Modern English
90,292 Followers
• 14 Upcoming Shows
14 Upcoming Shows
Never miss another Modern English concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
Follow
No upcoming shows in your city
Send a request to Modern English to play in your city
Request a Show
concerts and tour dates
Upcoming
Past
all concerts & live streams
Show More Dates (14)
Latest Posts
Modern English
12 days ago
We're hitting the USA for select dates next month! 🇺🇸
Tour starts on Oct 11th. Buy tickets to all shows here https://bnds.us/r9w7fk
Tour starts on Oct 11th. Buy tickets to all shows here https://bnds.us/r9w7fk
View More Posts
Official Merch
Modern English - Totally Tubular Tour...
$40.0 USD
Modern English - 1234 Signed Vinyl + ...
$90.0 USD
Modern English - 1234 Autographed Vinyl
$59.99 USD
Modern English - 1234 Vinyl
$30.0 USD
Modern English - 1234 CD
$15.0 USD
Modern English - After The Snow Vinyl...
$30.0 USD
Modern English - After The Snow CD (W...
$15.0 USD
Modern English - Mesh And Lace Vinyl ...
$30.0 USD
Modern English - Mesh And Lace CD (Wi...
$15.0 USD
Modern English - 1234 Tee
$35.0 USD
Modern English's tour
Live Photos of Modern English
View All Photos
Fan Reviews
Charles
July 5th 2024
Great show. Saw them at the Totally Tubular festival. It was a great time.
Phoenix, AZ@Arizona Financial Theatre
Ronnie
June 30th 2024
It was one of the best bands I’ve seen in a long time…. They sound great,,,. They look great…..good times
Los Angeles, CA@YouTube Theater
Michael
April 15th 2024
This guys are great. They played as a support for Buzzcocks one hour. Go see them!
Berlin, Germany@Huxleys Neue Welt
View More Fan Reviews
Fans Also Follow
New Order
986K Followers
Follow
Billy Idol
761K Followers
Follow
Soft Cell
161K Followers
Follow
The B-52's
417K Followers
Follow
About Modern English
Modern English is excited to announce the release of 1 2 3 4, the legendary British new wave/post-punk band’s first album of new material in eight years.
"The cold clang of post-punk guitars and synths sounds very 'now', but the veteran band brings a depth and worldliness to these songs that sets them apart." — Mojo
“Not unlike ‘I Melt With You’, 1 2 3 4 taps into political themes reflective of the
last four years.” — SPIN
“'1 2 3 4' remains firmly rooted in a 1980s New Wave aesthetic of sharp-edged guitar jangles and world-weary, vaguely sarcastic and gently political lyrics." — UNCUT
“More of a post-punk rendering, ‘Long in the Tooth’ is a palpitating glance back at 1981’s ‘Mesh & Lace’ with its gaze set on the band, now.” — American Songwriter
“Echoes of the past but very much of today.” (4 stars) — Record Collector
“We mean this as a compliment: ‘Long in the Tooth’ sounds like it could be a few decades old, recalling the scrappy, melodic post-punk of its debut.” — Consequence
Produced by Mario J. McNulty (David Bowie, Lou Reed, Nine Inch Nails), mixed by Cenzo Townsend and mastered at Abbey Road, 1 2 3 4 retains the intrinsic spirit of these early post-punk days, and is also a sterling sonic example of what Modern English have always done best. The album encompasses seething songs with a punk bite (“Long in The Tooth,” “Plastic”), keyboard-forward melodic rockers ("Not Fake,” "Crazy Lovers") and simmering, darkwave-meets-post-punk gems (“Exploding,” “Out to Lunch”). With a touch of subtle themes lifted from After the Snow (1982) and Ricochet Days (1984) that include the environment, aging, failed relationships, love, politics and more, 1 2 3 4 finds the legendary band delving into nostalgia but, as always, exploring new creative territory. Stream the band’s new single, “Not Fake,” on YouTube HERE.
After a successful summer tour with Thomas Dolby, Tom Bailey, Men Without Hats and others, the band is playing a few select dates on the West Coast. Directly after, they are excited to support Buzzcocks in Australia & New Zealand. In Mid Novemebr the band will appear at the Shiine Festival in Minehead, UK.
