Biréli Lagrène
12,762 Followers
• 11 Upcoming Shows
11 Upcoming Shows
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Show More Dates (11)
Biréli Lagrène's tour
Fan Reviews
Calvin
July 13th 2024
Einer der besten Gitarristen aller Zeiten. Mehr braucht man hier nicht hinzufügen.
Mikulov, Czechia@Mikulov Castle
Heidi
January 29th 2024
The concert was phenomenal! Bireli improvised with such easy and joy and wit! he is unique!
Zürich, Switzerland@Tonhalle - Grosser Saal
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About Biréli Lagrène
Since the 1980s, Bireli Lagrene has been the undisputed king of jazz guitar.
In the early 80's, Bireli was a child prodigy who developed his craft into an art. His story begins in 1966 in Saverne, France in the Alsace region - the heart of the gypsy community. Bireli was born into a family of musicians where he was introduced to the guitar at an early age by his father, then by his brother. Bireli was first spotted by Matelot Ferré, Django Reinhardt's companion.
During those early years Bireli was heavily influenced by Django. He was inspired by the master's choruses, listening to his records over and over again, trying at first to remake what he heard before finding his own style. We hear this unique style in Bireli’s first albums: "Routes to Django", released in 1980, "Bireli Swing '81" (1981) and then "Fifteen" (1982). A sort of trilogy in the form of a "free manifesto," according to the etymology of the word "manouche" ("free man"). So jazz, for Bireli, is mixed with a primordial freedom, "a freedom that has no limits..." "Django helped me to go and see what is happening elsewhere," he says.
Bireli was influenced not only by Django, but also Wes Montgomery and George Benson and soon Bireli turned to fusion jazz in the style of Jaco Pastorius and Weather Report.
From 1986 onwards Bireli, who had collaborations with Stéphane Grappelli and Larry Coryell, embarked on the adventure of fusion, deepening his experience and encounters. Bireli even hesitated for a while about which instrument to adopt (under the influence of Pastorius, Bireli had become a formidable bassist). He finally settled on the guitar for a period of research where he forged a dazzling style, showing exceptional faculties of adaptation supported by a talent of improvisation, placing him among the greatest. Multiple collaborations ensue. Bireli finds himself alongside John McLaughlin, Paco de Lucia, Al Di Meola, Jack Bruce and Ginger Baker (for a temporary reformation of Cream), Stanley Clarke, Miroslav Vitous, Lenny White, and Mike Stern. This impressive list doesn't even include the two live albums that Bireli recorded with Jaco Pastorius.
In 1990, the album "Acoustic Moments” is a beautiful synthesis of style. Walking the tightrope between traditional jazz and fusion. Then, Bireli finds the sweet spot as well as critical acclaim by playing the "classic" card with "Standards" (1992).
As Bireli’s "Viaggio" (1993) hit the streets, it coincides with his ever-increasing recognition on the national and international scenes. Bireli wins the coveted “Django d'Or” (The Golden Django) in 1993, and in 2001 “Victoires de la Musique” (the equivalent of a Grammy in the US and awarded by the French Ministry of Culture to recognize outstanding achievement in the music industry) for "Front Page" (2000). A "power trio" formed with Dominique Di Piazza and Dennis Chambers who recorded for Universal, crowning the success and popularity of the "Gipsy Project" (2001).
At 35 years old, after having played on almost every front of the modern guitar, after having interacted with some of the finest jazz musicians worldwide, Bireli Lagrene, wild and subtle, quick as a flash, decided to take up with the music of his origins by risking an incredible bet between virtuosity and depth. "Gipsy Project & Friends" (2002), happily celebrates with unaffected spontaneity while anchoring himself in a tradition that Bireli, at the top of his art, has at his fingertips.
Still in the tradition of gypsy jazz, Bireli released the album "Move" in 2004, which has the peculiarity of replacing the violin with a saxophone. Striking repertoire. Dazzling swing. The album is masterful. As success grew, Bireli toured the biggest festivals with his Gipsy Project until his triumph at the Olympia in 2005. This recording also featured the special guest guitar of Sylvain Luc.
