based Prosthetic Records signing the band and reissuing the album in the spring of 2014. Tours and festivals followed and towards the end of the year, Brandon sat himself down in front of his piano and Laurestine began to take shape. Seven minutes reflecting on one’s life and preparing for the afterlife doesn’t seem like a lot of time. Truth be told, it’s a towering and a beautiful concept, one that the Laurestine captures perfectly to form. We closed our eyes and slept... http://facebook.com/sohideous http://twitter.com/so_hideous_nyc http://instagram.com/sohideous "LAURESTINE" Out Now!: https://itunes.apple.com/us/album/laurestine/id1019458242?ls=1&app=itunes "LAST POEM / FIRST LIGHT" Out Now!
Show More
Genres:
Black Metal, Other, Ambient, Punk, Chamber, Classical, Emo, Metal, Rock
Hometown:
New York, New York

No upcoming shows
Send a request to So Hideous to play in your city
Request a Show

Bandsintown Merch

Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD

Concerts and tour dates

Past

MAR
10
2017
Brooklyn, NY
Saint Vitus
I Was There
FEB
09
2017
Brooklyn, NY
Saint Vitus
I Was There
OCT
09
2016
Philadelphia, PA
Kung Fu Necktie
I Was There
OCT
07
2016
Allston, MA
O'Brien's
I Was There
OCT
06
2016
Brooklyn, NY
Saint Vitus
I Was There
MAY
13
2016
Vancouver, Canada
Funky WinKerbeans
I Was There
MAY
12
2016
Seattle, WA
Funhouse
I Was There
MAY
11
2016
Portland, OR
Panic Room
I Was There
MAY
09
2016
Santa Cruz, CA
The Catalyst
I Was There
MAY
07
2016
San Diego, CA
The Merrow
I Was There
MAY
06
2016
Tucson, AZ
Club Congress
I Was There
MAY
05
2016
Tempe, AZ
Yucca Tap Room
I Was There
APR
08
2016
Philadelphia, PA
The Fire
I Was There
APR
07
2016
New York, NY
The Studio at Webster Hall
I Was There
JAN
05
2016
New York, NY
Saint Vitus
I Was There
AUG
30
2015
Allston, MA
O'Brien's
I Was There
AUG
28
2015
New York, NY
Saint Vitus
I Was There
JUL
11
2015
Brooklyn, NY
Saint Vitus
I Was There
MAR
21
2015
Brooklyn, NY
The Acheron
I Was There
FEB
26
2015
Brooklyn, NY
Saint Vitus
I Was There
DEC
04
2014
Brooklyn, NY
Saint Vitus
I Was There
OCT
21
2014
Brooklyn, NY
Acheron
I Was There
OCT
17
2014
Brooklyn, NY
Saint Vitus
I Was There
AUG
29
2014
Brooklyn, NY
The Acheron
I Was There
JUL
31
2014
Toronto, Canada
Coda
I Was There
JUL
29
2014
Chicago, IL
Cobra Lougne
I Was There
JUL
26
2014
St Louis, MO
Fubar
I Was There
JUL
24
2014
Knoxville, TN
The Concourse at the International
I Was There
JUL
19
2014
Cambridge, MA
Middle East
I Was There
MAY
16
2014
Brooklyn, NY
Saint Vitus
I Was There
MAY
09
2014
New York, NY
St Vitus
I Was There
APR
01
2014
Hartford, CT
The Webster Underground
I Was There
MAR
31
2014
New York, NY
St Vitus
I Was There
MAR
23
2014
Bayonne, NJ
Lot 13
I Was There
MAR
21
2014
York, PA
The Depot
I Was There
FEB
21
2014
Brooklyn, NY
Saint Vitus
I Was There
JAN
22
2014
Brooklyn, NY
Saint Vitus
I Was There
OCT
26
2013
New York, NY
ABC No Rio
I Was There
OCT
25
2013
Brooklyn, NY
Saint Vitus
I Was There
AUG
16
2013
Brooklyn, NY
Spike Hill
I Was There
JUN
14
2013
Brooklyn, NY
Spike Hill
I Was There
Show More Dates

