CATHEDRALE
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$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Past
SEP
04
2019
RAMONVILLE ST AGNE, France
LE BIKINI
I Was There
JUL
26
2019
Paris, France
Le Point éphémère
I Was There
JUN
06
2019
Montreal, Canada
Le Gesù - Centre de créativité
I Was There
MAY
11
2019
Santa Gertrudes, Brazil
Fazenda Haras Faxina
I Was There
MAR
14
2019
Montreal, Canada
Le Gesù - Centre de créativité
I Was There
APR
12
2018
Brussels, Belgium
Chaff
I Was There
APR
11
2018
Paris, France
Supersonic
I Was There
SEP
29
2017
Toulouse, France
LE REX DE TOULOUSE
I Was There
MAR
23
2017
Toulouse, France
Le Metronum
I Was There
MAR
03
2017
Rodez, France
Le Club
I Was There
APR
22
2016
Paris, France
Supersonic
I Was There
APR
13
2016
Toulouse, France
Le Saint Des Deins
I Was There
Show More Dates
About CATHEDRALE
In 8 years of existence, an EP, and four albums, the members of CATHEDRALE from Toulouse
have gradually honed their formula: precision rhythms, defiant vocals, and razor-sharp guitars
in the service of a post-something music, more proto than punk, as powerful as pop, always in
the red.
With experience touring across Europe alongside bands like Thee Oh Sees, Frustration, Rendez-
vous, or Uranium Club, CATHEDRALE has built a solid reputation on stage over the years.
For their fourth album, the band travels to London where they reunite with producer Syd Kemp
(Ulrika Spacek) and his Haha Sound Studio, recording and mixing the album Words/Silence in
one week. Jason Mitchell handles the mastering.
Exploring themes of insomnia, change, boredom, or separation, Words/Silence reveals a more
introspective side of the band. This new opus is darker, denser, and allows more space for
arrangements. The same applies to the artwork, inspired by the instinctive forms of Matisse and
the cut-up technique envisioned by Burroughs and Gysin in the 1950s. This visual illustrates the
role of spontaneity and randomness in the visual, sonic, and literary experiments of this new
album.
have gradually honed their formula: precision rhythms, defiant vocals, and razor-sharp guitars
in the service of a post-something music, more proto than punk, as powerful as pop, always in
the red.
With experience touring across Europe alongside bands like Thee Oh Sees, Frustration, Rendez-
vous, or Uranium Club, CATHEDRALE has built a solid reputation on stage over the years.
For their fourth album, the band travels to London where they reunite with producer Syd Kemp
(Ulrika Spacek) and his Haha Sound Studio, recording and mixing the album Words/Silence in
one week. Jason Mitchell handles the mastering.
Exploring themes of insomnia, change, boredom, or separation, Words/Silence reveals a more
introspective side of the band. This new opus is darker, denser, and allows more space for
arrangements. The same applies to the artwork, inspired by the instinctive forms of Matisse and
the cut-up technique envisioned by Burroughs and Gysin in the 1950s. This visual illustrates the
role of spontaneity and randomness in the visual, sonic, and literary experiments of this new
album.
Show More
Genres:
Garage Punk, Pop, Punk, Garage Rock, Post Rock, Rock, Post Punk
Hometown:
Toulouse, France
No upcoming shows
Send a request to CATHEDRALE to play in your city
Request a Show
Similar Artists On Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Past
SEP
04
2019
RAMONVILLE ST AGNE, France
LE BIKINI
I Was There
JUL
26
2019
Paris, France
Le Point éphémère
I Was There
JUN
06
2019
Montreal, Canada
Le Gesù - Centre de créativité
I Was There
MAY
11
2019
Santa Gertrudes, Brazil
Fazenda Haras Faxina
I Was There
MAR
14
2019
Montreal, Canada
Le Gesù - Centre de créativité
I Was There
APR
12
2018
Brussels, Belgium
Chaff
I Was There
APR
11
2018
Paris, France
Supersonic
I Was There
SEP
29
2017
Toulouse, France
LE REX DE TOULOUSE
I Was There
MAR
23
2017
Toulouse, France
Le Metronum
I Was There
MAR
03
2017
Rodez, France
Le Club
I Was There
APR
22
2016
Paris, France
Supersonic
I Was There
APR
13
2016
Toulouse, France
Le Saint Des Deins
I Was There
Show More Dates
About CATHEDRALE
In 8 years of existence, an EP, and four albums, the members of CATHEDRALE from Toulouse
have gradually honed their formula: precision rhythms, defiant vocals, and razor-sharp guitars
in the service of a post-something music, more proto than punk, as powerful as pop, always in
the red.
With experience touring across Europe alongside bands like Thee Oh Sees, Frustration, Rendez-
vous, or Uranium Club, CATHEDRALE has built a solid reputation on stage over the years.
For their fourth album, the band travels to London where they reunite with producer Syd Kemp
(Ulrika Spacek) and his Haha Sound Studio, recording and mixing the album Words/Silence in
one week. Jason Mitchell handles the mastering.
Exploring themes of insomnia, change, boredom, or separation, Words/Silence reveals a more
introspective side of the band. This new opus is darker, denser, and allows more space for
arrangements. The same applies to the artwork, inspired by the instinctive forms of Matisse and
the cut-up technique envisioned by Burroughs and Gysin in the 1950s. This visual illustrates the
role of spontaneity and randomness in the visual, sonic, and literary experiments of this new
album.
have gradually honed their formula: precision rhythms, defiant vocals, and razor-sharp guitars
in the service of a post-something music, more proto than punk, as powerful as pop, always in
the red.
With experience touring across Europe alongside bands like Thee Oh Sees, Frustration, Rendez-
vous, or Uranium Club, CATHEDRALE has built a solid reputation on stage over the years.
For their fourth album, the band travels to London where they reunite with producer Syd Kemp
(Ulrika Spacek) and his Haha Sound Studio, recording and mixing the album Words/Silence in
one week. Jason Mitchell handles the mastering.
Exploring themes of insomnia, change, boredom, or separation, Words/Silence reveals a more
introspective side of the band. This new opus is darker, denser, and allows more space for
arrangements. The same applies to the artwork, inspired by the instinctive forms of Matisse and
the cut-up technique envisioned by Burroughs and Gysin in the 1950s. This visual illustrates the
role of spontaneity and randomness in the visual, sonic, and literary experiments of this new
album.
Show More
Genres:
Garage Punk, Pop, Punk, Garage Rock, Post Rock, Rock, Post Punk
Hometown:
Toulouse, France
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