In October 2006, to celebrate the 40th birthday of this outstanding musician, Dreyfus Jazz publishes an exceptional double CD: “Djangology” (with the Köln WDR Big Band) and “To Bi or Not To Bi” (solo recording).
These last 17 years - crowned by a 2012 “Medal of Chevalier des Arts et des Lettres” (recognition of significant contributions to the arts) - will see Bireli release thirteen albums including "The Alternative," alongside Jimmy Rosenberg and Angelo Debarre, with Stanley Clarke and Jean-Luc Ponty for an inspired "D-Stringz," with Rony Lakatos on the magnificent "Tribute to Stéphane & Django," with André Charlier and Benoît Sourisse on "Remembering Jaco" and solo on the superb "Solo Suites" released in 2022.
In 2023, Bireli Lagrene released in trio with Hono Winterstein (rhythm guitar) and Diego Imbert (double bass) a side project "Bireli Lagrene plays Loulou Gasté," a superb songbook dedicated to the repertoire of one of the most important authors of the golden age of French song, Louis Gasté.
Bireli continues with his music today, not style defined, but rather honoring his roots.
In the early 80's, Bireli was a child prodigy who developed his craft into an art. His story begins in 1966 in Saverne, France in the Alsace region - the heart of the gypsy community. Bireli was born into a family of musicians where he was introduced to the guitar at an early age by his father, then by his brother. Bireli was first spotted by Matelot Ferré, Django Reinhardt's companion.
During those early years Bireli was heavily influenced by Django. He was inspired by the master's choruses, listening to his records over and over again, trying at first to remake what he heard before finding his own style. We hear this unique style in Bireli’s first albums: "Routes to Django", released in 1980, "Bireli Swing '81" (1981) and then "Fifteen" (1982). A sort of trilogy in the form of a "free manifesto," according to the etymology of the word "manouche" ("free man"). So jazz, for Bireli, is mixed with a primordial freedom, "a freedom that has no limits..." "Django helped me to go and see what is happening elsewhere," he says.
Bireli was influenced not only by Django, but also Wes Montgomery and George Benson and soon Bireli turned to fusion jazz in the style of Jaco Pastorius and Weather Report.
From 1986 onwards Bireli, who had collaborations with Stéphane Grappelli and Larry Coryell, embarked on the adventure of fusion, deepening his experience and encounters. Bireli even hesitated for a while about which instrument to adopt (under the influence of Pastorius, Bireli had become a formidable bassist). He finally settled on the guitar for a period of research where he forged a dazzling style, showing exceptional faculties of adaptation supported by a talent of improvisation, placing him among the greatest. Multiple collaborations ensue. Bireli finds himself alongside John McLaughlin, Paco de Lucia, Al Di Meola, Jack Bruce and Ginger Baker (for a temporary reformation of Cream), Stanley Clarke, Miroslav Vitous, Lenny White, and Mike Stern. This impressive list doesn't even include the two live albums that Bireli recorded with Jaco Pastorius.
In 1990, the album "Acoustic Moments” is a beautiful synthesis of style. Walking the tightrope between traditional jazz and fusion. Then, Bireli finds the sweet spot as well as critical acclaim by playing the "classic" card with "Standards" (1992).
As Bireli’s "Viaggio" (1993) hit the streets, it coincides with his ever-increasing recognition on the national and international scenes. Bireli wins the coveted “Django d'Or” (The Golden Django) in 1993, and in 2001 “Victoires de la Musique” (the equivalent of a Grammy in the US and awarded by the French Ministry of Culture to recognize outstanding achievement in the music industry) for "Front Page" (2000). A "power trio" formed with Dominique Di Piazza and Dennis Chambers who recorded for Universal, crowning the success and popularity of the "Gipsy Project" (2001).