Founding members Robbie Grey (vocals/guitar) and Mick Conroy (bass) started coming up with the music for 1 2 3 4 during the spring 2020 COVID-19 pandemic lockdown, swapping ideas back and forth remotely. Conroy set up a temporary home studio in Suffolk, England, with gear arranged in a tiny kitchen area (“Once I'd set up, that meant you couldn't open the fridge door,” he says) and found himself inspired by the first Siouxsie and the Banshees album and the David Bowie records featuring Mick Ronson.
After having amassed a batch of fresh songs, restrictions loosened enough so Modern English could gather together and go over this new music. The band deliberately went for a “raw-sounding affair” that was “more energetic,” Conroy says, and recorded the album in just a few takes with minimal overdubs in a residential studio in upstate New York. “We wanted some edge to it,” Grey says. “Live drums and getting the feel of moving from verse to chorus with everyone playing. It sounds like a live album.”
The band’s keen sense of dynamics is also evident throughout 1 2 3 4. “With Modern English, we start off with an idea and then we go off on slight tangents,” says Conroy. “But there's always one or two songs that don't sound anything like punk rock. They sound like Modern English.”
Modern English co-produced their sophomore effort, 1982’s After the Snow, with Hugh Jones (The Sound, Echo & The Bunnymen), pairing trademark moodiness with spiky guitars and shimmering keyboards. In addition to the UK top 40 hit “Life in the Gladhouse," the LP became known for “I Melt With You,” which became a top 10 hit at U.S. rock radio and crossed over to the Billboard Hot 100 pop chart. A paragon of consistency, Modern English have become widely respected over the years as innovators, thanks to younger generations discovering their catalog and new artists citing the band as an influence. This increased popularity has translated to sold-out tours performing their early albums and a main stage appearance at the 2023 Cruel World Festival in front of more than 25,000 people.
It’s been a big journey for everybody, and our early days are really important to us,” Grey summarizes. “We haven't changed that much. We're still the same people inside. And the original members are the sound of the band — Stephen [Walker] on the keyboards, making lots of noises with all his analog synths, and then the sounds made by guitarist Gary [McDowell] or bassist Mick [Conroy]. If you take some of those components away, you won't have the Modern English sound.”
Modern English will be making the following appearances in EUROPE in 2024.
APRIL
11 — Dortmund, DE — Musiktheater Piano special guests of Buzzcocks
12 — Frankfurt, DE — Batschkapp special guests of Buzzcocks
13 — Berlin, DE — Huxleys special guests of Buzzcocks
14 — Hamburg, DE — Knust, special guests of Buzzcocks
18 — Stockholm, SE —Hus 7
20— Malmo, SE-Medley
22 — Copenhagen, DK — Little Vega
24 — Oberhausen, DE — Kulttemple
25 — Hague, NL — Paard
26 — Amsterdam, NL — Paradiso
27 — London UK — Dingwalls
May 2-Paris-Petit Bain
"The cold clang of post-punk guitars and synths sounds very 'now', but the veteran band brings a depth and worldliness to these songs that sets them apart." — Mojo
“Not unlike ‘I Melt With You’, 1 2 3 4 taps into political themes reflective of the
last four years.” — SPIN
“'1 2 3 4' remains firmly rooted in a 1980s New Wave aesthetic of sharp-edged guitar jangles and world-weary, vaguely sarcastic and gently political lyrics." — UNCUT
“More of a post-punk rendering, ‘Long in the Tooth’ is a palpitating glance back at 1981’s ‘Mesh & Lace’ with its gaze set on the band, now.” — American Songwriter
“Echoes of the past but very much of today.” (4 stars) — Record Collector
“We mean this as a compliment: ‘Long in the Tooth’ sounds like it could be a few decades old, recalling the scrappy, melodic post-punk of its debut.” — Consequence
Produced by Mario J. McNulty (David Bowie, Lou Reed, Nine Inch Nails), mixed by Cenzo Townsend and mastered at Abbey Road, 1 2 3 4 retains the intrinsic spirit of these early post-punk days, and is also a sterling sonic example of what Modern English have always done best. The album encompasses seething songs with a punk bite (“Long in The Tooth,” “Plastic”), keyboard-forward melodic rockers ("Not Fake,” "Crazy Lovers") and simmering, darkwave-meets-post-punk gems (“Exploding,” “Out to Lunch”). With a touch of subtle themes lifted from After the Snow (1982) and Ricochet Days (1984) that include the environment, aging, failed relationships, love, politics and more, 1 2 3 4 finds the legendary band delving into nostalgia but, as always, exploring new creative territory. Stream the band’s new single, “Not Fake,” on YouTube HERE.
