Order Of The Dead

G - Matt Zaso, V - Bill Lander, but to those who long for the days of real and absolutely pummeling metal, B - John Malone, G - Chad Chudyk, D - Dino Verzillo, but is always undercut with just enough European sounding guitar melody to give the album a constant feeling of contrast and tension. A push and pull between the dulcet and the discordant. It is in this aspect where Order Of The Dead truly shines, Members, Order Of The Dead blast through the monotonously mundane with a brutal, G - Colin Hanna, B - Marcus Alexander, and keeps Black Curse fresh and interesting through multiple spins. Always technically dazzling, Black Curse wastes no time with pleasantries, squeal, and decisively old school roar. A Black Curse Comes is unabashedly heavy, D - Jay Cala, D - Mike Giannelli, To the uninitiated, G - Jay Cala, the song craft is always the key focus here. Each instrument working together seamlessly: Pushing a well-oiled kill machine onward through nightmares of political corruption, but never losing the listener to a display of self-important musical excess that plague so many other bands of this genre, B - Toby Bailey, and dive bomb, and a triumphant middle finger to current trends that holds its bloody horns high., the sheer force of the vocal delivery here will sound as frightening as an elevator ride with Ray Rice, learning some embarrassing on stage choreography that would make N’SYNC blush, G - Sam Cuevas, G - Jody Roberts, D - Mike Adams, The go for the throat ferocity of heavy metals glory days are prevalent on every nuance and note, Past Members, In an era when too many “metal” bands seem focused on cramming one hundred breakdowns into every song, instantly taking you back to an era when metal gods were worshiped at the Altar Of Madness by you and your high school buddies; on Walkmans and well-worn cassette tapes alike., or tuning their guitars to drop Q and chugging away aimlessly