Arnold Dreyblatt
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About Arnold Dreyblatt
Arnold Dreyblatt (b. New York City, 1953) is an American composer and visual artist. He studied with Pauline Oliveros, La Monte Young, and Alvin Lucier and has been based in Berlin, Germany since 1984.
His compositions are based on harmonics, and thus just intonation, played either through a bowing technique he developed for his modified bass, a children's piano he specially tuned, or conventional instruments. He originally used only a steady pulse provided by the bowing motion on his bass (placing his music in the minimal category), but he eventually added many more instruments and more rhythmic variety.
His compositions are based on harmonics, and thus just intonation, played either through a bowing technique he developed for his modified bass, a children's piano he specially tuned, or conventional instruments. He originally used only a steady pulse provided by the bowing motion on his bass (placing his music in the minimal category), but he eventually added many more instruments and more rhythmic variety.
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No upcoming shows
Send a request to Arnold Dreyblatt to play in your city
Request a Show
Similar Artists On Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
About Arnold Dreyblatt
Arnold Dreyblatt (b. New York City, 1953) is an American composer and visual artist. He studied with Pauline Oliveros, La Monte Young, and Alvin Lucier and has been based in Berlin, Germany since 1984.
His compositions are based on harmonics, and thus just intonation, played either through a bowing technique he developed for his modified bass, a children's piano he specially tuned, or conventional instruments. He originally used only a steady pulse provided by the bowing motion on his bass (placing his music in the minimal category), but he eventually added many more instruments and more rhythmic variety.
His compositions are based on harmonics, and thus just intonation, played either through a bowing technique he developed for his modified bass, a children's piano he specially tuned, or conventional instruments. He originally used only a steady pulse provided by the bowing motion on his bass (placing his music in the minimal category), but he eventually added many more instruments and more rhythmic variety.
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