Ozone Squeeze

“There are definitely no rules, set parameters – or formula at all,” explains Ozone Squeeze keyboardist and vocalist Rai Thistlethwayte. “It's always been an intuitive conversation.”

Consisting of Rai Thistlethwayte, New York based guitar virtuoso Oz Noy, and deep-grooving drummer Darren Stanley who spent last few years with recently departed iconic Col. Bruce Hampton, Ozone Squeeze present a boldly personal vision of soul, funk, and R&B music on their self-titled debut album, to be released by Abstract Logix on September 15. Bridging the emotional resonance of classic song forms with a sonic fluidity and exploratory impulse drawn from jazz and the outer limits of improvised music, Ozone Squeeze is a compelling snapshot of a new band reveling in the moment – at once loose and tight, audibly enthralled with the wide-ranging potential of their collective dynamic.

Cut over the course of just three days in Staten Island, New York, the trio cannily facilitate their new collaboration via a set consisting largely of familiar compositions from the rock, soul, and even jazz canons – many of which are surprisingly, insightfully re-imagined – along with three originals from Thistlethwayte. The songs provide common ground, but are not subject to common treatments. The Beatles’ “Come Together” opens the set, pared down to a broken sixteenth-note backbeat over which Noy layers molten shards of distortion that illuminate the song’s roots in the blues while adding a sinister new overtones. Elsewhere, the Proclaimers’ “I’m Gonna Be (500 Miles)” is reborn as slow-burning soul testimony, with a daring, skeletal approach supporting Thistlethwayte’s yearning, urgent vocal. “When approaching established material,” Noy explains, “you need to support the song, but still give it your own twist and sound. It’s a subtle thing…” For Ozone Squeeze, the song feeds into the improvisations while, at the same time, the improvisations feed back into the song.

Throughout Ozone Squeeze, the trio makes a virtue of space – bravely letting instruments resonate against spartan backdrops, letting the arrangements breath. Rai Thistlethwayte, known internationally as front man of the successful Australian band Thirsty Merc, is a triple threat, often performing lead vocals, keyboards, and keyboard bass simultaneously. Noy, whose own music is a harmonically inventive, off-kilter subversion of blues and rock sensibilities best encapsulated by his two-volume Twisted Blues series, moves smoothly between lead and rhythm roles, often using adventurous sonic textures for color and emphasis. The Atlanta-based Stanley provides the heartbeat. “His playing is all about pocket,” says Thistlethwayte, “but he's got all the other stuff too. He’s solid but also nuanced and agile. I love how he adds electronic sounds really tastefully, alongside his acoustic kit sounds.”

Ozone Squeeze is not designed as a one-off studio session: Rather, the band intends to continue to discover their shared future through live performances and further recordings. Rai sees no end to their appeal. “Darren grew up in Atlanta, Oz is from New York I'm from Australia via Los Angeles,” he concludes. “You've got such an interesting mix of local musical scenes to draw from between us all. It makes this group a really eclectic musical outfit, and I can’t help but believe that a band like this would go down well anywhere in the world.”