Book of Colors
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Similar Artists On Tour
concerts and tour dates
Past
MAR
10
2019
Portland, OR
Doug Fir Lounge
I Was There
NOV
05
2018
Portland, OR
Mississippi Studios
I Was There
OCT
06
2018
Portland, OR
Th Big Legrowlski
I Was There
AUG
12
2016
Atlanta, GA
The Earl
I Was There
JUL
24
2016
Chattanooga, TN
The Honest Pint
I Was There
JUL
22
2016
New Orleans, LA
Gasa Gasa
I Was There
JUL
16
2016
Decatur, GA
Eddie's Attic
I Was There
JUN
19
2016
Atlanta, GA
Park Tavern
I Was There
APR
01
2016
Jackson, TN
Barefoot Joe's
I Was There
MAR
31
2016
Atlanta, GA
The Earl
I Was There
FEB
27
2016
Atlanta, GA
Terminal West
I Was There
DEC
19
2015
Atlanta, GA
The Earl
I Was There
DEC
18
2015
Atlanta, GA
The Earl
I Was There
OCT
24
2015
Atlanta, GA
THE WHEREHOUSE
I Was There
SEP
10
2015
Atlanta, GA
Ponce City Market
I Was There
AUG
23
2015
Atlanta, GA
Park Tavern
I Was There
AUG
07
2015
Atlanta, GA
The Star Bar
I Was There
JUN
27
2015
Atlanta, GA
The Drunken Unicorn
I Was There
MAY
13
2015
Atlanta, GA
The Earl
I Was There
NOV
14
2014
Atlanta, GA
Smiths Olde Bar
I Was There
MAY
23
2014
Atlanta, GA
Red Light Cafe
I Was There
Show More Dates
About Book of Colors
Book of Colors is a band that constantly skirts the edge between torn-open soulfulness and delicate restraint. Their melodies are dreamy and hypnotic, and lead singer André Paraguassu’s distinctively warm, crooning voice carries them with an easygoing authority that recalls singers from the big band era. The lineup of musicians involved is somewhat loose, the band name functioning more as a moniker for Paraguassu’s musical endeavors than as a static group. Live shows typically feature six to eight band members with lush instrumentation and layered vocal harmonies. However, their debut album is a much bigger production. It features a cast of fifteen players that reads like a supergroup pulled from the Atlanta music scene. The list includes most of the members of Little Tybee, as well as Adron, Ryan Gregory (Christ, Lord, Lily and the Tigers), and Chris Childs (Hello Ocho, Faun and a Pan Flute), among others. The arrangements for all ten songs are notably dense. Vocal harmonies and instruments seem to stretch off into infinity in every direction with orchestral elements such as the violin, viola, marimba, vibraphone, and flute blending seamlessly with horns, piano, organ, pedal steel, guitars, and synthesizers. The result is a collection of songs with a unique, fully realized sound that’s simultaneously genuine and refined. “There is an amazing music scene happening in Atlanta right now. It’s a major city overflowing with world-class talent, but the amount of camaraderie within the artistic community makes it feel like a small town,” André says as he reclines lazily on the classically southern front porch of their drummer’s home in Little Five Points where they rehearse. “I’ve always loved playing with large ensembles and this city has been the gift that keeps on giving in that regard. Everyone is so supportive and eager to collaborate. I feel incredibly lucky to be working in such an inspiring creative atmosphere.” André’s list of songwriting influences is long and eclectic, but the majority of artists and albums he mentions are from the sixties and early seventies, with a heavy slant toward music made in the UK, Brazil, France, and the southern United States during that time period. As such, traces of Nick Drake, Harry Nilsson, Otis Redding, and Sam Cooke can all be heard in his vocal delivery, with dark raspy low notes and a soaring, bell-like upper register. Psychedelic elements that bring Broadcast, Pink Floyd, and Caetano Veloso to mind mix with introspective lyrics and symphonic orchestration in Paraguassu’s often complex song structures. The first track on the album, “Why Don’t You,” pairs African percussion instruments with distinctly Middle-Eastern harmonic scales. A heavy rhythm & blues bass line and gritty Rhodes piano move the