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Oct 18th 2017 @ Milton Court Concert Hall
London, United Kingdom
I Was There
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Wednesday, October 18th, 2017
7:30 PM
Two UK premieres of immersive live performances.

Dasha Rush presents a piece entitled Antarctic Takt. This particular performance combines sound
and images evoking the expansive sub-zero atmosphere of the Antarctic continent; vast sliver, computer generated landscapes accompany metallic frequencies and undulating rhythms. Rush has a history of electronic experimentations, harnessing synthesised sounds and techno production to create performances that encompass dance and visual elements. Glazov, also from Russia, worked in the VFX film industry before focusing on 3D graphics and VJ production, as exemplified in Antarctic Takt.

LCC present Bastet, premiered recently at Sonar Festival 2017 and created in collaboration with
Portuguese filmmaker, Pedro Maia. As a project Bastet – the name of an Egyptian goddess closely linked to music and female power - arrived firstly in the form of the second album released by LCC on Editions Mego. The eight tracks making up the release are a ritual study, tracing ancient rites to the modern realm through cinematic, spellbinding recordings. In taking the project to the stage Pedro Maia adds elements of his practice; exploring and expanding the aesthetic and technological possibilities of
analogue film such as 16mm and 8mm material.