Александр Николаевич Скрябин
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concerts and tour dates
Past
NOV
27
2017
Paradise Place, United Kingdom
Birmingham Conservatoire
I Was There
MAY
11
2017
Oslo, Norway
Oslo-Filharmonien
I Was There
SEP
19
2015
Chicago, IL
Copernicus Center
I Was There
AUG
07
2015
Chicago, IL
Copernicus Center
I Was There
FEB
27
2015
Napoli, Italy
Largo S. Marcellino, 10
I Was There
AUG
23
2014
Chicago, IL
Park West
I Was There
Show More Dates
About Александр Николаевич Скрябин
Александр Николаевич Скрябин (1872-1915) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Show More
Genres:
Classical
No upcoming shows
Send a request to Александр Николаевич Скрябин to play in your city
Request a Show
Similar Artists On Tour
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Past
NOV
27
2017
Paradise Place, United Kingdom
Birmingham Conservatoire
I Was There
MAY
11
2017
Oslo, Norway
Oslo-Filharmonien
I Was There
SEP
19
2015
Chicago, IL
Copernicus Center
I Was There
AUG
07
2015
Chicago, IL
Copernicus Center
I Was There
FEB
27
2015
Napoli, Italy
Largo S. Marcellino, 10
I Was There
AUG
23
2014
Chicago, IL
Park West
I Was There
Show More Dates
About Александр Николаевич Скрябин
Александр Николаевич Скрябин (1872-1915) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another, it is most likely Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Alternative artist tag: http://www.last.fm/music/Alexander+Scriabin
Show More
Genres:
Classical
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