DJ Cam
28,335 Followers
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Circle Hat
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Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
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concerts and tour dates
Past
JUL
22
2023
Bontida, Romania
Bánffy Castle
I Was There
AUG
03
2019
Alpes-Maritimes, France
Courtine de Saint Paul de Vence
I Was There
JUN
02
2019
Atlantic City, NJ
Hard Rock Hotel Casino Atlantic City
I Was There
DEC
21
2018
Madison, WI
Ruby Madison
I Was There
SEP
22
2018
Monestier-de-Clermont, France
Quai Monge
I Was There
JUL
20
2018
Cluj, Romania
Electric Castle
I Was There
Show More Dates
Fan Reviews
Nico
February 25th 2017
Il a littéralement mis le feux à la Marquise !Dj Cam est depuis longtemps un excellent dj qui malgré toutes ces année continue de surprendre par ses enchaînements et choix musicaux. Du grand djaying sans hésitation. Au programme : des classique des clubs house du hip hop revisité avec talent, du Discogrande époque.. bref large quoi.Le lieu était atypique : une péniche transformé pour l'occasion en Club, ca rajoute un petit plus à l'expérience !Seul bémol : Il est arrivé un peu tard par rapport au timing prévu ! Surtout que je l'attendais :)Excellente soirée ! À refaire très vite
Lyon, France@La Marquise
About DJ Cam
Parisian hip-hop devotee Laurent Daumail is one of a few but growing number of French artists updating hip-hop for the chill-out crowd, drawing on the beats'n'samples groundwork of producers such as Rakim, DJ Premier, and Prince Paul and combining it with broad, impressionistic strokes of dub, jazz, and soundtrack-y ambience. Like countrymen the Mighty Bop and la Funk Mob, Cam is stylistically closest to Mo'Wax artists such as DJ Shadow and DJ Krush; minimalist, downbeat instrumental hip-hop built from obscure samples and stomp-box turntable accompaniment, bent and twisted into new, artfully arranged compositions.
His debut, 1994's Underground Vibes, was released on the tiny French label Street Jazz and was followed by a live recording for the Inflammable imprint (one of only a few "live" recordings in a genre so reliant on the temporal concessions of the recording studio). Dubbed Underground Live, the album featured performed extrapolations of many of the tracks from his debut, as well as a few new and improvised tracks. Now nearly impossible to find, those first two albums were reissued in America by Shadow Records, packaged together as the single-CD priced Mad Blunted Jazz (particularly useful since acquiring both on import could run more than 50 dollars!).
Although Cam's music has found little acceptance in his home country, audiences in the U.K., Japan, and America have begun picking up on his style. In 1996 Cam was featured on, among many others, the sprawling Mo'Wax compilation Headz 2, remixed tracks for such artists as Tek 9 and la Funk Mob, and most recently collaborated on live and in-studio projects with Snooze and DJ Krush (he co-wrote a few tracks on the latter's 1997 Mo'Wax release, Mi Sound). Cam released Substances on Inflammable in 1997. The next year, his major-label debut, The Beat Assassinated, appeared on Columbia Records. In 2000, he released a three-volume series named The Loa Project. Cam dropped HoneyMoon, a smooth mix album that combined jazz and underground hip hop, at the close of 2001.
His debut, 1994's Underground Vibes, was released on the tiny French label Street Jazz and was followed by a live recording for the Inflammable imprint (one of only a few "live" recordings in a genre so reliant on the temporal concessions of the recording studio). Dubbed Underground Live, the album featured performed extrapolations of many of the tracks from his debut, as well as a few new and improvised tracks. Now nearly impossible to find, those first two albums were reissued in America by Shadow Records, packaged together as the single-CD priced Mad Blunted Jazz (particularly useful since acquiring both on import could run more than 50 dollars!).
Although Cam's music has found little acceptance in his home country, audiences in the U.K., Japan, and America have begun picking up on his style. In 1996 Cam was featured on, among many others, the sprawling Mo'Wax compilation Headz 2, remixed tracks for such artists as Tek 9 and la Funk Mob, and most recently collaborated on live and in-studio projects with Snooze and DJ Krush (he co-wrote a few tracks on the latter's 1997 Mo'Wax release, Mi Sound). Cam released Substances on Inflammable in 1997. The next year, his major-label debut, The Beat Assassinated, appeared on Columbia Records. In 2000, he released a three-volume series named The Loa Project. Cam dropped HoneyMoon, a smooth mix album that combined jazz and underground hip hop, at the close of 2001.
