The Twilight Sad
35,093 Followers
• 3 Upcoming Shows
3 Upcoming Shows
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The Twilight Sad's tour
Live Photos of The Twilight Sad
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Fan Reviews
Sean
July 9th 2023
Really good live and I dug the songs/sound of the band. Kinda of like mixing Interpol, mogwai, and we were promised Jetpacks together. I know they are one of Robert Smith’s favorite bands so I had to show up early and check them out.
Tampa, FL@Amalie Arena
Shakila
June 19th 2023
I first became aware of The Twilight Sad in 2019 because of their connection to The Cure. I always liked them, but have now become an obsessive fan after seeing them open this show! They were excellent! What a powerful performance given by their front man and drummer in particular. The music hit really hard, ya know? I will absolutely go to see them again next time they're in town. ❤️🖤
Toronto, ON@Budweiser Stage
Tiana
May 30th 2023
I hadn't heard very much of their music but they were awesome!! I enjoyed every song and what a great stage presence 👏 🎶🎶!! Super Exitazo!!!
Los Angeles, CA@Hollywood Bowl
View More Fan Reviews
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About The Twilight Sad
Based outside Kilsyth, United Kingdom, The Twilight Sad formed in late 2003. The band played a couple of gigs at the 13th Note in Glasgow, creating half hour-long pieces of music using guitars, bass, drums, theremin, tape loops from films and old folk/country songs, effects pedals, toy keyboards, thumb pianos, saws, computer games, and a lot of noise, in an attempt to try and discover a sound they could call their own and continue to develop. After these two shows, they rejected many gig offers, and became a more reclusive unit, spending any spare time they had in the studio focused on writing and sculpting away at new material.
In September 2005, they wrote four songs they thought gave a relatively good perspective of the band, and went into a local studio to record them, producing it themselves. Staying in the studio for many nights, they used a 24-track desk to build layer upon layer of sound, trying to get the best representation as possible. Thinking that the CD they came out with showed little more than some kind of raw potential, they posted it down to FatCat as a demo. After receiving a positive response and a request for more tracks, the band continued to expand on their song writing and kept regularly in contact with the label. Instead of paying for more studio time they began to make lo-fi recordings in bedrooms, bathrooms and their own rehearsal space, developing a more folk/experimental/noise sound. In mid-May the band came down to Brighton to meet the label and played on the bill of a FatCat night on the pier alongside The Mutts, Charlottefield, The Rank Deluxe, and fellow Glasgow band, Frightened Rabbit.
Where the band’s recorded sound is layered with many melodies, their live sound is a more intense experience which replaces the intricacies of the recordings with a more visceral wall of noise.
In September 2005, they wrote four songs they thought gave a relatively good perspective of the band, and went into a local studio to record them, producing it themselves. Staying in the studio for many nights, they used a 24-track desk to build layer upon layer of sound, trying to get the best representation as possible. Thinking that the CD they came out with showed little more than some kind of raw potential, they posted it down to FatCat as a demo. After receiving a positive response and a request for more tracks, the band continued to expand on their song writing and kept regularly in contact with the label. Instead of paying for more studio time they began to make lo-fi recordings in bedrooms, bathrooms and their own rehearsal space, developing a more folk/experimental/noise sound. In mid-May the band came down to Brighton to meet the label and played on the bill of a FatCat night on the pier alongside The Mutts, Charlottefield, The Rank Deluxe, and fellow Glasgow band, Frightened Rabbit.
Where the band’s recorded sound is layered with many melodies, their live sound is a more intense experience which replaces the intricacies of the recordings with a more visceral wall of noise.
Show More
Genres:
Alternative, Shoegaze
No upcoming shows in your city
Send a request to The Twilight Sad to play in your city
Request a Show
concerts and tour dates
Upcoming
Past
all concerts & live streams
Live Photos of The Twilight Sad
View All Photos
Merch (ad)
Cat Unicorn Riding Dinosaur T rex Kit...
$19.97
Hoa Hoa Hoa Hoa Hoa Season Autumn Fal...
