You’ve got great taste.
Sign in to follow your favorite artists, save events, & more.
Sign In
Rayford Griffin
475 Followers
Never miss another Rayford Griffin concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
Follow
No upcoming shows
Send a request to Rayford Griffin to play in your city
Request a Show
Similar Artists On Tour
concerts and tour dates
Past
JAN
20
2024
Los Angeles, CA
The Baked Potato
I Was There
JAN
14
2024
Alexandria, VA
Birchmere
I Was There
JAN
13
2024
Annapolis, MD
Rams Head Tavern
I Was There
OCT
19
2022
Los Angeles, CA
Vibrato Grill Jazz
I Was There
JUN
15
2022
Wilmington, DE
Rodney Square
I Was There
FEB
28
2022
Los Angeles, CA
The Baked Potato
I Was There
Show More Dates
About Rayford Griffin
It was the drum solos of Art Blakey and Max Roach on albums by his late, lamented uncle, trumpeter Clifford Brown, that lured Rayford to the drums.
Rayford Griffin has been internationally respected as among the most inventive, volcanic and versatile drummers in music, having amassed stellar credits with virtuosos ranging from Jean-Luc Ponty and The Stanley Clarke Band, George Duke, to Dave Koz, Anita Baker and Michael Jackson.
This amazing percussionist, composer and producer has roots that extend back to the most revolutionary era of jazz – be bop – thanks to his uncle: the great trumpeter/composer Clifford Brown. Indeed, it was being made pridefully aware of his uncle’s music very early in life by his aunt Larue Brown Watson (Clifford’s widow) and studying it that deeply influenced Rayford to become the far reaching musician that he is today. In that spirit, Rayford is in the process of completing Reflections of Brownie – his second album as a leader and his first since 2003’s Rebirth of the Cool – in a loving and fittingly innovative fashion.
Rayford was raised on a steady diet of uncle Clifford’s classics, the symphonic soul of Isaac Hayes, the earth blues basics of Jimi Hendrix and Buddy Miles, and the revolutionary jazz-rock fusion of Billy Cobham and Lenny White (in the Mahavishnu Orchestra and Return to Forever, respectively). Among the bands he played in as a teen at Shortridge High, Rayford found himself in Tarnished Silver, which also included a young Kenny “Babyface” Edmonds, Daryl Simmons and Tom Borton self-proclaimed “Earth, Wind & Fire wanna-bes.” Rayford even sang lead on songs such as “Can’t Hide Love” and WAR’s “Slippin’ Into Darkness.”
During his one year as a music major at Indiana State Rayford studied music theory and nabbed Best Drummer honors at three competitions, including the Elmhurst Jazz Festival. This led to him joining local fusion monsters, Merging Traffic, in 1977. One of their first gigs was opening for violinist Jean-Luc Ponty. In an interview for Modern Drummer magazine, Ponty recalled. “As we were coming into the hall, (Merging Traffic) was playing. In fact, it was during Rayford’s drum solo. Usually everybody just goes back to the dressing room while there’s an opening band on. But this time, everyone stayed to watch the drum solo. Rayford had the crowd in his hand.” A few years later, Rayford’s mother and older brother, Thomas, scraped together the money to send him to Los Angeles for an audition with Ponty (which he nailed), upon which time he embarked on the most high profile gig of his career playing with Ponty for six years and five albums (1981-1987).
“One year we played the Santa Monica Civic and everybody I listened to growing up was backstage: Stanley Clarke, George Duke, Lee Ritenour.”
Rayford would end up playing with most of them.
Rayford Griffin has been internationally respected as among the most inventive, volcanic and versatile drummers in music, having amassed stellar credits with virtuosos ranging from Jean-Luc Ponty and The Stanley Clarke Band, George Duke, to Dave Koz, Anita Baker and Michael Jackson.