At 35 years old, after having played on almost every front of the modern guitar, after having interacted with some of the finest jazz musicians worldwide, Bireli Lagrene, wild and subtle, quick as a flash, decided to take up with the music of his origins by risking an incredible bet between virtuosity and depth. "Gipsy Project & Friends" (2002), happily celebrates with unaffected spontaneity while anchoring himself in a tradition that Bireli, at the top of his art, has at his fingertips.
Still in the tradition of gypsy jazz, Bireli released the album "Move" in 2004, which has the peculiarity of replacing the violin with a saxophone. Striking repertoire. Dazzling swing. The album is masterful. As success grew, Bireli toured the biggest festivals with his Gipsy Project until his triumph at the Olympia in 2005. This recording also featured the special guest guitar of Sylvain Luc.
In October 2006, to celebrate the 40th birthday of this outstanding musician, Dreyfus Jazz publishes an exceptional double CD: “Djangology” (with the Köln WDR Big Band) and “To Bi or Not To Bi” (solo recording).
These last 17 years - crowned by a 2012 “Medal of Chevalier des Arts et des Lettres” (recognition of significant contributions to the arts) - will see Bireli release thirteen albums including "The Alternative," alongside Jimmy Rosenberg and Angelo Debarre, with Stanley Clarke and Jean-Luc Ponty for an inspired "D-Stringz," with Rony Lakatos on the magnificent "Tribute to Stéphane & Django," with André Charlier and Benoît Sourisse on "Remembering Jaco" and solo on the superb "Solo Suites" released in 2022.
In 2023, Bireli Lagrene released in trio with Hono Winterstein (rhythm guitar) and Diego Imbert (double bass) a side project "Bireli Lagrene plays Loulou Gasté," a superb songbook dedicated to the repertoire of one of the most important authors of the golden age of French song, Louis Gasté.
Bireli continues with his music today, not style defined, but rather honoring his roots.
Show More
Genres:
Jazz
Hometown:
Saverne, France
No upcoming shows in your city
Send a request to Biréli Lagrène to play in your city
Request a Show
concerts and tour dates
Upcoming
Past
all concerts & live streams
Show More Dates (11)
Biréli Lagrène's tour
Fan Reviews
Calvin
July 13th 2024
Einer der besten Gitarristen aller Zeiten. Mehr braucht man hier nicht hinzufügen.
Mikulov, Czechia@Mikulov Castle
Heidi
January 29th 2024
The concert was phenomenal! Bireli improvised with such easy and joy and wit! he is unique!
Zürich, Switzerland@Tonhalle - Grosser Saal
About Biréli Lagrène
Since the 1980s, Bireli Lagrene has been the undisputed king of jazz guitar.
In the early 80's, Bireli was a child prodigy who developed his craft into an art. His story begins in 1966 in Saverne, France in the Alsace region - the heart of the gypsy community. Bireli was born into a family of musicians where he was introduced to the guitar at an early age by his father, then by his brother. Bireli was first spotted by Matelot Ferré, Django Reinhardt's companion.
During those early years Bireli was heavily influenced by Django. He was inspired by the master's choruses, listening to his records over and over again, trying at first to remake what he heard before finding his own style. We hear this unique style in Bireli’s first albums: "Routes to Django", released in 1980, "Bireli Swing '81" (1981) and then "Fifteen" (1982). A sort of trilogy in the form of a "free manifesto," according to the etymology of the word "manouche" ("free man"). So jazz, for Bireli, is mixed with a primordial freedom, "a freedom that has no limits..." "Django helped me to go and see what is happening elsewhere," he says.
Bireli was influenced not only by Django, but also Wes Montgomery and George Benson and soon Bireli turned to fusion jazz in the style of Jaco Pastorius and Weather Report.