$16.99
Twilight Edward and Icons T-Shirt
$23.99
G2TUP Twilight Inspired Crossbody Bag...
$15.89
Twilight Main Poster T-Shirt
$23.99
Twilight Spider Monkey Adult Black Sh...
$23.95
Twilight Edward Bella and Jacob Mens ...
$20.95
Twilight Team Edward Forever T-Shirt
$23.99
Cullen Baseball Forks Washington, Hom...
$17.95
American Classics Twilight I Love Boy...
$26.95
The Twilight Sad's tour
Fan Reviews
Sean
July 9th 2023
Really good live and I dug the songs/sound of the band. Kinda of like mixing Interpol, mogwai, and we were promised Jetpacks together. I know they are one of Robert Smith’s favorite bands so I had to show up early and check them out.
Tampa, FL@Amalie Arena
Shakila
June 19th 2023
I first became aware of The Twilight Sad in 2019 because of their connection to The Cure. I always liked them, but have now become an obsessive fan after seeing them open this show! They were excellent! What a powerful performance given by their front man and drummer in particular. The music hit really hard, ya know? I will absolutely go to see them again next time they're in town. ❤️🖤
Toronto, ON@Budweiser Stage
Tiana
May 30th 2023
I hadn't heard very much of their music but they were awesome!! I enjoyed every song and what a great stage presence 👏 🎶🎶!! Super Exitazo!!!
Los Angeles, CA@Hollywood Bowl
View More Fan Reviews
About The Twilight Sad
Based outside Kilsyth, United Kingdom, The Twilight Sad formed in late 2003. The band played a couple of gigs at the 13th Note in Glasgow, creating half hour-long pieces of music using guitars, bass, drums, theremin, tape loops from films and old folk/country songs, effects pedals, toy keyboards, thumb pianos, saws, computer games, and a lot of noise, in an attempt to try and discover a sound they could call their own and continue to develop. After these two shows, they rejected many gig offers, and became a more reclusive unit, spending any spare time they had in the studio focused on writing and sculpting away at new material.
In September 2005, they wrote four songs they thought gave a relatively good perspective of the band, and went into a local studio to record them, producing it themselves. Staying in the studio for many nights, they used a 24-track desk to build layer upon layer of sound, trying to get the best representation as possible. Thinking that the CD they came out with showed little more than some kind of raw potential, they posted it down to FatCat as a demo. After receiving a positive response and a request for more tracks, the band continued to expand on their song writing and kept regularly in contact with the label. Instead of paying for more studio time they began to make lo-fi recordings in bedrooms, bathrooms and their own rehearsal space, developing a more folk/experimental/noise sound. In mid-May the band came down to Brighton to meet the label and played on the bill of a FatCat night on the pier alongside The Mutts, Charlottefield, The Rank Deluxe, and fellow Glasgow band, Frightened Rabbit.
Where the band’s recorded sound is layered with many melodies, their live sound is a more intense experience which replaces the intricacies of the recordings with a more visceral wall of noise.
In September 2005, they wrote four songs they thought gave a relatively good perspective of the band, and went into a local studio to record them, producing it themselves. Staying in the studio for many nights, they used a 24-track desk to build layer upon layer of sound, trying to get the best representation as possible. Thinking that the CD they came out with showed little more than some kind of raw potential, they posted it down to FatCat as a demo. After receiving a positive response and a request for more tracks, the band continued to expand on their song writing and kept regularly in contact with the label. Instead of paying for more studio time they began to make lo-fi recordings in bedrooms, bathrooms and their own rehearsal space, developing a more folk/experimental/noise sound. In mid-May the band came down to Brighton to meet the label and played on the bill of a FatCat night on the pier alongside The Mutts, Charlottefield, The Rank Deluxe, and fellow Glasgow band, Frightened Rabbit.
Where the band’s recorded sound is layered with many melodies, their live sound is a more intense experience which replaces the intricacies of the recordings with a more visceral wall of noise.
Show More
Genres:
Alternative, Shoegaze
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