song steadily forward as it eventually swells into an ocean of overlapping harmonies and rhythms. The voices multiply and build in intensity until they become a mass of screaming and muttering, finally dropping away as the band returns to its initial slow groove. It’s a fitting start to an album that takes a multitude of unexpected turns and weaves together a wide array of seemingly incongruous styles. Even when he’s employing a sense of irony, as in the smirking epic “Oh Your Backwards Smile,” Paraguassu never hides behind his tricks. He is a songwriter who faces weariness with childlike wonder, pain with wisdom, and indignation with unrelenting sweetness. It’s music that feels nostalgic the first time you hear it, like an old friend you didn’t know you had. Book of Colors has played alongside national and international acts that include Kishi Bashi, Bright Black Morning Light, Horse Feathers, Della Mae, Holy Ghost Tent Revival, and Streets of Laredo. They’ve also performed in numerous festivals and events in and around Atlanta and the Southeastern United States. The album, recorded by Ben Price at studilaroche in Atlanta, will make its debut February 5th, 2016 on Deer Bear Wolf Records. The release party will be February 27th at Terminal West with Little Tybee and Hello Ocho. Visit bookofcolors.com for more information. “Book of Colors sounds like that elf you meet way out in the woods strumming a harp made of dreams and rainbows. And his band is a tough gang of unicorns high on Gummi juice.” -Artlantis André’s list of songwriting influences is long and eclectic, but the majority of artists and albums he mentions are from the sixties and early seventies, w
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Band Members:
Bill Sommer: Drums., Hilary Kelley: Vocals., David Oliver: Keys. Vocals., Skyler Ross: Bass. Vocals., André Paraguassu: Vocals. Guitar., Eric Balint: Vibraphone. Marimba. Melodica. Bells. Percussion. Vocals.
Hometown:
Atlanta, Georgia
No upcoming shows
Send a request to Book of Colors to play in your city
Request a Show
Similar Artists On Tour
concerts and tour dates
Past
MAR
10
2019
Portland, OR
Doug Fir Lounge
I Was There
NOV
05
2018
Portland, OR
Mississippi Studios
I Was There
OCT
06
2018
Portland, OR
Th Big Legrowlski
I Was There
AUG
12
2016
Atlanta, GA
The Earl
I Was There
JUL
24
2016
Chattanooga, TN
The Honest Pint
I Was There
JUL
22
2016
New Orleans, LA
Gasa Gasa
I Was There
JUL
16
2016
Decatur, GA
Eddie's Attic
I Was There
JUN
19
2016
Atlanta, GA
Park Tavern
I Was There
APR
01
2016
Jackson, TN
Barefoot Joe's
I Was There
MAR
31
2016
Atlanta, GA
The Earl
I Was There
FEB
27
2016
Atlanta, GA
Terminal West
I Was There
DEC
19
2015
Atlanta, GA
The Earl
I Was There
DEC
18
2015
Atlanta, GA
The Earl
I Was There
OCT
24
2015
Atlanta, GA
THE WHEREHOUSE
I Was There
SEP
10
2015
Atlanta, GA
Ponce City Market
I Was There
AUG
23
2015
Atlanta, GA
Park Tavern
I Was There
AUG
07
2015
Atlanta, GA
The Star Bar
I Was There
JUN
27
2015
Atlanta, GA
The Drunken Unicorn
I Was There
MAY
13
2015
Atlanta, GA
The Earl
I Was There
NOV
14
2014
Atlanta, GA
Smiths Olde Bar
I Was There
MAY
23
2014
Atlanta, GA
Red Light Cafe
I Was There
Show More Dates
About Book of Colors
Book of Colors is a band that constantly skirts the edge between torn-open soulfulness and delicate restraint. Their melodies are dreamy and hypnotic, and lead singer André Paraguassu’s distinctively warm, crooning voice carries them with an easygoing authority that recalls singers from the big band era. The lineup of musicians involved is somewhat loose, the band name functioning more as a moniker for Paraguassu’s musical endeavors than as a static group. Live shows typically feature six to eight band members with lush instrumentation and layered vocal harmonies. However, their debut album is a much bigger production. It features a cast of fifteen players that reads like a supergroup pulled from the Atlanta music scene. The list includes most of the members of Little