This amazing percussionist, composer and producer has roots that extend back to the most revolutionary era of jazz – be bop – thanks to his uncle: the great trumpeter/composer Clifford Brown. Indeed, it was being made pridefully aware of his uncle’s music very early in life by his aunt Larue Brown Watson (Clifford’s widow) and studying it that deeply influenced Rayford to become the far reaching musician that he is today. In that spirit, Rayford is in the process of completing Reflections of Brownie – his second album as a leader and his first since 2003’s Rebirth of the Cool – in a loving and fittingly innovative fashion.
Rayford was raised on a steady diet of uncle Clifford’s classics, the symphonic soul of Isaac Hayes, the earth blues basics of Jimi Hendrix and Buddy Miles, and the revolutionary jazz-rock fusion of Billy Cobham and Lenny White (in the Mahavishnu Orchestra and Return to Forever, respectively). Among the bands he played in as a teen at Shortridge High, Rayford found himself in Tarnished Silver, which also included a young Kenny “Babyface” Edmonds, Daryl Simmons and Tom Borton self-proclaimed “Earth, Wind & Fire wanna-bes.” Rayford even sang lead on songs such as “Can’t Hide Love” and WAR’s “Slippin’ Into Darkness.”
During his one year as a music major at Indiana State Rayford studied music theory and nabbed Best Drummer honors at three competitions, including the Elmhurst Jazz Festival. This led to him joining local fusion monsters, Merging Traffic, in 1977. One of their first gigs was opening for violinist Jean-Luc Ponty. In an interview for Modern Drummer magazine, Ponty recalled. “As we were coming into the hall, (Merging Traffic) was playing. In fact, it was during Rayford’s drum solo. Usually everybody just goes back to the dressing room while there’s an opening band on. But this time, everyone stayed to watch the drum solo. Rayford had the crowd in his hand.” A few years later, Rayford’s mother and older brother, Thomas, scraped together the money to send him to Los Angeles for an audition with Ponty (which he nailed), upon which time he embarked on the most high profile gig of his career playing with Ponty for six years and five albums (1981-1987).
“One year we played the Santa Monica Civic and everybody I listened to growing up was backstage: Stanley Clarke, George Duke, Lee Ritenour.”
Rayford would end up playing with most of them.
Show More
Genres:
Jazz, Contemporary Jazz
Hometown:
Los Angeles, California
No upcoming shows
Send a request to Rayford Griffin to play in your city
Request a Show
Similar Artists On Tour
concerts and tour dates
Past
JAN
20
2024
Los Angeles, CA
The Baked Potato
I Was There
JAN
14
2024
Alexandria, VA
Birchmere
I Was There
JAN
13
2024
Annapolis, MD
Rams Head Tavern
I Was There
OCT
19
2022
Los Angeles, CA
Vibrato Grill Jazz
I Was There
JUN
15
2022
Wilmington, DE
Rodney Square
I Was There
FEB
28
2022
Los Angeles, CA
The Baked Potato
I Was There
Show More Dates
About Rayford Griffin
It was the drum solos of Art Blakey and Max Roach on albums by his late, lamented uncle, trumpeter Clifford Brown, that lured Rayford to the drums.
Rayford Griffin has been internationally respected as among the most inventive, volcanic and versatile drummers in music, having amassed stellar credits with virtuosos ranging from Jean-Luc Ponty and The Stanley Clarke Band, George Duke, to Dave Koz, Anita Baker and Michael Jackson.
This amazing percussionist, composer and producer has roots that extend back to the most revolutionary era of jazz – be bop – thanks to his uncle: the great trumpeter/composer Clifford Brown. Indeed, it was being made pridefully aware of his uncle’s music very early in life by his aunt Larue Brown Watson (Clifford’s widow) and studying it that deeply influenced Rayford to become the far reaching musician that he is today. In that spirit, Rayford is in the process of completing Reflections of Brownie – his second album as a leader and his first since 2003’s Rebirth of the Cool – in a loving and fittingly innovative fashion.