About So Hideous

Having formed in 2008 and with two EPs and a full-length under their belts, Brooklyn’s orchestral post-metal outfit, So Hideous, are set to release their most ambitious offering to date with their seven song conceptual opus, Laurestine. Founded by Brandon Cruz (guitar), his intent was to score soundtracks to films that have yet to be made and sites Arvo Part, Ennio Morricone and Beethoven as his main influences. After many lineup changes, Brandon eventually enlisted his brother Chris (vocals), Etienne Vazquez (guitar) and Mike Kadnar (drums) and DJ Skully (Bass) to round out the group. It’s safe to say that So Hideous write music a little differently than most bands of their genre. Each song starts off being written on piano with the orchestration built in next. The guitars, bass and drums fall into place only after the orchestral foundation is complete. The band recorded Laurestine at The Wild Arctic Recording Studio in Portsmouth, NH with producer Dean Baltulonis (Brand New, The Explosion, Sick of it All). Orchestral elements were recorded a few weeks later at Little Field Performance & Art Space in Brooklyn, NY by Chris Montgomery (Mumford And Sons, Lily Allen, Florence And The Machine). For Laurestine, a thirty-piece orchestra was enlisted for the album. Assembled by the band members, the orchestra is known as The First Light Orchestra, which consists of brass and string sections and also includes a small choir. The result is a more dynamic interplay between the band and orchestra with both aspects treated not as support or accouterments, but fully formed expressions able to exist without the other. To compliment the musical achievement that is Laurestine, So Hideous brought on Italian illustrator/comic artist Daniel Serra (Shining SW) to handle the elaborate album artwork. Serra, who painted the artwork using his watercolor technique, had the following to say, “It was very interesting to work on this piece, first because it was a particular format, very long and narrow and then because the band provided a preliminary sketch with very specific guidelines, so I had to combine my style with an old classic style that it could remember painters like El Greco.” It has been said that following death, the brain is active for seven minutes, one’s life flashes before one’s eyes and the ascent towards the afterlife begins. This is narrative behind Laurestine. The number 7 factors heavily into the fabric of the overall album as the number serves as a constant reminder of the seven last minutes of life as they pass. With seven total tracks, Laurestine is written in 7/4 and 7/8 time signatures with recurring motifs of that meter found throughout. “The album starts off with our character, who is simply known as "man,” dying at the opening piano notes of Yesteryear,” states Brandon Cruz. “He then begins his journey through an altered sensory landscape where he first notices a laurestine flower and hears a woman's voice. Intrigued, he follows the voice.” Laurestine or Viburnum Tinus flowers in the winter months and endures in the harshest conditions. It is considered a deathless flower and is also the name of the woman guiding “man” throughout the album. Brandon further explains, “Laurestine leads “man” through a series of distant memories, fragmented life events juxtaposed with experiences well beyond the scope of his understanding.” So Hideous’ unique approach to songwriting and attention to the album’s overall theme is what truly separates them from the countless other band’s of the post-whatever genre. Many critics have taken note of this, giving high praise to the band’s debut full-length, Last Poem/First Light. Originally self-released, such admiration towards the album lead to Los Angeles based Prosthetic Records signing the band and reissuing the album in the spring of 2014. Tours and festivals followed and towards the end of the year, Brandon sat himself down in front of his piano and Laurestine began to take shape. Seven minutes reflecting on one’s life and preparing for the afterlife doesn’t seem like a lot of time. Truth be told, it’s a towering and a beautiful concept, one that the Laurestine captures perfectly to form. We closed our eyes and slept... http://facebook.com/sohideous http://twitter.com/so_hideous_nyc http://instagram.com/sohideous "LAURESTINE" Out Now!: https://itunes.apple.com/us/album/laurestine/id1019458242?ls=1&app=itunes "LAST POEM / FIRST LIGHT" Out Now!
Show More
Genres:
Black Metal, Other, Ambient, Punk, Chamber, Classical, Emo, Metal, Rock
Hometown:
New York, New York

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