Tybee, as well as Adron, Ryan Gregory (Christ, Lord, Lily and the Tigers), and Chris Childs (Hello Ocho, Faun and a Pan Flute), among others. The arrangements for all ten songs are notably dense. Vocal harmonies and instruments seem to stretch off into infinity in every direction with orchestral elements such as the violin, viola, marimba, vibraphone, and flute blending seamlessly with horns, piano, organ, pedal steel, guitars, and synthesizers. The result is a collection of songs with a unique, fully realized sound that’s simultaneously genuine and refined. “There is an amazing music scene happening in Atlanta right now. It’s a major city overflowing with world-class talent, but the amount of camaraderie within the artistic community makes it feel like a small town,” André says as he reclines lazily on the classically southern front porch of their drummer’s home in Little Five Points where they rehearse. “I’ve always loved playing with large ensembles and this city has been the gift that keeps on giving in that regard. Everyone is so supportive and eager to collaborate. I feel incredibly lucky to be working in such an inspiring creative atmosphere.” André’s list of songwriting influences is long and eclectic, but the majority of artists and albums he mentions are from the sixties and early seventies, with a heavy slant toward music made in the UK, Brazil, France, and the southern United States during that time period. As such, traces of Nick Drake, Harry Nilsson, Otis Redding, and Sam Cooke can all be heard in his vocal delivery, with dark raspy low notes and a soaring, bell-like upper register. Psychedelic elements that bring Broadcast, Pink Floyd, and Caetano Veloso to mind mix with introspective lyrics and symphonic orchestration in Paraguassu’s often complex song structures. The first track on the album, “Why Don’t You,” pairs African percussion instruments with distinctly Middle-Eastern harmonic scales. A heavy rhythm & blues bass line and gritty Rhodes piano move the song steadily forward as it eventually swells into an ocean of overlapping harmonies and rhythms. The voices multiply and build in intensity until they become a mass of screaming and muttering, finally dropping away as the band returns to its initial slow groove. It’s a fitting start to an album that takes a multitude of unexpected turns and weaves together a wide array of seemingly incongruous styles. Even when he’s employing a sense of irony, as in the smirking epic “Oh Your Backwards Smile,” Paraguassu never hides behind his tricks. He is a songwriter who faces weariness with childlike wonder, pain with wisdom, and indignation with unrelenting sweetness. It’s music that feels nostalgic the first time you hear it, like an old friend you didn’t know you had. Book of Colors has played alongside national and international acts that include Kishi Bashi, Bright Black Morning Light, Horse Feathers, Della Mae, Holy Ghost Tent Revival, and Streets of Laredo. They’ve also performed in numerous festivals and events in and around Atlanta and the Southeastern United States. The album, recorded by Ben Price at studilaroche in Atlanta, will make its debut February 5th, 2016 on Deer Bear Wolf Records. The release party will be February 27th at Terminal West with Little Tybee and Hello Ocho. Visit bookofcolors.com for more information. “Book of Colors sounds like that elf you meet way out in the woods strumming a harp made of dreams and rainbows. And his band is a tough gang of unicorns high on Gummi juice.” -Artlantis André’s list of songwriting influences is long and eclectic, but the majority of artists and albums he mentions are from the sixties and early seventies, w
Show More
Band Members:
Bill Sommer: Drums., Hilary Kelley: Vocals., David Oliver: Keys. Vocals., Skyler Ross: Bass. Vocals., André Paraguassu: Vocals. Guitar., Eric Balint: Vibraphone. Marimba. Melodica. Bells. Percussion. Vocals.
Hometown:
Atlanta, Georgia
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