Show More
Genres:
Electronic, Trip Hop
No upcoming shows
Send a request to DJ Cam to play in your city
Request a Show
Similar Artists On Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Past
JUL
22
2023
Bontida, Romania
Bánffy Castle
I Was There
AUG
03
2019
Alpes-Maritimes, France
Courtine de Saint Paul de Vence
I Was There
JUN
02
2019
Atlantic City, NJ
Hard Rock Hotel Casino Atlantic City
I Was There
DEC
21
2018
Madison, WI
Ruby Madison
I Was There
SEP
22
2018
Monestier-de-Clermont, France
Quai Monge
I Was There
JUL
20
2018
Cluj, Romania
Electric Castle
I Was There
Show More Dates
Fan Reviews
Nico
February 25th 2017
Il a littéralement mis le feux à la Marquise !Dj Cam est depuis longtemps un excellent dj qui malgré toutes ces année continue de surprendre par ses enchaînements et choix musicaux. Du grand djaying sans hésitation. Au programme : des classique des clubs house du hip hop revisité avec talent, du Discogrande époque.. bref large quoi.Le lieu était atypique : une péniche transformé pour l'occasion en Club, ca rajoute un petit plus à l'expérience !Seul bémol : Il est arrivé un peu tard par rapport au timing prévu ! Surtout que je l'attendais :)Excellente soirée ! À refaire très vite
Lyon, France@La Marquise
About DJ Cam
Parisian hip-hop devotee Laurent Daumail is one of a few but growing number of French artists updating hip-hop for the chill-out crowd, drawing on the beats'n'samples groundwork of producers such as Rakim, DJ Premier, and Prince Paul and combining it with broad, impressionistic strokes of dub, jazz, and soundtrack-y ambience. Like countrymen the Mighty Bop and la Funk Mob, Cam is stylistically closest to Mo'Wax artists such as DJ Shadow and DJ Krush; minimalist, downbeat instrumental hip-hop built from obscure samples and stomp-box turntable accompaniment, bent and twisted into new, artfully arranged compositions.
His debut, 1994's Underground Vibes, was released on the tiny French label Street Jazz and was followed by a live recording for the Inflammable imprint (one of only a few "live" recordings in a genre so reliant on the temporal concessions of the recording studio). Dubbed Underground Live, the album featured performed extrapolations of many of the tracks from his debut, as well as a few new and improvised tracks. Now nearly impossible to find, those first two albums were reissued in America by Shadow Records, packaged together as the single-CD priced Mad Blunted Jazz (particularly useful since acquiring both on import could run more than 50 dollars!).
Although Cam's music has found little acceptance in his home country, audiences in the U.K., Japan, and America have begun picking up on his style. In 1996 Cam was featured on, among many others, the sprawling Mo'Wax compilation Headz 2, remixed tracks for such artists as Tek 9 and la Funk Mob, and most recently collaborated on live and in-studio projects with Snooze and DJ Krush (he co-wrote a few tracks on the latter's 1997 Mo'Wax release, Mi Sound). Cam released Substances on Inflammable in 1997. The next year, his major-label debut, The Beat Assassinated, appeared on Columbia Records. In 2000, he released a three-volume series named The Loa Project. Cam dropped HoneyMoon, a smooth mix album that combined jazz and underground hip hop, at the close of 2001.
His debut, 1994's Underground Vibes, was released on the tiny French label Street Jazz and was followed by a live recording for the Inflammable imprint (one of only a few "live" recordings in a genre so reliant on the temporal concessions of the recording studio). Dubbed Underground Live, the album featured performed extrapolations of many of the tracks from his debut, as well as a few new and improvised tracks. Now nearly impossible to find, those first two albums were reissued in America by Shadow Records, packaged together as the single-CD priced Mad Blunted Jazz (particularly useful since acquiring both on import could run more than 50 dollars!).
Although Cam's music has found little acceptance in his home country, audiences in the U.K., Japan, and America have begun picking up on his style. In 1996 Cam was featured on, among many others, the sprawling Mo'Wax compilation Headz 2, remixed tracks for such artists as Tek 9 and la Funk Mob, and most recently collaborated on live and in-studio projects with Snooze and DJ Krush (he co-wrote a few tracks on the latter's 1997 Mo'Wax release, Mi Sound). Cam released Substances on Inflammable in 1997. The next year, his major-label debut, The Beat Assassinated, appeared on Columbia Records. In 2000, he released a three-volume series named The Loa Project. Cam dropped HoneyMoon, a smooth mix album that combined jazz and underground hip hop, at the close of 2001.
Show More
Genres:
Electronic, Trip Hop
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