Kristine Leschper
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Fan Reviews
Jesse
October 22nd 2023
One of the finest and most intimate shows I have been to. All three artists were phenomenal. Beautiful Beautiful singing, creative arrangements, and stage presence. It was a pure joy from beginning to end.
Philadelphia, PA@Abyssinia
Jimmy
April 21st 2023
Complete blast. Anna Kellam was wonderful. Nina Ryser’s set was perfection, nothing could top it. Until she joined Kristine Leschper and her Live Ensemble for the final set, which a fellow awestruck audience member described as divine. Very well worth it.
Savannah, GA@The Sentient Bean
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About Kristine Leschper
Kristine Leschper is an interdisciplinary artist working in sound, text, image, and performance. Her work positions itself around the spectacle of the human condition, deeply interested in questions of meaning-making, womanhood, socio-ecological systems, and the wielding of power. Her personal philosophies around music-making approach the sonic landscape as an object with shape, dimension and weight. She has presented over 250 live performances across the US, UK, and Europe.
Out of chaos, the universe emerged, and from chaos a person can emerge, too. Kristine Leschper isn’t being hyperbolic when she describes a sensation of “being born” when a culmination of events, both personal and global, catalyzed in her “an understanding of how to relinquish control in a big way, and from that, a new sense of connectedness, transition, and impermanence.” She explains her desire to cultivate work in the spirit of the New World Poets, where in the words of June Jordan there exists “a reverence for the material world that begins with a reverence for human life, an intellectual trust in sensuality as a means of knowledge and of unity.”
Leschper’s The Opening, Or Closing Of A Door, due March 4 via ANTI/Epitaph, is a paean to the sensory world. It’s the first Leschper has released under her given name, having retired the moniker Mothers after eight years of performing and releasing music under it. Though both projects are guided by Leschper’s idiosyncratic approach to songwriting, they couldn’t sound more different. While Mothers drew inspiration from the stark, skeletal sounds of post-punk and contemporary folk, Leschper’s new work is practically baroque, integrating an array of synthesizers, strings, woodwinds, and over a dozen percussive instruments.
Out of chaos, the universe emerged, and from chaos a person can emerge, too. Kristine Leschper isn’t being hyperbolic when she describes a sensation of “being born” when a culmination of events, both personal and global, catalyzed in her “an understanding of how to relinquish control in a big way, and from that, a new sense of connectedness, transition, and impermanence.” She explains her desire to cultivate work in the spirit of the New World Poets, where in the words of June Jordan there exists “a reverence for the material world that begins with a reverence for human life, an intellectual trust in sensuality as a means of knowledge and of unity.”
Leschper’s The Opening, Or Closing Of A Door, due March 4 via ANTI/Epitaph, is a paean to the sensory world. It’s the first Leschper has released under her given name, having retired the moniker Mothers after eight years of performing and releasing music under it. Though both projects are guided by Leschper’s idiosyncratic approach to songwriting, they couldn’t sound more different. While Mothers drew inspiration from the stark, skeletal sounds of post-punk and contemporary folk, Leschper’s new work is practically baroque, integrating an array of synthesizers, strings, woodwinds, and over a dozen percussive instruments.
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Genres:
Alternative, Indie, Indie Folk
Hometown:
Athens, Georgia
No upcoming shows
Send a request to Kristine Leschper to play in your city
Request a Show
Similar Artists On Tour
Live Photos of Kristine Leschper
View All Photos
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Fan Reviews
Jesse
October 22nd 2023
One of the finest and most intimate shows I have been to. All three artists were phenomenal. Beautiful Beautiful singing, creative arrangements, and stage presence. It was a pure joy from beginning to end.
Philadelphia, PA@Abyssinia
Jimmy
April 21st 2023
Complete blast. Anna Kellam was wonderful. Nina Ryser’s set was perfection, nothing could top it. Until she joined Kristine Leschper and her Live Ensemble for the final set, which a fellow awestruck audience member described as divine. Very well worth it.
Savannah, GA@The Sentient Bean
View More Fan Reviews
About Kristine Leschper
Kristine Leschper is an interdisciplinary artist working in sound, text, image, and performance. Her work positions itself around the spectacle of the human condition, deeply interested in questions of meaning-making, womanhood, socio-ecological systems, and the wielding of power. Her personal philosophies around music-making approach the sonic landscape as an object with shape, dimension and weight. She has presented over 250 live performances across the US, UK, and Europe.
Out of chaos, the universe emerged, and from chaos a person can emerge, too. Kristine Leschper isn’t being hyperbolic when she describes a sensation of “being born” when a culmination of events, both personal and global, catalyzed in her “an understanding of how to relinquish control in a big way, and from that, a new sense of connectedness, transition, and impermanence.” She explains her desire to cultivate work in the spirit of the New World Poets, where in the words of June Jordan there exists “a reverence for the material world that begins with a reverence for human life, an intellectual trust in sensuality as a means of knowledge and of unity.”
Leschper’s The Opening, Or Closing Of A Door, due March 4 via ANTI/Epitaph, is a paean to the sensory world. It’s the first Leschper has released under her given name, having retired the moniker Mothers after eight years of performing and releasing music under it. Though both projects are guided by Leschper’s idiosyncratic approach to songwriting, they couldn’t sound more different. While Mothers drew inspiration from the stark, skeletal sounds of post-punk and contemporary folk, Leschper’s new work is practically baroque, integrating an array of synthesizers, strings, woodwinds, and over a dozen percussive instruments.
Out of chaos, the universe emerged, and from chaos a person can emerge, too. Kristine Leschper isn’t being hyperbolic when she describes a sensation of “being born” when a culmination of events, both personal and global, catalyzed in her “an understanding of how to relinquish control in a big way, and from that, a new sense of connectedness, transition, and impermanence.” She explains her desire to cultivate work in the spirit of the New World Poets, where in the words of June Jordan there exists “a reverence for the material world that begins with a reverence for human life, an intellectual trust in sensuality as a means of knowledge and of unity.”
Leschper’s The Opening, Or Closing Of A Door, due March 4 via ANTI/Epitaph, is a paean to the sensory world. It’s the first Leschper has released under her given name, having retired the moniker Mothers after eight years of performing and releasing music under it. Though both projects are guided by Leschper’s idiosyncratic approach to songwriting, they couldn’t sound more different. While Mothers drew inspiration from the stark, skeletal sounds of post-punk and contemporary folk, Leschper’s new work is practically baroque, integrating an array of synthesizers, strings, woodwinds, and over a dozen percussive instruments.
Show More
Genres:
Alternative, Indie, Indie Folk
Hometown:
Athens, Georgia
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