Max Raptor
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Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Past
AUG
25
2017
Sulingen, Germany
Reload Festival
I Was There
AUG
04
2017
Porta Westfalica, Germany
Festival Kult
I Was There
JUN
03
2017
London, United Kingdom Of Great Britain And Northern Ireland
Various Venues
I Was There
APR
02
2017
Bochum, Germany
Zeche
I Was There
APR
01
2017
Essen, Germany
Weststadthalle
I Was There
MAR
31
2017
Stuttgart, Germany
LKA-Longhorn
I Was There
Show More Dates
Fan Reviews
Al
August 9th 2016
Great concert from the band! Good sound! But the location didn't fit the sound/band. Still Max Raptor are one of the best Live bands!
Zurich, Switzerland@Neo
Robert
October 8th 2015
One of their best yet. This band never fail to put on a show worth moving mountains to get to.
Camden, United Kingdom@Barfly
View More Fan Reviews
About Max Raptor
The anthemic candour of Midlands four-piece Max Raptor fuses classic British punk attitude with an astute sensibility to a ballsy riff, forthright narrative and infectious hook-fuelled chant. Having spent the last year touring, playing live and writing and recording debut material, building up a head of steam, a reputation for raucous and energetic live shows and a fan base in the process, Max Raptor are to release their debut mini-album 'Portraits' through Naim Edge Records.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
Show More
Genres:
Punk, Punk Rock, Punk Rock & Roll
Band Members:
Pete Reisner, Wil Ray, Ben Winnington, Matt Stevenson
Hometown:
London, United Kingdom
No upcoming shows
Send a request to Max Raptor to play in your city
Request a Show
Similar Artists On Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Past
AUG
25
2017
Sulingen, Germany
Reload Festival
I Was There
AUG
04
2017
Porta Westfalica, Germany
Festival Kult
I Was There
JUN
03
2017
London, United Kingdom Of Great Britain And Northern Ireland
Various Venues
I Was There
APR
02
2017
Bochum, Germany
Zeche
I Was There
APR
01
2017
Essen, Germany
Weststadthalle
I Was There
MAR
31
2017
Stuttgart, Germany
LKA-Longhorn
I Was There
Show More Dates
Fan Reviews
Al
August 9th 2016
Great concert from the band! Good sound! But the location didn't fit the sound/band. Still Max Raptor are one of the best Live bands!
Zurich, Switzerland@Neo
Robert
October 8th 2015
One of their best yet. This band never fail to put on a show worth moving mountains to get to.
Camden, United Kingdom@Barfly
View More Fan Reviews
About Max Raptor
The anthemic candour of Midlands four-piece Max Raptor fuses classic British punk attitude with an astute sensibility to a ballsy riff, forthright narrative and infectious hook-fuelled chant. Having spent the last year touring, playing live and writing and recording debut material, building up a head of steam, a reputation for raucous and energetic live shows and a fan base in the process, Max Raptor are to release their debut mini-album 'Portraits' through Naim Edge Records.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
Show More
Genres:
Punk, Punk Rock, Punk Rock & Roll
Band Members:
Pete Reisner, Wil Ray, Ben Winnington, Matt Stevenson
Hometown:
London, United Kingdom
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