After a successful summer tour with Thomas Dolby, Tom Bailey, Men Without Hats and others, the band is playing a few select dates on the West Coast. Directly after, they are excited to support Buzzcocks in Australia & New Zealand. In Mid Novemebr the band will appear at the Shiine Festival in Minehead, UK.
Founding members Robbie Grey (vocals/guitar) and Mick Conroy (bass) started coming up with the music for 1 2 3 4 during the spring 2020 COVID-19 pandemic lockdown, swapping ideas back and forth remotely. Conroy set up a temporary home studio in Suffolk, England, with gear arranged in a tiny kitchen area (“Once I'd set up, that meant you couldn't open the fridge door,” he says) and found himself inspired by the first Siouxsie and the Banshees album and the David Bowie records featuring Mick Ronson.
After having amassed a batch of fresh songs, restrictions loosened enough so Modern English could gather together and go over this new music. The band deliberately went for a “raw-sounding affair” that was “more energetic,” Conroy says, and recorded the album in just a few takes with minimal overdubs in a residential studio in upstate New York. “We wanted some edge to it,” Grey says. “Live drums and getting the feel of moving from verse to chorus with everyone playing. It sounds like a live album.”
The band’s keen sense of dynamics is also evident throughout 1 2 3 4. “With Modern English, we start off with an idea and then we go off on slight tangents,” says Conroy. “But there's always one or two songs that don't sound anything like punk rock. They sound like Modern English.”
Modern English co-produced their sophomore effort, 1982’s After the Snow, with Hugh Jones (The Sound, Echo & The Bunnymen), pairing trademark moodiness with spiky guitars and shimmering keyboards. In addition to the UK top 40 hit “Life in the Gladhouse," the LP became known for “I Melt With You,” which became a top 10 hit at U.S. rock radio and crossed over to the Billboard Hot 100 pop chart. A paragon of consistency, Modern English have become widely respected over the years as innovators, thanks to younger generations discovering their catalog and new artists citing the band as an influence. This increased popularity has translated to sold-out tours performing their early albums and a main stage appearance at the 2023 Cruel World Festival in front of more than 25,000 people.
It’s been a big journey for everybody, and our early days are really important to us,” Grey summarizes. “We haven't changed that much. We're still the same people inside. And the original members are the sound of the band — Stephen [Walker] on the keyboards, making lots of noises with all his analog synths, and then the sounds made by guitarist Gary [McDowell] or bassist Mick [Conroy]. If you take some of those components away, you won't have the Modern English sound.”
Modern English will be making the following appearances in EUROPE in 2024.
APRIL
11 — Dortmund, DE — Musiktheater Piano special guests of Buzzcocks
12 — Frankfurt, DE — Batschkapp special guests of Buzzcocks
13 — Berlin, DE — Huxleys special guests of Buzzcocks
14 — Hamburg, DE — Knust, special guests of Buzzcocks
18 — Stockholm, SE —Hus 7
20— Malmo, SE-Medley
22 — Copenhagen, DK — Little Vega
24 — Oberhausen, DE — Kulttemple
25 — Hague, NL — Paard
26 — Amsterdam, NL — Paradiso
27 — London UK — Dingwalls
May 2-Paris-Petit Bain
Show More
Genres:
Post-punk New Wave, New Wave, Post Punk
Band Members:
Stephen Walker, Mick Conroy, Robbie Grey, Gary McDowell
Hometown:
Colchester, United Kingdom
No upcoming shows in your city
Send a request to Modern English to play in your city
Request a Show
concerts and tour dates
Upcoming
Past
all concerts & live streams
Show More Dates (14)
Latest Posts
Modern English
12 days ago
We're hitting the USA for select dates next month! 🇺🇸
Tour starts on Oct 11th. Buy tickets to all shows here https://bnds.us/r9w7fk
Tour starts on Oct 11th. Buy tickets to all shows here https://bnds.us/r9w7fk
View More Posts
Live Photos of Modern English
View All Photos
Official Merch
Modern English - Totally Tubular Tour...
