Amy Helm
22,456 Followers
• 14 Upcoming Shows
14 Upcoming Shows
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Amy Helm's tour
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Circle Hat
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Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
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Fan Reviews
Stuart
August 14th 2023
Great show! Great venue! As good a show as I've ever seen and heard Amy and her band perform. Perhaps the best show ever. The band and the audience were really into it.
Woodstock, NY@Levon Helm Studios
David
April 10th 2023
An incredible concert. Amy and Grahme were so good. I love the songs from THE BAND. Not many people try to play covers of the BAND. Must have been the DNA because it was amazing. Amy said it was her first time preforming The Weight on stage. Knocked it out of the park girl :-)
Oh and all the Dead music was just as incredible. This older guy came out for 4 or 5 songs to play the bass. He was pretty good too :-) I danced the entire show with a group of ladies down front. They were having so much fun, I just had to join them.
I brought my Levon Helm album RCO Allstars to see if Amy could sign it. Her manager said that since she wasn't on the album (she was probably in diapers) she couldn't sign it. Which I was alright with. However, what I wanted to say was that Amy was probably more instrumental to the joy her Dad had making it, than any of the musicians that played on it.
I will try and see this concert whenever they come to Utah as well as upstate NY (in the summer).
Thank you for sharing your Dad's music Amy. It's part of the soundtrack of my life. Grahme, thank for sharing your Dad with us. Carrying on the beautiful music that was made by your father's and their band mates is so special. You both are honoring your father's in such a wonderful way. Great job.....!
Park City, UT@Egyptian Theatre
Bob
July 20th 2022
As always Amy, accompanied by Dan Littleton, Adam Minkoff and Tony Mason put on an awesome show. And Kuwamba Jazz Club is such an intimate venue.
I left NY 3 years and now reside in Colorado. The one thing I miss the most (besides NY Pizza) was visiting Levon's Barn up in Woodstock. I used to see Amy 5-10 times per year, along with the many talented "barn" adjacent musicians. It was delightful to see her in Santa Cruz.
Keep it Going!!!
Santa Cruz, CA@Kuumbwa Jazz Center
View More Fan Reviews
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About Amy Helm
Singer-songwriter and multi-instrumentalist Amy Helm’s third album, What the Flood Leaves Behind, is her most autobiographical yet, both in content and creation. Released in June 2021 via Renew Records/BMG, these 10 songs represent a gathering of ideas and experiences, friends and collaborators. Yet, the album also marks a landing — a pause for the traveling musician and mother of two young boys who was seeking clarity in her calling and career.
After making multiple albums and performing in far-flung places, Helm returned home to Woodstock’s Levon Helm Studios — casually known as The Barn — just before the pandemic to record What the Flood Leaves Behind and reclaim a sense of self.
The Barn became what Helm calls “the tuning fork” for the record — an ethereal, elemental component that helped her and musicians Phil Cook (keys, harmonica), Michael Libramento (bass, organ, percussion), Tony Mason (drums), Daniel Littleton (guitar), Stuart Bogie (saxophone), Jordan McLean (trumpet), and her son Lee Collins (congas) summon courage and comfort.
Additionally, musical polyglot Josh Kaufman (Taylor Swift, The National, Muzz, Bonny Light Horseman) produced and contributed on piano, guitar, and mandolin. Their immediate musical connection helped guide Helm’s powerful, emotive vocals to the forefront of the album.
“We tried to make it about her voice and about the musicians responding to her and not the other way around,” explains Kaufman. “I wanted her to feel like she had that freedom to be herself on the recordings and she just filled up the whole room. Her singing was coming from this deeply rooted place of family and music and wanting to convey a beauty.”
In particular, “Verse 23,” the track from which the album title is derived, that encapsulates the themes of What the Flood Leaves Behind. Written by M.C. Taylor (Hiss Golden Messenger), the song serves as a sort of “reckoning,” says Helm, “of the good and the bad and everything in between.”
