Alder & Ash
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Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Past
NOV
08
2019
Hlavní město Praha, Czechia
Punctum
I Was There
NOV
06
2019
Budapest, Hungary
Szimpla Kert
I Was There
NOV
05
2019
Budapest, Hungary
Szimpla Kert
I Was There
NOV
03
2019
Wien, Austria
Venster 99
I Was There
NOV
01
2019
Pardubice, Czechia
Klub 29
I Was There
OCT
31
2019
Leipzig, Germany
Noch Besser Leben
I Was There
Show More Dates
About Alder & Ash
Alder & Ash is cello taken to its absolute extremes of calm and violence. Montreal-based instrumentalist Adrian Copeland brings together elements of modern classical, noise, and doom, exploring the dichotomies of minimalism and maximalism, stillness and cacophony, terror and chaos.
Copeland composes on the cello, aided by the instrument’s remarkable range – not only the typical, smooth legato and pizzicato, but a host of extended techniques, as well: scordatura (detuning strings), col legno (striking the strings with the bow), ponticello (metallic, shrill overtones), and percussive sounds created from the cello itself.
The project has a broad, unorthodox variety of influences, which comes through in the final product. While the music is grounded in minimal classical and post-rock, it also reveals colours of black metal, industrial, classical impressionism, and ambient music.
The first Alder & Ash album, Psalms for the Sunder (2016) is visceral at its core; it delves into unexpected textures and musical ideas that range from bombastic and cacophonous, to more subtle and nostalgic. As the title suggests, Psalms is a study of downfall and collapse — in that tension and space it finds not only cacophony, violence and decay, but also beauty and calm.
Soon after its release, US-based label Lost Tribe Sound signed Copeland for a second album (and re-released the first album as part of a limited-edition subscription series). Clutched in the Maw of the World was released in 2017 to critical acclaim. It picks up the ideas of Psalms and pushes them further, exploring novel textures and ideas, and expanding the frontiers of Copeland’s previous work.
In Autumn of 2019, Alder & Ash released his third album, The Crowneater on the Montreal-based Mendicant Records. The production and songwriting is considerably more heavy, with a big focus on reinterpreting metalcore and industrial, all while maintaining his signature balance of minimalism and maximalism.
Copeland composes on the cello, aided by the instrument’s remarkable range – not only the typical, smooth legato and pizzicato, but a host of extended techniques, as well: scordatura (detuning strings), col legno (striking the strings with the bow), ponticello (metallic, shrill overtones), and percussive sounds created from the cello itself.
The project has a broad, unorthodox variety of influences, which comes through in the final product. While the music is grounded in minimal classical and post-rock, it also reveals colours of black metal, industrial, classical impressionism, and ambient music.
The first Alder & Ash album, Psalms for the Sunder (2016) is visceral at its core; it delves into unexpected textures and musical ideas that range from bombastic and cacophonous, to more subtle and nostalgic. As the title suggests, Psalms is a study of downfall and collapse — in that tension and space it finds not only cacophony, violence and decay, but also beauty and calm.
Soon after its release, US-based label Lost Tribe Sound signed Copeland for a second album (and re-released the first album as part of a limited-edition subscription series). Clutched in the Maw of the World was released in 2017 to critical acclaim. It picks up the ideas of Psalms and pushes them further, exploring novel textures and ideas, and expanding the frontiers of Copeland’s previous work.
In Autumn of 2019, Alder & Ash released his third album, The Crowneater on the Montreal-based Mendicant Records. The production and songwriting is considerably more heavy, with a big focus on reinterpreting metalcore and industrial, all while maintaining his signature balance of minimalism and maximalism.
Show More
Genres:
Ambient, Solo Cello, Metal, Doom Metal, Experimental, Other
Hometown:
Montreal, Canada
No upcoming shows
Send a request to Alder & Ash to play in your city
Request a Show
Similar Artists On Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Past
NOV
08
2019
Hlavní město Praha, Czechia
Punctum
I Was There
NOV
06
2019
Budapest, Hungary
Szimpla Kert
I Was There
NOV
05
2019
Budapest, Hungary
Szimpla Kert
I Was There
NOV
03
2019
Wien, Austria
Venster 99
I Was There
NOV
01
2019
Pardubice, Czechia
Klub 29
I Was There
OCT
31
2019
Leipzig, Germany
Noch Besser Leben
I Was There
Show More Dates
About Alder & Ash
Alder & Ash is cello taken to its absolute extremes of calm and violence. Montreal-based instrumentalist Adrian Copeland brings together elements of modern classical, noise, and doom, exploring the dichotomies of minimalism and maximalism, stillness and cacophony, terror and chaos.
Copeland composes on the cello, aided by the instrument’s remarkable range – not only the typical, smooth legato and pizzicato, but a host of extended techniques, as well: scordatura (detuning strings), col legno (striking the strings with the bow), ponticello (metallic, shrill overtones), and percussive sounds created from the cello itself.
The project has a broad, unorthodox variety of influences, which comes through in the final product. While the music is grounded in minimal classical and post-rock, it also reveals colours of black metal, industrial, classical impressionism, and ambient music.
The first Alder & Ash album, Psalms for the Sunder (2016) is visceral at its core; it delves into unexpected textures and musical ideas that range from bombastic and cacophonous, to more subtle and nostalgic. As the title suggests, Psalms is a study of downfall and collapse — in that tension and space it finds not only cacophony, violence and decay, but also beauty and calm.
Soon after its release, US-based label Lost Tribe Sound signed Copeland for a second album (and re-released the first album as part of a limited-edition subscription series). Clutched in the Maw of the World was released in 2017 to critical acclaim. It picks up the ideas of Psalms and pushes them further, exploring novel textures and ideas, and expanding the frontiers of Copeland’s previous work.
In Autumn of 2019, Alder & Ash released his third album, The Crowneater on the Montreal-based Mendicant Records. The production and songwriting is considerably more heavy, with a big focus on reinterpreting metalcore and industrial, all while maintaining his signature balance of minimalism and maximalism.
Copeland composes on the cello, aided by the instrument’s remarkable range – not only the typical, smooth legato and pizzicato, but a host of extended techniques, as well: scordatura (detuning strings), col legno (striking the strings with the bow), ponticello (metallic, shrill overtones), and percussive sounds created from the cello itself.
The project has a broad, unorthodox variety of influences, which comes through in the final product. While the music is grounded in minimal classical and post-rock, it also reveals colours of black metal, industrial, classical impressionism, and ambient music.
The first Alder & Ash album, Psalms for the Sunder (2016) is visceral at its core; it delves into unexpected textures and musical ideas that range from bombastic and cacophonous, to more subtle and nostalgic. As the title suggests, Psalms is a study of downfall and collapse — in that tension and space it finds not only cacophony, violence and decay, but also beauty and calm.
Soon after its release, US-based label Lost Tribe Sound signed Copeland for a second album (and re-released the first album as part of a limited-edition subscription series). Clutched in the Maw of the World was released in 2017 to critical acclaim. It picks up the ideas of Psalms and pushes them further, exploring novel textures and ideas, and expanding the frontiers of Copeland’s previous work.
In Autumn of 2019, Alder & Ash released his third album, The Crowneater on the Montreal-based Mendicant Records. The production and songwriting is considerably more heavy, with a big focus on reinterpreting metalcore and industrial, all while maintaining his signature balance of minimalism and maximalism.
Show More
Genres:
Ambient, Solo Cello, Metal, Doom Metal, Experimental, Other
Hometown:
Montreal, Canada
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