From 1986 onwards Bireli, who had collaborations with Stéphane Grappelli and Larry Coryell, embarked on the adventure of fusion, deepening his experience and encounters. Bireli even hesitated for a while about which instrument to adopt (under the influence of Pastorius, Bireli had become a formidable bassist). He finally settled on the guitar for a period of research where he forged a dazzling style, showing exceptional faculties of adaptation supported by a talent of improvisation, placing him among the greatest. Multiple collaborations ensue. Bireli finds himself alongside John McLaughlin, Paco de Lucia, Al Di Meola, Jack Bruce and Ginger Baker (for a temporary reformation of Cream), Stanley Clarke, Miroslav Vitous, Lenny White, and Mike Stern. This impressive list doesn't even include the two live albums that Bireli recorded with Jaco Pastorius.
In 1990, the album "Acoustic Moments” is a beautiful synthesis of style. Walking the tightrope between traditional jazz and fusion. Then, Bireli finds the sweet spot as well as critical acclaim by playing the "classic" card with "Standards" (1992).
As Bireli’s "Viaggio" (1993) hit the streets, it coincides with his ever-increasing recognition on the national and international scenes. Bireli wins the coveted “Django d'Or” (The Golden Django) in 1993, and in 2001 “Victoires de la Musique” (the equivalent of a Grammy in the US and awarded by the French Ministry of Culture to recognize outstanding achievement in the music industry) for "Front Page" (2000). A "power trio" formed with Dominique Di Piazza and Dennis Chambers who recorded for Universal, crowning the success and popularity of the "Gipsy Project" (2001).
At 35 years old, after having played on almost every front of the modern guitar, after having interacted with some of the finest jazz musicians worldwide, Bireli Lagrene, wild and subtle, quick as a flash, decided to take up with the music of his origins by risking an incredible bet between virtuosity and depth. "Gipsy Project & Friends" (2002), happily celebrates with unaffected spontaneity while anchoring himself in a tradition that Bireli, at the top of his art, has at his fingertips.
Still in the tradition of gypsy jazz, Bireli released the album "Move" in 2004, which has the peculiarity of replacing the violin with a saxophone. Striking repertoire. Dazzling swing. The album is masterful. As success grew, Bireli toured the biggest festivals with his Gipsy Project until his triumph at the Olympia in 2005. This recording also featured the special guest guitar of Sylvain Luc.
In October 2006, to celebrate the 40th birthday of this outstanding musician, Dreyfus Jazz publishes an exceptional double CD: “Djangology” (with the Köln WDR Big Band) and “To Bi or Not To Bi” (solo recording).
These last 17 years - crowned by a 2012 “Medal of Chevalier des Arts et des Lettres” (recognition of significant contributions to the arts) - will see Bireli release thirteen albums including "The Alternative," alongside Jimmy Rosenberg and Angelo Debarre, with Stanley Clarke and Jean-Luc Ponty for an inspired "D-Stringz," with Rony Lakatos on the magnificent "Tribute to Stéphane & Django," with André Charlier and Benoît Sourisse on "Remembering Jaco" and solo on the superb "Solo Suites" released in 2022.
In 2023, Bireli Lagrene released in trio with Hono Winterstein (rhythm guitar) and Diego Imbert (double bass) a side project "Bireli Lagrene plays Loulou Gasté," a superb songbook dedicated to the repertoire of one of the most important authors of the golden age of French song, Louis Gasté.
Bireli continues with his music today, not style defined, but rather honoring his roots.
In the early 80's, Bireli was a child prodigy who developed his craft into an art. His story begins in 1966 in Saverne, France in the Alsace region - the heart of the gypsy community. Bireli was born into a family of musicians where he was introduced to the guitar at an early age by his father, then by his brother. Bireli was first spotted by Matelot Ferré, Django Reinhardt's companion.
During those early years Bireli was heavily influenced by Django. He was inspired by the master's choruses, listening to his records over and over again, trying at first to remake what he heard before finding his own style. We hear this unique style in Bireli’s first albums: "Routes to Django", released in 1980, "Bireli Swing '81" (1981) and then "Fifteen" (1982). A sort of trilogy in the form of a "free manifesto," according to the etymology of the word "manouche" ("free man"). So jazz, for Bireli, is mixed with a primordial freedom, "a freedom that has no limits..." "Django helped me to go and see what is happening elsewhere," he says.