Throughout the record, Helm sings stories of life’s relentlessness. But like she extrapolates from “Verse 23,” the most productive, and often the most healing response, is to create. As a result, What the Flood Leaves Behind serves as a defiant form of self-expression, as Helm steps fully into her own light.
After making multiple albums and performing in far-flung places, Helm returned home to Woodstock’s Levon Helm Studios — casually known as The Barn — just before the pandemic to record What the Flood Leaves Behind and reclaim a sense of self.
The Barn became what Helm calls “the tuning fork” for the record — an ethereal, elemental component that helped her and musicians Phil Cook (keys, harmonica), Michael Libramento (bass, organ, percussion), Tony Mason (drums), Daniel Littleton (guitar), Stuart Bogie (saxophone), Jordan McLean (trumpet), and her son Lee Collins (congas) summon courage and comfort.
Additionally, musical polyglot Josh Kaufman (Taylor Swift, The National, Muzz, Bonny Light Horseman) produced and contributed on piano, guitar, and mandolin. Their immediate musical connection helped guide Helm’s powerful, emotive vocals to the forefront of the album.
“We tried to make it about her voice and about the musicians responding to her and not the other way around,” explains Kaufman. “I wanted her to feel like she had that freedom to be herself on the recordings and she just filled up the whole room. Her singing was coming from this deeply rooted place of family and music and wanting to convey a beauty.”
In particular, “Verse 23,” the track from which the album title is derived, that encapsulates the themes of What the Flood Leaves Behind. Written by M.C. Taylor (Hiss Golden Messenger), the song serves as a sort of “reckoning,” says Helm, “of the good and the bad and everything in between.”
Throughout the record, Helm sings stories of life’s relentlessness. But like she extrapolates from “Verse 23,” the most productive, and often the most healing response, is to create. As a result, What the Flood Leaves Behind serves as a defiant form of self-expression, as Helm steps fully into her own light.
Show More
Genres:
Blues, Rock, Roots & Blues, Roots & Folk, Soul, Roots Rock, Americana, Folk
Hometown:
Woodstock, New York
No upcoming shows in your city
Send a request to Amy Helm to play in your city
Request a Show
Concerts and tour dates
Upcoming
Past
All Concerts & Live Streams
Show More Dates (14)
Live Photos of Amy Helm
View All Photos
Amy Helm's tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
Fan Reviews
Stuart
August 14th 2023
Great show! Great venue! As good a show as I've ever seen and heard Amy and her band perform. Perhaps the best show ever. The band and the audience were really into it.
Woodstock, NY@Levon Helm Studios
David
April 10th 2023
An incredible concert. Amy and Grahme were so good. I love the songs from THE BAND. Not many people try to play covers of the BAND. Must have been the DNA because it was amazing. Amy said it was her first time preforming The Weight on stage. Knocked it out of the park girl :-)
Oh and all the Dead music was just as incredible. This older guy came out for 4 or 5 songs to play the bass. He was pretty good too :-) I danced the entire show with a group of ladies down front. They were having so much fun, I just had to join them.
I brought my Levon Helm album RCO Allstars to see if Amy could sign it. Her manager said that since she wasn't on the album (she was probably in diapers) she couldn't sign it. Which I was alright with. However, what I wanted to say was that Amy was probably more instrumental to the joy her Dad had making it, than any of the musicians that played on it.
I will try and see this concert whenever they come to Utah as well as upstate NY (in the summer).
Thank you for sharing your Dad's music Amy. It's part of the soundtrack of my life. Grahme, thank for sharing your Dad with us. Carrying on the beautiful music that was made by your father's and their band mates is so special. You both are honoring your father's in such a wonderful way. Great job.....!
Park City, UT@Egyptian Theatre
Bob
July 20th 2022
As always Amy, accompanied by Dan Littleton, Adam Minkoff and Tony Mason put on an awesome show. And Kuwamba Jazz Club is such an intimate venue.
I left NY 3 years and now reside in Colorado. The one thing I miss the most (besides NY Pizza) was visiting Levon's Barn up in Woodstock. I used to see Amy 5-10 times per year, along with the many talented "barn" adjacent musicians. It was delightful to see her in Santa Cruz.