$40.0 USD
Modern English - 1234 Signed Vinyl + ...
$90.0 USD
Modern English - 1234 Autographed Vinyl
$59.99 USD
Modern English - 1234 Vinyl
$30.0 USD
Modern English - 1234 CD
$15.0 USD
Modern English - After The Snow Vinyl...
$30.0 USD
Modern English - After The Snow CD (W...
$15.0 USD
Modern English - Mesh And Lace Vinyl ...
$30.0 USD
Modern English - Mesh And Lace CD (Wi...
$15.0 USD
Modern English - 1234 Tee
$35.0 USD
Modern English's tour
Fan Reviews
Charles
July 5th 2024
Great show. Saw them at the Totally Tubular festival. It was a great time.
Phoenix, AZ@Arizona Financial Theatre
Ronnie
June 30th 2024
It was one of the best bands I’ve seen in a long time…. They sound great,,,. They look great…..good times
Los Angeles, CA@YouTube Theater
Michael
April 15th 2024
This guys are great. They played as a support for Buzzcocks one hour. Go see them!
Berlin, Germany@Huxleys Neue Welt
View More Fan Reviews
About Modern English
Modern English is excited to announce the release of 1 2 3 4, the legendary British new wave/post-punk band’s first album of new material in eight years.
"The cold clang of post-punk guitars and synths sounds very 'now', but the veteran band brings a depth and worldliness to these songs that sets them apart." — Mojo
“Not unlike ‘I Melt With You’, 1 2 3 4 taps into political themes reflective of the
last four years.” — SPIN
“'1 2 3 4' remains firmly rooted in a 1980s New Wave aesthetic of sharp-edged guitar jangles and world-weary, vaguely sarcastic and gently political lyrics." — UNCUT
“More of a post-punk rendering, ‘Long in the Tooth’ is a palpitating glance back at 1981’s ‘Mesh & Lace’ with its gaze set on the band, now.” — American Songwriter
“Echoes of the past but very much of today.” (4 stars) — Record Collector
“We mean this as a compliment: ‘Long in the Tooth’ sounds like it could be a few decades old, recalling the scrappy, melodic post-punk of its debut.” — Consequence
Produced by Mario J. McNulty (David Bowie, Lou Reed, Nine Inch Nails), mixed by Cenzo Townsend and mastered at Abbey Road, 1 2 3 4 retains the intrinsic spirit of these early post-punk days, and is also a sterling sonic example of what Modern English have always done best. The album encompasses seething songs with a punk bite (“Long in The Tooth,” “Plastic”), keyboard-forward melodic rockers ("Not Fake,” "Crazy Lovers") and simmering, darkwave-meets-post-punk gems (“Exploding,” “Out to Lunch”). With a touch of subtle themes lifted from After the Snow (1982) and Ricochet Days (1984) that include the environment, aging, failed relationships, love, politics and more, 1 2 3 4 finds the legendary band delving into nostalgia but, as always, exploring new creative territory. Stream the band’s new single, “Not Fake,” on YouTube HERE.
After a successful summer tour with Thomas Dolby, Tom Bailey, Men Without Hats and others, the band is playing a few select dates on the West Coast. Directly after, they are excited to support Buzzcocks in Australia & New Zealand. In Mid Novemebr the band will appear at the Shiine Festival in Minehead, UK.