Rayford was raised on a steady diet of uncle Clifford’s classics, the symphonic soul of Isaac Hayes, the earth blues basics of Jimi Hendrix and Buddy Miles, and the revolutionary jazz-rock fusion of Billy Cobham and Lenny White (in the Mahavishnu Orchestra and Return to Forever, respectively). Among the bands he played in as a teen at Shortridge High, Rayford found himself in Tarnished Silver, which also included a young Kenny “Babyface” Edmonds, Daryl Simmons and Tom Borton self-proclaimed “Earth, Wind & Fire wanna-bes.” Rayford even sang lead on songs such as “Can’t Hide Love” and WAR’s “Slippin’ Into Darkness.”
During his one year as a music major at Indiana State Rayford studied music theory and nabbed Best Drummer honors at three competitions, including the Elmhurst Jazz Festival. This led to him joining local fusion monsters, Merging Traffic, in 1977. One of their first gigs was opening for violinist Jean-Luc Ponty. In an interview for Modern Drummer magazine, Ponty recalled. “As we were coming into the hall, (Merging Traffic) was playing. In fact, it was during Rayford’s drum solo. Usually everybody just goes back to the dressing room while there’s an opening band on. But this time, everyone stayed to watch the drum solo. Rayford had the crowd in his hand.” A few years later, Rayford’s mother and older brother, Thomas, scraped together the money to send him to Los Angeles for an audition with Ponty (which he nailed), upon which time he embarked on the most high profile gig of his career playing with Ponty for six years and five albums (1981-1987).
“One year we played the Santa Monica Civic and everybody I listened to growing up was backstage: Stanley Clarke, George Duke, Lee Ritenour.”
Rayford would end up playing with most of them.
Rayford Griffin has been internationally respected as among the most inventive, volcanic and versatile drummers in music, having amassed stellar credits with virtuosos ranging from Jean-Luc Ponty and The Stanley Clarke Band, George Duke, to Dave Koz, Anita Baker and Michael Jackson.
This amazing percussionist, composer and producer has roots that extend back to the most revolutionary era of jazz – be bop – thanks to his uncle: the great trumpeter/composer Clifford Brown. Indeed, it was being made pridefully aware of his uncle’s music very early in life by his aunt Larue Brown Watson (Clifford’s widow) and studying it that deeply influenced Rayford to become the far reaching musician that he is today. In that spirit, Rayford is in the process of completing Reflections of Brownie – his second album as a leader and his first since 2003’s Rebirth of the Cool – in a loving and fittingly innovative fashion.
Rayford was raised on a steady diet of uncle Clifford’s classics, the symphonic soul of Isaac Hayes, the earth blues basics of Jimi Hendrix and Buddy Miles, and the revolutionary jazz-rock fusion of Billy Cobham and Lenny White (in the Mahavishnu Orchestra and Return to Forever, respectively). Among the bands he played in as a teen at Shortridge High, Rayford found himself in Tarnished Silver, which also included a young Kenny “Babyface” Edmonds, Daryl Simmons and Tom Borton self-proclaimed “Earth, Wind & Fire wanna-bes.” Rayford even sang lead on songs such as “Can’t Hide Love” and WAR’s “Slippin’ Into Darkness.”
During his one year as a music major at Indiana State Rayford studied music theory and nabbed Best Drummer honors at three competitions, including the Elmhurst Jazz Festival. This led to him joining local fusion monsters, Merging Traffic, in 1977. One of their first gigs was opening for violinist Jean-Luc Ponty. In an interview for Modern Drummer magazine, Ponty recalled. “As we were coming into the hall, (Merging Traffic) was playing. In fact, it was during Rayford’s drum solo. Usually everybody just goes back to the dressing room while there’s an opening band on. But this time, everyone stayed to watch the drum solo. Rayford had the crowd in his hand.” A few years later, Rayford’s mother and older brother, Thomas, scraped together the money to send him to Los Angeles for an audition with Ponty (which he nailed), upon which time he embarked on the most high profile gig of his career playing with Ponty for six years and five albums (1981-1987).
“One year we played the Santa Monica Civic and everybody I listened to growing up was backstage: Stanley Clarke, George Duke, Lee Ritenour.”
Rayford would end up playing with most of them.
Show More
Genres:
Jazz, Contemporary Jazz
Hometown:
Los Angeles, California
Get the full experience with the Bandsintown app.