Keep it Going!!!
Santa Cruz, CA@Kuumbwa Jazz Center
View More Fan Reviews
About Amy Helm
Singer-songwriter and multi-instrumentalist Amy Helm’s third album, What the Flood Leaves Behind, is her most autobiographical yet, both in content and creation. Released in June 2021 via Renew Records/BMG, these 10 songs represent a gathering of ideas and experiences, friends and collaborators. Yet, the album also marks a landing — a pause for the traveling musician and mother of two young boys who was seeking clarity in her calling and career.
After making multiple albums and performing in far-flung places, Helm returned home to Woodstock’s Levon Helm Studios — casually known as The Barn — just before the pandemic to record What the Flood Leaves Behind and reclaim a sense of self.
The Barn became what Helm calls “the tuning fork” for the record — an ethereal, elemental component that helped her and musicians Phil Cook (keys, harmonica), Michael Libramento (bass, organ, percussion), Tony Mason (drums), Daniel Littleton (guitar), Stuart Bogie (saxophone), Jordan McLean (trumpet), and her son Lee Collins (congas) summon courage and comfort.
Additionally, musical polyglot Josh Kaufman (Taylor Swift, The National, Muzz, Bonny Light Horseman) produced and contributed on piano, guitar, and mandolin. Their immediate musical connection helped guide Helm’s powerful, emotive vocals to the forefront of the album.
“We tried to make it about her voice and about the musicians responding to her and not the other way around,” explains Kaufman. “I wanted her to feel like she had that freedom to be herself on the recordings and she just filled up the whole room. Her singing was coming from this deeply rooted place of family and music and wanting to convey a beauty.”
In particular, “Verse 23,” the track from which the album title is derived, that encapsulates the themes of What the Flood Leaves Behind. Written by M.C. Taylor (Hiss Golden Messenger), the song serves as a sort of “reckoning,” says Helm, “of the good and the bad and everything in between.”
Throughout the record, Helm sings stories of life’s relentlessness. But like she extrapolates from “Verse 23,” the most productive, and often the most healing response, is to create. As a result, What the Flood Leaves Behind serves as a defiant form of self-expression, as Helm steps fully into her own light.
After making multiple albums and performing in far-flung places, Helm returned home to Woodstock’s Levon Helm Studios — casually known as The Barn — just before the pandemic to record What the Flood Leaves Behind and reclaim a sense of self.
The Barn became what Helm calls “the tuning fork” for the record — an ethereal, elemental component that helped her and musicians Phil Cook (keys, harmonica), Michael Libramento (bass, organ, percussion), Tony Mason (drums), Daniel Littleton (guitar), Stuart Bogie (saxophone), Jordan McLean (trumpet), and her son Lee Collins (congas) summon courage and comfort.
Additionally, musical polyglot Josh Kaufman (Taylor Swift, The National, Muzz, Bonny Light Horseman) produced and contributed on piano, guitar, and mandolin. Their immediate musical connection helped guide Helm’s powerful, emotive vocals to the forefront of the album.
“We tried to make it about her voice and about the musicians responding to her and not the other way around,” explains Kaufman. “I wanted her to feel like she had that freedom to be herself on the recordings and she just filled up the whole room. Her singing was coming from this deeply rooted place of family and music and wanting to convey a beauty.”
In particular, “Verse 23,” the track from which the album title is derived, that encapsulates the themes of What the Flood Leaves Behind. Written by M.C. Taylor (Hiss Golden Messenger), the song serves as a sort of “reckoning,” says Helm, “of the good and the bad and everything in between.”
Throughout the record, Helm sings stories of life’s relentlessness. But like she extrapolates from “Verse 23,” the most productive, and often the most healing response, is to create. As a result, What the Flood Leaves Behind serves as a defiant form of self-expression, as Helm steps fully into her own light.
Show More
Genres:
Blues, Rock, Roots & Blues, Roots & Folk, Soul, Roots Rock, Americana, Folk
Hometown:
Woodstock, New York
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