Founding members Robbie Grey (vocals/guitar) and Mick Conroy (bass) started coming up with the music for 1 2 3 4 during the spring 2020 COVID-19 pandemic lockdown, swapping ideas back and forth remotely. Conroy set up a temporary home studio in Suffolk, England, with gear arranged in a tiny kitchen area (“Once I'd set up, that meant you couldn't open the fridge door,” he says) and found himself inspired by the first Siouxsie and the Banshees album and the David Bowie records featuring Mick Ronson.
After having amassed a batch of fresh songs, restrictions loosened enough so Modern English could gather together and go over this new music. The band deliberately went for a “raw-sounding affair” that was “more energetic,” Conroy says, and recorded the album in just a few takes with minimal overdubs in a residential studio in upstate New York. “We wanted some edge to it,” Grey says. “Live drums and getting the feel of moving from verse to chorus with everyone playing. It sounds like a live album.”
The band’s keen sense of dynamics is also evident throughout 1 2 3 4. “With Modern English, we start off with an idea and then we go off on slight tangents,” says Conroy. “But there's always one or two songs that don't sound anything like punk rock. They sound like Modern English.”
Modern English co-produced their sophomore effort, 1982’s After the Snow, with Hugh Jones (The Sound, Echo & The Bunnymen), pairing trademark moodiness with spiky guitars and shimmering keyboards. In addition to the UK top 40 hit “Life in the Gladhouse," the LP became known for “I Melt With You,” which became a top 10 hit at U.S. rock radio and crossed over to the Billboard Hot 100 pop chart. A paragon of consistency, Modern English have become widely respected over the years as innovators, thanks to younger generations discovering their catalog and new artists citing the band as an influence. This increased popularity has translated to sold-out tours performing their early albums and a main stage appearance at the 2023 Cruel World Festival in front of more than 25,000 people.
It’s been a big journey for everybody, and our early days are really important to us,” Grey summarizes. “We haven't changed that much. We're still the same people inside. And the original members are the sound of the band — Stephen [Walker] on the keyboards, making lots of noises with all his analog synths, and then the sounds made by guitarist Gary [McDowell] or bassist Mick [Conroy]. If you take some of those components away, you won't have the Modern English sound.”
Modern English will be making the following appearances in EUROPE in 2024.
APRIL
11 — Dortmund, DE — Musiktheater Piano special guests of Buzzcocks
12 — Frankfurt, DE — Batschkapp special guests of Buzzcocks
13 — Berlin, DE — Huxleys special guests of Buzzcocks
14 — Hamburg, DE — Knust, special guests of Buzzcocks
18 — Stockholm, SE —Hus 7
20— Malmo, SE-Medley
22 — Copenhagen, DK — Little Vega
24 — Oberhausen, DE — Kulttemple
25 — Hague, NL — Paard
26 — Amsterdam, NL — Paradiso
27 — London UK — Dingwalls
May 2-Paris-Petit Bain
"The cold clang of post-punk guitars and synths sounds very 'now', but the veteran band brings a depth and worldliness to these songs that sets them apart." — Mojo
“Not unlike ‘I Melt With You’, 1 2 3 4 taps into political themes reflective of the
last four years.” — SPIN
“'1 2 3 4' remains firmly rooted in a 1980s New Wave aesthetic of sharp-edged guitar jangles and world-weary, vaguely sarcastic and gently political lyrics." — UNCUT
“More of a post-punk rendering, ‘Long in the Tooth’ is a palpitating glance back at 1981’s ‘Mesh & Lace’ with its gaze set on the band, now.” — American Songwriter
“Echoes of the past but very much of today.” (4 stars) — Record Collector
“We mean this as a compliment: ‘Long in the Tooth’ sounds like it could be a few decades old, recalling the scrappy, melodic post-punk of its debut.” — Consequence
Produced by Mario J. McNulty (David Bowie, Lou Reed, Nine Inch Nails), mixed by Cenzo Townsend and mastered at Abbey Road, 1 2 3 4 retains the intrinsic spirit of these early post-punk days, and is also a sterling sonic example of what Modern English have always done best. The album encompasses seething songs with a punk bite (“Long in The Tooth,” “Plastic”), keyboard-forward melodic rockers ("Not Fake,” "Crazy Lovers") and simmering, darkwave-meets-post-punk gems (“Exploding,” “Out to Lunch”). With a touch of subtle themes lifted from After the Snow (1982) and Ricochet Days (1984) that include the environment, aging, failed relationships, love, politics and more, 1 2 3 4 finds the legendary band delving into nostalgia but, as always, exploring new creative territory. Stream the band’s new single, “Not Fake,” on YouTube HERE.