Bireli was influenced not only by Django, but also Wes Montgomery and George Benson and soon Bireli turned to fusion jazz in the style of Jaco Pastorius and Weather Report.
From 1986 onwards Bireli, who had collaborations with Stéphane Grappelli and Larry Coryell, embarked on the adventure of fusion, deepening his experience and encounters. Bireli even hesitated for a while about which instrument to adopt (under the influence of Pastorius, Bireli had become a formidable bassist). He finally settled on the guitar for a period of research where he forged a dazzling style, showing exceptional faculties of adaptation supported by a talent of improvisation, placing him among the greatest. Multiple collaborations ensue. Bireli finds himself alongside John McLaughlin, Paco de Lucia, Al Di Meola, Jack Bruce and Ginger Baker (for a temporary reformation of Cream), Stanley Clarke, Miroslav Vitous, Lenny White, and Mike Stern. This impressive list doesn't even include the two live albums that Bireli recorded with Jaco Pastorius.
In 1990, the album "Acoustic Moments” is a beautiful synthesis of style. Walking the tightrope between traditional jazz and fusion. Then, Bireli finds the sweet spot as well as critical acclaim by playing the "classic" card with "Standards" (1992).
As Bireli’s "Viaggio" (1993) hit the streets, it coincides with his ever-increasing recognition on the national and international scenes. Bireli wins the coveted “Django d'Or” (The Golden Django) in 1993, and in 2001 “Victoires de la Musique” (the equivalent of a Grammy in the US and awarded by the French Ministry of Culture to recognize outstanding achievement in the music industry) for "Front Page" (2000). A "power trio" formed with Dominique Di Piazza and Dennis Chambers who recorded for Universal, crowning the success and popularity of the "Gipsy Project" (2001).
At 35 years old, after having played on almost every front of the modern guitar, after having interacted with some of the finest jazz musicians worldwide, Bireli Lagrene, wild and subtle, quick as a flash, decided to take up with the music of his origins by risking an incredible bet between virtuosity and depth. "Gipsy Project & Friends" (2002), happily celebrates with unaffected spontaneity while anchoring himself in a tradition that Bireli, at the top of his art, has at his fingertips.
Still in the tradition of gypsy jazz, Bireli released the album "Move" in 2004, which has the peculiarity of replacing the violin with a saxophone. Striking repertoire. Dazzling swing. The album is masterful. As success grew, Bireli toured the biggest festivals with his Gipsy Project until his triumph at the Olympia in 2005. This recording also featured the special guest guitar of Sylvain Luc.
In October 2006, to celebrate the 40th birthday of this outstanding musician, Dreyfus Jazz publishes an exceptional double CD: “Djangology” (with the Köln WDR Big Band) and “To Bi or Not To Bi” (solo recording).
These last 17 years - crowned by a 2012 “Medal of Chevalier des Arts et des Lettres” (recognition of significant contributions to the arts) - will see Bireli release thirteen albums including "The Alternative," alongside Jimmy Rosenberg and Angelo Debarre, with Stanley Clarke and Jean-Luc Ponty for an inspired "D-Stringz," with Rony Lakatos on the magnificent "Tribute to Stéphane & Django," with André Charlier and Benoît Sourisse on "Remembering Jaco" and solo on the superb "Solo Suites" released in 2022.
In 2023, Bireli Lagrene released in trio with Hono Winterstein (rhythm guitar) and Diego Imbert (double bass) a side project "Bireli Lagrene plays Loulou Gasté," a superb songbook dedicated to the repertoire of one of the most important authors of the golden age of French song, Louis Gasté.
Bireli continues with his music today, not style defined, but rather honoring his roots.
Show More
Genres:
Jazz
Hometown:
Saverne, France
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