After a successful summer tour with Thomas Dolby, Tom Bailey, Men Without Hats and others, the band is playing a few select dates on the West Coast. Directly after, they are excited to support Buzzcocks in Australia & New Zealand. In Mid Novemebr the band will appear at the Shiine Festival in Minehead, UK.
Founding members Robbie Grey (vocals/guitar) and Mick Conroy (bass) started coming up with the music for 1 2 3 4 during the spring 2020 COVID-19 pandemic lockdown, swapping ideas back and forth remotely. Conroy set up a temporary home studio in Suffolk, England, with gear arranged in a tiny kitchen area (“Once I'd set up, that meant you couldn't open the fridge door,” he says) and found himself inspired by the first Siouxsie and the Banshees album and the David Bowie records featuring Mick Ronson.
After having amassed a batch of fresh songs, restrictions loosened enough so Modern English could gather together and go over this new music. The band deliberately went for a “raw-sounding affair” that was “more energetic,” Conroy says, and recorded the album in just a few takes with minimal overdubs in a residential studio in upstate New York. “We wanted some edge to it,” Grey says. “Live drums and getting the feel of moving from verse to chorus with everyone playing. It sounds like a live album.”
The band’s keen sense of dynamics is also evident throughout 1 2 3 4. “With Modern English, we start off with an idea and then we go off on slight tangents,” says Conroy. “But there's always one or two songs that don't sound anything like punk rock. They sound like Modern English.”
Modern English co-produced their sophomore effort, 1982’s After the Snow, with Hugh Jones (The Sound, Echo & The Bunnymen), pairing trademark moodiness with spiky guitars and shimmering keyboards. In addition to the UK top 40 hit “Life in the Gladhouse," the LP became known for “I Melt With You,” which became a top 10 hit at U.S. rock radio and crossed over to the Billboard Hot 100 pop chart. A paragon of consistency, Modern English have become widely respected over the years as innovators, thanks to younger generations discovering their catalog and new artists citing the band as an influence. This increased popularity has translated to sold-out tours performing their early albums and a main stage appearance at the 2023 Cruel World Festival in front of more than 25,000 people.
It’s been a big journey for everybody, and our early days are really important to us,” Grey summarizes. “We haven't changed that much. We're still the same people inside. And the original members are the sound of the band — Stephen [Walker] on the keyboards, making lots of noises with all his analog synths, and then the sounds made by guitarist Gary [McDowell] or bassist Mick [Conroy]. If you take some of those components away, you won't have the Modern English sound.”
Modern English will be making the following appearances in EUROPE in 2024.
APRIL
11 — Dortmund, DE — Musiktheater Piano special guests of Buzzcocks
12 — Frankfurt, DE — Batschkapp special guests of Buzzcocks
13 — Berlin, DE — Huxleys special guests of Buzzcocks
14 — Hamburg, DE — Knust, special guests of Buzzcocks
18 — Stockholm, SE —Hus 7
20— Malmo, SE-Medley
22 — Copenhagen, DK — Little Vega
24 — Oberhausen, DE — Kulttemple
25 — Hague, NL — Paard
26 — Amsterdam, NL — Paradiso
27 — London UK — Dingwalls
May 2-Paris-Petit Bain
Show More
Genres:
Post-punk New Wave, New Wave, Post Punk
Band Members:
Stephen Walker, Mick Conroy, Robbie Grey, Gary McDowell
Hometown:
Colchester, United Kingdom
Fans Also Follow
New Order
986K Followers
Follow
Billy Idol
761K Followers
Follow
Soft Cell
161K Followers
Follow
The B-52's
417K Followers
Follow
Get the full experience with the Bandsintown app.